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“The House”
Sofie Krog Teater
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Kunstnerisk leder og performer Sofie Krog, stiftede i 2003 teatret med sin første forestilling ”DIVA”. Forestillingen har vundet internationale præmier og turnerer stadig i hele verden.

I 2005 mødte hun spanieren David Faraco, dukkefører, scenograf og skuespiller. Et samarbejde begyndte med ”THE HOUSE” hvor de sammen har konstrueret alt.

The House er en 100% dukketeaterforestilling.

the NEW BURLESQUE FESTIVAL 2010

The Festival is divided in 3 parts over 3 months with individual themes:
NEW, NO & NEO burlesque.
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In each part 3 artists will be presented in a full evening program with a host, a
beautiful live band for 2 nights only.

text by bragagild.dk

Othon & Tomasini is a duo consisting of Greek-born pianist Othon Mataragas and Italian-born singer Ernesto Tomasini. The elements – Othon’s virtuoso piano playing and original, genre-defying compositions and Tomasini’s spectacular voice, which has been called a “Banshee falsetto” by the English newspaper The Independent, and has a stunning range of 4 octaves combines to create a unique and idiosyncratic musical experience: An experimental and innovative blend, which breaks down every conceivable boundary between classical music, opera, theatre, cabaret, musical hall and pop music, the likes of which the world has never seen before. Haunting music, deranged performance and heightened theatricality are Othon & Tomasini’s trademarks.

Othon has released one extravagant album, Digital Angel, where Tomasini sang most of the songs. Guest Appearances includes David Tibet (Current 93) and Marc Almond (Soft Cell). Together, Othon & Tomasini are working on a new album called Impermanence. Among other projects, they have participated on the soundtrack of Bruce LaBruce’s movie Otto; or, Up with Dead People (2008) and, together with Peter “Sleazy” Christopherson (Coil, Throbbing Gristle, Psychic TV, SoiSong), a live performance of the soundtrack to Derek Jarman’s movie The Angelic Conversation. Other collaborations include a broad range of artists like Lee Adams, Black Sun Productions, Current 93, Fabrizio Modonese Palumbo (Larsen) among others. Other references include Klaus Nomi, Marc Almond, Baby Dee and Antony & the Johnsons.

http://www.myspace.com/othonandtomasini

http://messerkvartetten.dk/

http://martinhall.com

PRIDE SPECIAL with outdoor bar

Doors open 21:00

SHOWS
“Girls Night Out” (DK) – floorshow
Hairwerk & Jeanelle (DK) -”blondes have more dump”

DJ’s
Mark Moore (UK)
Prafix Aztech (DK)
Kenneth Cockwhore (DK)
Alexis (DK)

Entrance 50 DKK

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http://www.myspace.com/cherryoverdrive

A night of Death Rock, Post Punk, Dark Wave & No Wave

Chainsaw Eaters (DK)

The City Kill (DK)

Noisy Pig (Berlin)

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DJ Polina

DJ Batluder

Entrance 50 DKK

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http://myspace.com/chainsaweaters

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These three young Danes and one Australian mix their own brand of sinister, reverb-driven post-punk with the more classic influence of The Birthday Party, The Gun Club, Crime & the City Solution, Ennio Morricone, Nico and This Heat – droning walls of guitar noise and twang, whipped up around eerie vocals and subtle tribal drums.

The band formed in Copenhagen in late-2007, when school friends Bjarke, Tobias and Signe wound up making music together. The band received increasingly positive responses from their early shows, and a self-recorded demo from December 2007 got them positive reviews on the well respected transmission.nu and lowcut.dk music sites, and caused much talk in the Copenhagen underground rock community. They continued to operate and perform as a three-piece until October 2008, when they were joined by Matthew, an Australian musician new to Copenhagen. The City Kill released their self-titled debut LP in September 2009 on the Copenhagen-based Red Tape imprint, to positive reviews and strong sales. The album was recorded by Per Buhl Acs and mastered by Sods/Sort Sol/Bleeder Group legend Peter Peter.

The band ended 2009 with several shows around Copenhagen, culminating in a show with Australian ATP recording artists The Drones at Vega, and a set at the inaugural Scream In the Dark festival, a two-day event held at Huset i Magstræde. The City Kill are ready to begin 2010, after emerging fresh from a two month hiatus, used to work on material for their follow-up album. After their recent show at Loppen with hyped US noise rockers Times New Viking, The City Kill are preparing to book shows throughout the spring and summer of 2010, in anticipation of the recording of their second album later in the year.

MODERATOR

Gritt Uldall-Jessen, dramatiker
(Medlem af det kunstneriske råd, Warehouse 9).

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Warehouse 9 afholder en kunstnerpræsentation for Niko Raes, der igennem de seneste tre måneder har haft et arbejdsophold på Warehouse 9, under Statens kunstråds DIVA-ordning. Præsentationen vil have fokus på de to soloperformances, som han har opført under sit ophold, ”As We Resonate” og ”Fall With Trust”.

Niko Raes vil reflektere over sin egen praksis, herunder processen og opholdet i Warehouse 9. Hvori bestod hans kunstneriske undersøgelse? Hvilke erfaringer har han gjort i forbindelse med de to seneste værker? Hvad optager ham ud fra den erfaring, og hvordan vil han gå videre i sit kunstneriske arbejde?

Det er for Warehouse 9 vigtigt at facilitere et rum, hvor kunstneren som en afslutning på arbejdsopholdet kan reflektere over sin praksis og sin brug af virkemidler, samt gøre sig overvejelser omkring processen.

En anden vigtig del af præsentationen er, at kunstneren kan få respons og feedback fra et inviteret panel, der betragter Niko Raes’ arbejde ud fra deres forskellige tilgange, scenekunstnerisk og billedkunstnerisk.

Panelgæsterne er Knut Ove Arntzen, Kirsten Justesen, Lisbeth Sonne Andersen og Kasper Daugaard Poulsen. Moderator Gritt Uldall-Jessen vil også deltage i diskussionen, der kommer til at dreje sig om forhold som fiktionskontrakt, teatralitet og scenekunst.

Hvordan konstitueres fiktionskontrakten inden for Niko Raes’ performances? Hvad er hans overvejelser omkring teatralitet og scenekunst? I hvor høj grad disponerer og udnytter han de objekter, som han gør brug af, herunder performative virkemidler som for eksempel vand?

Hvordan er hans forhold til at arbejde inden for en scenekunstnerisk kontekst, som Warehouse 9 udgør? Hvordan oplever han skiftene imellem handlingerne at fotografere og at performe?

Afslutningsvist bliver funktion og rolle omkring live art-genren også taget op til diskussion. Giver det mening for kunstneren selv at gøre brug af en sådan betegnelse?

Arrangementet foregår på engelsk.