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DTSTART;TZID=Europe/Copenhagen:20260319T200000
DTEND;TZID=Europe/Copenhagen:20260319T210000
DTSTAMP:20260417T010948
CREATED:20260121T131223Z
LAST-MODIFIED:20260211T091517Z
UID:10000417-1773950400-1773954000@warehouse9.dk
SUMMARY:Eve Stainton: The Joystick and The Reins
DESCRIPTION:IPAF presents: Eve Stainton: The Joystick and The Reins \nArtist and choreographer Eve Stainton presents their new choreographic performance\, The Joystick and The Reins\, accompanied by Ennio Morricone’s haunting score for The Thing (1982). \nThe Joystick and The Reins explores who is deemed to be\, and those who decide what constitutes a ‘threat’ within society\, exploring how marginalised groups have been instrumentalised through systems of oppression and authoritarianism. \nCycling through hyper-emotional states of intensity that never arrive at a fixed point\, the solo figure and the scene itself become a site for the audience’s own projections. Referencing ideas of power\, dominance\, perpetrator\, victim\, threat and interpretation. \nInfluences for The Joystick and The Reins include historical reenactments\, police and riot arrest imagery\, and 1980s ‘Crime Watch’ episodes\, examining what it means to reconstruct a theatrical scene that draws on truth\, and how societal constructs keep people ‘at risk’ of incarceration in a place of vulnerability. \nMorricone’s powerful music finds resonance with Stainton’s mutual exploration of societal suspicion\, psychological horror\, and the devastating potential of individual isolation. \n  \nAbout the Artist:\nEve Stainton is an artist and choreographer born in Manchester and living in London\, UK. They create multi-disciplinary performances that involve movement practices\, welded steel/live welding\, digital collage\, and other invisible forces like drama and suspense. Their research is rooted in community\, interested in how differently marginalised people experience and come into relationship with power structures and societal conventions. Often working with codes or tropes of gender\, class and threat\, revealing ‘behind the scenes’ mechanisms of working together to show a kind of reality that isn’t seamless.  \nNotable presentations include: ICA (UK)\, Tramway (UK)\, Venice Biennale performance programme in collaboration with Florence Peake (IT)\, Dansehallerne (DK)\, Block Universe (UK)\, Dampfzentrale (CH)\, Donaufestival (AT)\, My Wild Flag (SE)\, Le Guess Who? (NL)\, Bergen Kunsthall (NO)\, Bozar (BE)\, Nottingham Contemporary (UK)\, Crac Occitanie (FR)\, LCMF (UK)\, CCA Glasgow (UK)\, Tangente (CA)\, Audra Festival (LT)\, Rouyn-Noranda Biennale (CA)\, The Mount Without (UK). \n  \nCredits:\n \nChoreography and performance: Eve Stainton\nProducer: Michael Kitchin\nCreative Producer: Sara Sassanelli\nLighting Designer: Edward Saunders\nRehearsal Director and Steward: Temitope Ajose\nRehearsal Director: Maëva Berthelot\nDramaturg: Florence Peake\nShield design and creation: Eve Stainton \nCo-commissioned by Bold Tendencies\, Dansehallerne (DK)\, Transform\, The Place and performance\, possession + automation (funded by the Arts and Humanities Research Council). Supported by Queen Mary University of London\, Old Diorama Arts Centre\, Den Frie Udstilling (DK)\, SLUG (DE)\, L’Ecart Biennial (CA) and Mind Eater (NO). With thanks to The Morricone Estate\, Wise Music Classical\, Martin O’Brien and Jim Tuck. \nSupported using public funding by the National Lottery through Arts Council England. \n  \nGood to know:\nAudience members will be invited to participate in simple tasks during the performance; any invitation can be declined. \n  \nIPAF:\nIPAF is Warehouse9’s international performance festival. The festival is a vital extension of the organisation’s dedicated work to support and present LGBTQIA+ artists and cultural practitioners. IPAF is a dynamic meeting place that creates opportunities for artistic development\, live performances\, and facilitates spaces for dialogue and community. \nThis year\, the festival is co-produced with Dansehallerne and presents genre-bending work in Copenhagen that actively engages with identity politics\, sexual expressions\, and body representations. IPAF is founded on the strong belief that dance and performance can offer new perspectives and understandings of reality\, inspire collective imagination\, and advocate for better and more just futures. \nIPAF is made possible with support from the Danish Arts Foundations\, the City of Copenhagen and Dansehallerne. \n  \nTickets:\ntickets are purchased via Dansehallernes website: https://dansehallerne.dk/en/public-program/\nNote that there is a sliding scale option. \n  \nAccessibility:\nDansehallerne in Copenhagen offers good accessibility with step-free access via an elevator to all floors\, accessible and gender-neutral restrooms on the ground floor.
URL:https://warehouse9.dk/da/event/the-joystick-and-the-reins/2026-03-19/
LOCATION:Dansehallerne\, Franciska Clausens Plads 27\, Copenhagen\, 1799
ATTACH;FMTTYPE=image/jpeg:https://warehouse9.dk/wp-content/uploads/2026/01/IPAF_2026_WH9_web_TN1x1_template.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Copenhagen:20260320T190000
DTEND;TZID=Europe/Copenhagen:20260320T200000
DTSTAMP:20260417T010948
CREATED:20260121T131223Z
LAST-MODIFIED:20260211T091517Z
UID:10000418-1774033200-1774036800@warehouse9.dk
SUMMARY:Eve Stainton: The Joystick and The Reins
DESCRIPTION:IPAF presents: Eve Stainton: The Joystick and The Reins \nArtist and choreographer Eve Stainton presents their new choreographic performance\, The Joystick and The Reins\, accompanied by Ennio Morricone’s haunting score for The Thing (1982). \nThe Joystick and The Reins explores who is deemed to be\, and those who decide what constitutes a ‘threat’ within society\, exploring how marginalised groups have been instrumentalised through systems of oppression and authoritarianism. \nCycling through hyper-emotional states of intensity that never arrive at a fixed point\, the solo figure and the scene itself become a site for the audience’s own projections. Referencing ideas of power\, dominance\, perpetrator\, victim\, threat and interpretation. \nInfluences for The Joystick and The Reins include historical reenactments\, police and riot arrest imagery\, and 1980s ‘Crime Watch’ episodes\, examining what it means to reconstruct a theatrical scene that draws on truth\, and how societal constructs keep people ‘at risk’ of incarceration in a place of vulnerability. \nMorricone’s powerful music finds resonance with Stainton’s mutual exploration of societal suspicion\, psychological horror\, and the devastating potential of individual isolation. \n  \nAbout the Artist:\nEve Stainton is an artist and choreographer born in Manchester and living in London\, UK. They create multi-disciplinary performances that involve movement practices\, welded steel/live welding\, digital collage\, and other invisible forces like drama and suspense. Their research is rooted in community\, interested in how differently marginalised people experience and come into relationship with power structures and societal conventions. Often working with codes or tropes of gender\, class and threat\, revealing ‘behind the scenes’ mechanisms of working together to show a kind of reality that isn’t seamless.  \nNotable presentations include: ICA (UK)\, Tramway (UK)\, Venice Biennale performance programme in collaboration with Florence Peake (IT)\, Dansehallerne (DK)\, Block Universe (UK)\, Dampfzentrale (CH)\, Donaufestival (AT)\, My Wild Flag (SE)\, Le Guess Who? (NL)\, Bergen Kunsthall (NO)\, Bozar (BE)\, Nottingham Contemporary (UK)\, Crac Occitanie (FR)\, LCMF (UK)\, CCA Glasgow (UK)\, Tangente (CA)\, Audra Festival (LT)\, Rouyn-Noranda Biennale (CA)\, The Mount Without (UK). \n  \nCredits:\n \nChoreography and performance: Eve Stainton\nProducer: Michael Kitchin\nCreative Producer: Sara Sassanelli\nLighting Designer: Edward Saunders\nRehearsal Director and Steward: Temitope Ajose\nRehearsal Director: Maëva Berthelot\nDramaturg: Florence Peake\nShield design and creation: Eve Stainton \nCo-commissioned by Bold Tendencies\, Dansehallerne (DK)\, Transform\, The Place and performance\, possession + automation (funded by the Arts and Humanities Research Council). Supported by Queen Mary University of London\, Old Diorama Arts Centre\, Den Frie Udstilling (DK)\, SLUG (DE)\, L’Ecart Biennial (CA) and Mind Eater (NO). With thanks to The Morricone Estate\, Wise Music Classical\, Martin O’Brien and Jim Tuck. \nSupported using public funding by the National Lottery through Arts Council England. \n  \nGood to know:\nAudience members will be invited to participate in simple tasks during the performance; any invitation can be declined. \n  \nIPAF:\nIPAF is Warehouse9’s international performance festival. The festival is a vital extension of the organisation’s dedicated work to support and present LGBTQIA+ artists and cultural practitioners. IPAF is a dynamic meeting place that creates opportunities for artistic development\, live performances\, and facilitates spaces for dialogue and community. \nThis year\, the festival is co-produced with Dansehallerne and presents genre-bending work in Copenhagen that actively engages with identity politics\, sexual expressions\, and body representations. IPAF is founded on the strong belief that dance and performance can offer new perspectives and understandings of reality\, inspire collective imagination\, and advocate for better and more just futures. \nIPAF is made possible with support from the Danish Arts Foundations\, the City of Copenhagen and Dansehallerne. \n  \nTickets:\ntickets are purchased via Dansehallernes website: https://dansehallerne.dk/en/public-program/\nNote that there is a sliding scale option. \n  \nAccessibility:\nDansehallerne in Copenhagen offers good accessibility with step-free access via an elevator to all floors\, accessible and gender-neutral restrooms on the ground floor.
URL:https://warehouse9.dk/da/event/the-joystick-and-the-reins/2026-03-20/
LOCATION:Dansehallerne\, Franciska Clausens Plads 27\, Copenhagen\, 1799
ATTACH;FMTTYPE=image/jpeg:https://warehouse9.dk/wp-content/uploads/2026/01/IPAF_2026_WH9_web_TN1x1_template.jpg
END:VEVENT
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DTSTART;TZID=Europe/Copenhagen:20260321T190000
DTEND;TZID=Europe/Copenhagen:20260321T200000
DTSTAMP:20260417T010948
CREATED:20260121T131223Z
LAST-MODIFIED:20260211T091517Z
UID:10000419-1774119600-1774123200@warehouse9.dk
SUMMARY:Eve Stainton: The Joystick and The Reins
DESCRIPTION:IPAF presents: Eve Stainton: The Joystick and The Reins \nArtist and choreographer Eve Stainton presents their new choreographic performance\, The Joystick and The Reins\, accompanied by Ennio Morricone’s haunting score for The Thing (1982). \nThe Joystick and The Reins explores who is deemed to be\, and those who decide what constitutes a ‘threat’ within society\, exploring how marginalised groups have been instrumentalised through systems of oppression and authoritarianism. \nCycling through hyper-emotional states of intensity that never arrive at a fixed point\, the solo figure and the scene itself become a site for the audience’s own projections. Referencing ideas of power\, dominance\, perpetrator\, victim\, threat and interpretation. \nInfluences for The Joystick and The Reins include historical reenactments\, police and riot arrest imagery\, and 1980s ‘Crime Watch’ episodes\, examining what it means to reconstruct a theatrical scene that draws on truth\, and how societal constructs keep people ‘at risk’ of incarceration in a place of vulnerability. \nMorricone’s powerful music finds resonance with Stainton’s mutual exploration of societal suspicion\, psychological horror\, and the devastating potential of individual isolation. \n  \nAbout the Artist:\nEve Stainton is an artist and choreographer born in Manchester and living in London\, UK. They create multi-disciplinary performances that involve movement practices\, welded steel/live welding\, digital collage\, and other invisible forces like drama and suspense. Their research is rooted in community\, interested in how differently marginalised people experience and come into relationship with power structures and societal conventions. Often working with codes or tropes of gender\, class and threat\, revealing ‘behind the scenes’ mechanisms of working together to show a kind of reality that isn’t seamless.  \nNotable presentations include: ICA (UK)\, Tramway (UK)\, Venice Biennale performance programme in collaboration with Florence Peake (IT)\, Dansehallerne (DK)\, Block Universe (UK)\, Dampfzentrale (CH)\, Donaufestival (AT)\, My Wild Flag (SE)\, Le Guess Who? (NL)\, Bergen Kunsthall (NO)\, Bozar (BE)\, Nottingham Contemporary (UK)\, Crac Occitanie (FR)\, LCMF (UK)\, CCA Glasgow (UK)\, Tangente (CA)\, Audra Festival (LT)\, Rouyn-Noranda Biennale (CA)\, The Mount Without (UK). \n  \nCredits:\n \nChoreography and performance: Eve Stainton\nProducer: Michael Kitchin\nCreative Producer: Sara Sassanelli\nLighting Designer: Edward Saunders\nRehearsal Director and Steward: Temitope Ajose\nRehearsal Director: Maëva Berthelot\nDramaturg: Florence Peake\nShield design and creation: Eve Stainton \nCo-commissioned by Bold Tendencies\, Dansehallerne (DK)\, Transform\, The Place and performance\, possession + automation (funded by the Arts and Humanities Research Council). Supported by Queen Mary University of London\, Old Diorama Arts Centre\, Den Frie Udstilling (DK)\, SLUG (DE)\, L’Ecart Biennial (CA) and Mind Eater (NO). With thanks to The Morricone Estate\, Wise Music Classical\, Martin O’Brien and Jim Tuck. \nSupported using public funding by the National Lottery through Arts Council England. \n  \nGood to know:\nAudience members will be invited to participate in simple tasks during the performance; any invitation can be declined. \n  \nIPAF:\nIPAF is Warehouse9’s international performance festival. The festival is a vital extension of the organisation’s dedicated work to support and present LGBTQIA+ artists and cultural practitioners. IPAF is a dynamic meeting place that creates opportunities for artistic development\, live performances\, and facilitates spaces for dialogue and community. \nThis year\, the festival is co-produced with Dansehallerne and presents genre-bending work in Copenhagen that actively engages with identity politics\, sexual expressions\, and body representations. IPAF is founded on the strong belief that dance and performance can offer new perspectives and understandings of reality\, inspire collective imagination\, and advocate for better and more just futures. \nIPAF is made possible with support from the Danish Arts Foundations\, the City of Copenhagen and Dansehallerne. \n  \nTickets:\ntickets are purchased via Dansehallernes website: https://dansehallerne.dk/en/public-program/\nNote that there is a sliding scale option. \n  \nAccessibility:\nDansehallerne in Copenhagen offers good accessibility with step-free access via an elevator to all floors\, accessible and gender-neutral restrooms on the ground floor.
URL:https://warehouse9.dk/da/event/the-joystick-and-the-reins/2026-03-21/
LOCATION:Dansehallerne\, Franciska Clausens Plads 27\, Copenhagen\, 1799
ATTACH;FMTTYPE=image/jpeg:https://warehouse9.dk/wp-content/uploads/2026/01/IPAF_2026_WH9_web_TN1x1_template.jpg
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