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DTSTART;VALUE=DATE:20260319
DTEND;VALUE=DATE:20260323
DTSTAMP:20260430T032734
CREATED:20260120T123005Z
LAST-MODIFIED:20260317T092316Z
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SUMMARY:IPAF FESTIVAL
DESCRIPTION:IPAF Festival returns 19-22 March\, 2026 at Dansehallerne! \nIPAF is Warehouse9’s international performance festival. The festival is a vital extension of the organisation’s dedicated work to support and present LGBTQIA+ artists and cultural practitioners. IPAF is a dynamic meeting place that creates opportunities for artistic development\, live performances\, and facilitates spaces for dialogue and community. \nThis year\, the festival is co-produced with Dansehallerne and presents genre-bending work in Copenhagen that actively engages with identity politics\, sexual expressions\, and body representations. IPAF is founded on the strong belief that dance and performance can offer new perspectives and understandings of reality\, inspire collective imagination\, and advocate for better and more just futures. \n2026 Festival Artists: \nAlex Franz Zehetbauer\, bonappétitsixsixsix\nCharlie Laban Trier\, Surfacing HypoKrisia\nEve Stainton\, The Joystick and The Reins\nHazem Header\, Maneater\nLucy McCormick\, Lucy & Friends  \nIn residence: Beck Heiberg & Anna Näsström \nTickets:\ntickets are purchased via Dansehallernes website: https://dansehallerne.dk/en/public-program/\nNote that there is a sliding scale option. This means that we have introduced a “pay what you can” ticket system for the performances. You can apply this by choosing the “IPAF community ticket level 1-4”. \nAccessibility:\nDansehallerne in Copenhagen offers good accessibility with step-free access via an elevator to all floors. Accessible and gender-neutral restrooms on the ground floor. \n  \nhttps://warehouse9.dk/wp-content/uploads/2026/01/IPAF-2026-Virtual-tour-2.mp4
URL:https://warehouse9.dk/da/event/ipaf-festival/
LOCATION:Dansehallerne\, Franciska Clausens Plads 27\, Copenhagen\, 1799
ATTACH;FMTTYPE=image/jpeg:https://warehouse9.dk/wp-content/uploads/2026/01/IPAF_2026General_soMe1x1_1080x1080.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Copenhagen:20260319T170000
DTEND;TZID=Europe/Copenhagen:20260319T180000
DTSTAMP:20260430T032734
CREATED:20260121T131748Z
LAST-MODIFIED:20260314T163709Z
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SUMMARY:Festival Opening
DESCRIPTION:IPAF presents: Festival Opening \nJoin us when Warehouse9’s IPAF Festival officially opens at Dansehallerne! \nThere will be bubbles\, speeches by Warehouse9 co-directors Jørgen Callesen and Emma Castro Møller\, and a spoken word performance by Rei Mansa.  \nRei Mansa has been part of Warehouse9 since the beginning and has been performing at several different events such as the Xmas cabarets and other fun stuff. \nHe has played around with gender expressions\, odd costumes and words.  \nToday he mostly focuses on spoken word\, but still with focus on gender & sexuality with a dash of healthy loathing of capitalism and norms. \nHe tries to be funny but mostly he’s just an elder-queer who’s tired of the stressful world and would like to be allowed to live in peace and quiet with his partner and cats. \nWhen and where: Thursday 19.03.2026\, 5pm – 6pm at Dansehallerne. \nTickets: Free\, with sign up.  \nGood to know:\nLanguage: English & Danish \nIPAF:\nIPAF is Warehouse9’s international performance festival. The festival is a vital extension of the organisation’s dedicated work to support and present LGBTQIA+ artists and cultural practitioners. IPAF is a dynamic meeting place that creates opportunities for artistic development\, live performances\, and facilitates spaces for dialogue and community. \nThis year\, the festival is co-produced with Dansehallerne and presents genre-bending work in Copenhagen that actively engages with identity politics\, sexual expressions\, and body representations. IPAF is founded on the strong belief that dance and performance can offer new perspectives and understandings of reality\, inspire collective imagination\, and advocate for better and more just futures. \nIPAF is made possible with support from the Dansehallerne\, Statens Kunstfond\, Københavns Kommune and Vesterbro Lokaludvalg. \nIPAF Tickets:\nTickets for the performances showing at IPAF are purchased via Dansehallernes website: https://dansehallerne.dk/en/public-program/\nNote that there is a sliding scale option available for everyone. This means that we have a “pay what you can” ticket system for the performances. You can apply this by choosing the “IPAF community ticket level 1-4”.  \nAccessibility:\nDansehallerne in Copenhagen has step-free access via an elevator to all floors. Accessible and gender-neutral restrooms on the ground floor.
URL:https://warehouse9.dk/da/event/festival-opening/
LOCATION:Dansehallerne\, Franciska Clausens Plads 27\, Copenhagen\, 1799
ATTACH;FMTTYPE=image/jpeg:https://warehouse9.dk/wp-content/uploads/2026/01/IPAF_thumbnail_1_Opening-low.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Copenhagen:20260319T180000
DTEND;TZID=Europe/Copenhagen:20260319T190000
DTSTAMP:20260430T032734
CREATED:20260121T124626Z
LAST-MODIFIED:20260317T122533Z
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SUMMARY:Charlie Laban Trier: Surfacing HypoKrisia
DESCRIPTION:IPAF presents: Charlie Laban Trier: Surfacing HypoKrisia \nSurfacing HypoKrisia is a series of performative efforts and spells to invoke manifestations of a speculative\, trans-mythic figure. Her name is HypoKrisia. She’s a figment of Charlie’s fantasy – imagined as the forgotten little sister of Tiresias\, the blind prophet from Greek mythology. The performance embarks on a journey researching resilience through the guidance of her. \nAccording to the myth\, Tiresias sees two snakes in a mating spiral. He is disgusted by the sight of something he does not understand and strikes the female snake. Because of this action\, Hera\, Zeus’ wife\, transforms him into a woman. \nBoth Tiresias and HypoKrisia could be read as trans figures\, but HypoKrisia resists a full  becoming. She insists on the liminal space and chooses to live in a performative state of “half un-done.” \nIn this imaginary myth she is deemed unworthy and dangerous by society and therefore erased from the stories. She’s the embodiment of the snake: smooth\, elusive\, and constantly on the verge of shedding skin. \nThe wish is to summon her from the depths\, because she has been held down beneath the surface for far too long. But in this act\, friction is inevitable; it’s not smooth sailing to bring forth what has been forgotten or perhaps never existed. It is like reaching through a portal to a time we cannot reach—and what emerges may be unknown and difficult to face. \nIn this dance-piece the audience is taken into a mythological spin\, where we no longer know who are speaking through whom. We’ll meet a lonesome character\, but there’s another presence hiding deep under. The boy attempts to invoke her\, he speaks in/with multiple tongues. \nThe pursuit is to dance with her; a dance-duet leading perhaps to a momentary take-over of his body. In this complicated partnership\, he tries to follow the laws of the trickster and together they embrace total pretense. Their tool-box is filled with contradictory disagreement\, faking and mimicry. \n  \nAbout the Artist:\nCharlie Laban Trier (b. 1987\, dk) is a performing artist who chooses to situate his practice deep within the realm of dance\, though the dances often appear through other forms such as; bottom-barrel yells turned into songs\, text-sampling\, endlessly becoming costume\, carrying/caring for screens\, extreme sculptural headbanging and more. He sees dance as inherently messy\, slippery and emergent – a form of knowledge that resists legibility.  \nLiving as a transperson\, is a big teacher in his thinking/approach to work. Charlie thinks of transness\, like dance\, as a technology that helps him complicate material. It allows for embodying multiple images\, seducing viewers\, and shifting fluidly between forms.  \nHe is currently investigating practices of collective myth-making\, wanting to foster conversations that resist fixed meaning and invite a dis-positioning of the hero/center-stage. \n  \nCredits: \nChoreography & performer: Charlie Laban Trier \nDramaturgical partner: Noha Ramadan \nLight designer: Angela X \nRC-vehicle builder: Anders Toft Pedersen \nOutside eye and RC-performer: Kai Merke \nMusic remix: Isadora Tomasi \nSpecial thanks: Angelica Stathopoulos \n  \nDeveloped with support from:  \nHIMHERANDIT\, Warehouse9 and Åbne Scene/Godsbanen – Queer Practice Residence 2025/26\, HAUT – IN PROCESS residency\, EHKÄ Contemporary Art Space Kutomo residency\, Performance space & PACT Sydney – Queer Development Program 2024\, Museion Bolzano – Opening the pill symposium 2022\, Arts Centre BUDA residency\, Jakoozi Amsterdam. \nMusic in piece: Aamourocean\, Britney Spears\, Cascada & Maurice West\, Chicane & Moya Brennan – The Thrillseekers remix\, Hole\, ORM. \n  \nGood to know:\n \nPossibility of close proximity to performer.\nSmoke in performance.\nLoud music at times.\nLanguage: English \n  \nIPAF:\nIPAF is Warehouse9’s international performance festival. The festival is a vital extension of the organisation’s dedicated work to support and present LGBTQIA+ artists and cultural practitioners. IPAF is a dynamic meeting place that creates opportunities for artistic development\, live performances\, and facilitates spaces for dialogue and community. \nThis year\, the festival is co-produced with Dansehallerne and presents genre-bending work in Copenhagen that actively engages with identity politics\, sexual expressions\, and body representations. IPAF is founded on the strong belief that dance and performance can offer new perspectives and understandings of reality\, inspire collective imagination\, and advocate for better and more just futures. \nIPAF is made possible with support from the Danish Arts Foundations\, the City of Copenhagen and Dansehallerne. \n  \nTickets:\ntickets are purchased via Dansehallernes website: https://dansehallerne.dk/en/public-program/\nNote that there is a sliding scale option. This means that we have introduced a “pay what you can” ticket system for the performances. You can apply this by choosing the “IPAF community ticket level 1-4”. \n  \nAccessibility:\nDansehallerne in Copenhagen offers good accessibility with step-free access via an elevator to all floors. Accessible and gender-neutral restrooms on the ground floor.
URL:https://warehouse9.dk/da/event/charlie-laban-trier-surfacing-hypokrisia/
LOCATION:Dansehallerne\, Franciska Clausens Plads 27\, Copenhagen\, 1799
ATTACH;FMTTYPE=image/jpeg:https://warehouse9.dk/wp-content/uploads/2026/01/IPAF_2026_CharlieLabanTrier_TN1x1_1080x1080.jpg
END:VEVENT
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DTSTART;TZID=Europe/Copenhagen:20260319T200000
DTEND;TZID=Europe/Copenhagen:20260319T210000
DTSTAMP:20260430T032734
CREATED:20260121T131223Z
LAST-MODIFIED:20260211T091517Z
UID:10000417-1773950400-1773954000@warehouse9.dk
SUMMARY:Eve Stainton: The Joystick and The Reins
DESCRIPTION:IPAF presents: Eve Stainton: The Joystick and The Reins \nArtist and choreographer Eve Stainton presents their new choreographic performance\, The Joystick and The Reins\, accompanied by Ennio Morricone’s haunting score for The Thing (1982). \nThe Joystick and The Reins explores who is deemed to be\, and those who decide what constitutes a ‘threat’ within society\, exploring how marginalised groups have been instrumentalised through systems of oppression and authoritarianism. \nCycling through hyper-emotional states of intensity that never arrive at a fixed point\, the solo figure and the scene itself become a site for the audience’s own projections. Referencing ideas of power\, dominance\, perpetrator\, victim\, threat and interpretation. \nInfluences for The Joystick and The Reins include historical reenactments\, police and riot arrest imagery\, and 1980s ‘Crime Watch’ episodes\, examining what it means to reconstruct a theatrical scene that draws on truth\, and how societal constructs keep people ‘at risk’ of incarceration in a place of vulnerability. \nMorricone’s powerful music finds resonance with Stainton’s mutual exploration of societal suspicion\, psychological horror\, and the devastating potential of individual isolation. \n  \nAbout the Artist:\nEve Stainton is an artist and choreographer born in Manchester and living in London\, UK. They create multi-disciplinary performances that involve movement practices\, welded steel/live welding\, digital collage\, and other invisible forces like drama and suspense. Their research is rooted in community\, interested in how differently marginalised people experience and come into relationship with power structures and societal conventions. Often working with codes or tropes of gender\, class and threat\, revealing ‘behind the scenes’ mechanisms of working together to show a kind of reality that isn’t seamless.  \nNotable presentations include: ICA (UK)\, Tramway (UK)\, Venice Biennale performance programme in collaboration with Florence Peake (IT)\, Dansehallerne (DK)\, Block Universe (UK)\, Dampfzentrale (CH)\, Donaufestival (AT)\, My Wild Flag (SE)\, Le Guess Who? (NL)\, Bergen Kunsthall (NO)\, Bozar (BE)\, Nottingham Contemporary (UK)\, Crac Occitanie (FR)\, LCMF (UK)\, CCA Glasgow (UK)\, Tangente (CA)\, Audra Festival (LT)\, Rouyn-Noranda Biennale (CA)\, The Mount Without (UK). \n  \nCredits:\n \nChoreography and performance: Eve Stainton\nProducer: Michael Kitchin\nCreative Producer: Sara Sassanelli\nLighting Designer: Edward Saunders\nRehearsal Director and Steward: Temitope Ajose\nRehearsal Director: Maëva Berthelot\nDramaturg: Florence Peake\nShield design and creation: Eve Stainton \nCo-commissioned by Bold Tendencies\, Dansehallerne (DK)\, Transform\, The Place and performance\, possession + automation (funded by the Arts and Humanities Research Council). Supported by Queen Mary University of London\, Old Diorama Arts Centre\, Den Frie Udstilling (DK)\, SLUG (DE)\, L’Ecart Biennial (CA) and Mind Eater (NO). With thanks to The Morricone Estate\, Wise Music Classical\, Martin O’Brien and Jim Tuck. \nSupported using public funding by the National Lottery through Arts Council England. \n  \nGood to know:\nAudience members will be invited to participate in simple tasks during the performance; any invitation can be declined. \n  \nIPAF:\nIPAF is Warehouse9’s international performance festival. The festival is a vital extension of the organisation’s dedicated work to support and present LGBTQIA+ artists and cultural practitioners. IPAF is a dynamic meeting place that creates opportunities for artistic development\, live performances\, and facilitates spaces for dialogue and community. \nThis year\, the festival is co-produced with Dansehallerne and presents genre-bending work in Copenhagen that actively engages with identity politics\, sexual expressions\, and body representations. IPAF is founded on the strong belief that dance and performance can offer new perspectives and understandings of reality\, inspire collective imagination\, and advocate for better and more just futures. \nIPAF is made possible with support from the Danish Arts Foundations\, the City of Copenhagen and Dansehallerne. \n  \nTickets:\ntickets are purchased via Dansehallernes website: https://dansehallerne.dk/en/public-program/\nNote that there is a sliding scale option. \n  \nAccessibility:\nDansehallerne in Copenhagen offers good accessibility with step-free access via an elevator to all floors\, accessible and gender-neutral restrooms on the ground floor.
URL:https://warehouse9.dk/da/event/the-joystick-and-the-reins/2026-03-19/
LOCATION:Dansehallerne\, Franciska Clausens Plads 27\, Copenhagen\, 1799
ATTACH;FMTTYPE=image/jpeg:https://warehouse9.dk/wp-content/uploads/2026/01/IPAF_2026_WH9_web_TN1x1_template.jpg
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