BEGIN:VCALENDAR VERSION:2.0 PRODID:-//Warehouse9 - ECPv6.15.15//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-WR-CALNAME:Warehouse9 X-ORIGINAL-URL:https://warehouse9.dk X-WR-CALDESC:Events for Warehouse9 REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:Europe/London BEGIN:DAYLIGHT TZOFFSETFROM:+0000 TZOFFSETTO:+0100 TZNAME:BST DTSTART:20230326T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0100 TZOFFSETTO:+0000 TZNAME:GMT DTSTART:20231029T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0000 TZOFFSETTO:+0100 TZNAME:BST DTSTART:20240331T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0100 TZOFFSETTO:+0000 TZNAME:GMT DTSTART:20241027T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0000 TZOFFSETTO:+0100 TZNAME:BST DTSTART:20250330T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0100 TZOFFSETTO:+0000 TZNAME:GMT DTSTART:20251026T010000 END:STANDARD END:VTIMEZONE BEGIN:VTIMEZONE TZID:America/New_York BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20230312T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20231105T060000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20240310T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20241103T060000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20250309T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20251102T060000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;VALUE=DATE:20240520 DTEND;VALUE=DATE:20240527 DTSTAMP:20260501T051950 CREATED:20240408T134259Z LAST-MODIFIED:20240408T134259Z UID:10000325-1716163200-1716767999@warehouse9.dk SUMMARY:Artists-In-Residence: Alba&Linn DESCRIPTION:Alba&Linn (Alba Greve & Linn Haldrup Lorenzen) are currently undertaking a 4-month research and development residency working on their new project  Out of The Coffin supported by HIMHERANDIT Productions and Warehouse9.  \nFrom 20th – 26th May\, Alba&Linn will be working as Artist-in-Residence in our new workspace in Vanløse\, preparing for the public sharing at Genderhouse Festival in Aarhus. \nDuring their overall residency period they have taken a deep dive into the rich and bloody archive of vampire fiction and stories as a queer figure and fantasy. Being other\, living at night in a queer temporality\, that is hidden and dissolves by day\, and an existence only possible through what is deemed immoral by those who fear the vampire\, and much more. \nThe residency is part of HIMHERANDIT Productions (Aarhus) and Warehouse9’s (Copenhagen) new research and development initative Queer Practice. Both organisations have a key interest in ensuring queer artists’ practice is cared for and represented in the greater performing arts landscape in Denmark. This initiative is a first-step in our collaboration and will offer an opportunity to support practice between Aarhus and Copenhagen over a longer period of time. \nTo date Alba&Linn have shared their work-in-progress in Aarhus at Q&A Studios and Åben Scene\, and at Warehouse9’s IPAF festival at Dansekapellet. \nOn May 30th they will share their work as part of Genderhouse Festival in Aarhus.  URL:https://warehouse9.dk/event/artists-in-residence-albalinn/ LOCATION:Warehouse9\, Rosenlunds Allé 5\, Baghuset\, Copenhagen\, 2720\, Denmark ATTACH;FMTTYPE=image/jpeg:https://warehouse9.dk/wp-content/uploads/2024/02/linn.jpeg ORGANIZER;CN="Warehouse9":MAILTO:info@warehouse9.dk END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20240510T203000 DTEND;TZID=Europe/London:20240510T213000 DTSTAMP:20260501T051950 CREATED:20240402T125109Z LAST-MODIFIED:20240408T125156Z UID:10000323-1715373000-1715376600@warehouse9.dk SUMMARY:Jessica Karuhanga: ground and cover me DESCRIPTION:Jessica Karuhanga \nArtist talk @ 19:30 followed by performance @ 20:30 \nground and cover me engages with the physical and figurative contours of the institutional space. Karuhanga enacts gradual movements that are intuitive and deliberate responses to the walls\, windows and ground. This piece is a choreographic rupture to institutional spaces that otherwise insist upon Black Queer people’s disappearance. \nBio \nJessica Karuhanga is a first-generation Canadian artist of British-Ugandan heritage whose work addresses the cultural politics of identity and Black diasporic concerns through lens-based technologies\, writing\, drawing and performances. She explores individual and collective concerns of Black subjectivity and embodiment through her practice. \nKaruhanga has exhibited her work at the Kitchener-Waterloo Art Gallery (2023)\, Mitchell Art Gallery (Edmonton\, 2022)\, the Robert McLaughlin Gallery (Oshawa\, 2021)\, Varley Art Gallery (Markham\, 2020)\, The Bentway (Toronto\, 2019) and Nuit Blanche (Toronto\, 2018). She has performed at Remai Modern (Saskatoon\, 2023)\, Pallas Art Projects (Dublin\, IE\, 2022)\, WNDX Festival of Moving Image (Winnipeg\, 2020)\, Long Winter (Toronto\, 2019)\, Royal Ontario Museum (Toronto\, 2018)\, Cooper Cole (Toronto\, 2017)\, Goldsmiths (London\, UK\, 2017) and DoubleDouble Land (Toronto\, 2016). C Magazine\, BlackFlash\, Susan Hobbs Gallery\, Blackwood Gallery and Founderie Darling have published Karuhanga’s writing. She has been featured in AGO’s Artist Spotlight\, i-D\, DAZED\, Visual Aids\, Border Crossings\, Toronto Star\, CBC Arts\, ESSE\, and the Globe and Mail. She earned her BFA from Western University and MFA from the University of Victoria. She is an Assistant Professor in Studio Art in the Visual Arts Department at Western University (London\, ON\, Canada). \nwww.jessicakaruhanga.net \n  \nPresented as part of QALEIDOSCOPE QUEER FILM AND PERFORMANCE ON TOUR 2024 URL:https://warehouse9.dk/event/jessica-karuhanga-ground-and-cover-me/2024-05-10/2/ LOCATION:Warehouse9\, Rosenlunds Allé 5\, Baghuset\, Copenhagen\, 2720\, Denmark ATTACH;FMTTYPE=image/jpeg:https://warehouse9.dk/wp-content/uploads/2024/04/Untitled-design.jpeg ORGANIZER;CN="Warehouse9":MAILTO:info@warehouse9.dk END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20240510T193000 DTEND;TZID=Europe/London:20240510T201500 DTSTAMP:20260501T051950 CREATED:20240402T125109Z LAST-MODIFIED:20240408T125156Z UID:10000322-1715369400-1715372100@warehouse9.dk SUMMARY:Jessica Karuhanga: ground and cover me DESCRIPTION:Jessica Karuhanga \nArtist talk @ 19:30 followed by performance @ 20:30 \nground and cover me engages with the physical and figurative contours of the institutional space. Karuhanga enacts gradual movements that are intuitive and deliberate responses to the walls\, windows and ground. This piece is a choreographic rupture to institutional spaces that otherwise insist upon Black Queer people’s disappearance. \nBio \nJessica Karuhanga is a first-generation Canadian artist of British-Ugandan heritage whose work addresses the cultural politics of identity and Black diasporic concerns through lens-based technologies\, writing\, drawing and performances. She explores individual and collective concerns of Black subjectivity and embodiment through her practice. \nKaruhanga has exhibited her work at the Kitchener-Waterloo Art Gallery (2023)\, Mitchell Art Gallery (Edmonton\, 2022)\, the Robert McLaughlin Gallery (Oshawa\, 2021)\, Varley Art Gallery (Markham\, 2020)\, The Bentway (Toronto\, 2019) and Nuit Blanche (Toronto\, 2018). She has performed at Remai Modern (Saskatoon\, 2023)\, Pallas Art Projects (Dublin\, IE\, 2022)\, WNDX Festival of Moving Image (Winnipeg\, 2020)\, Long Winter (Toronto\, 2019)\, Royal Ontario Museum (Toronto\, 2018)\, Cooper Cole (Toronto\, 2017)\, Goldsmiths (London\, UK\, 2017) and DoubleDouble Land (Toronto\, 2016). C Magazine\, BlackFlash\, Susan Hobbs Gallery\, Blackwood Gallery and Founderie Darling have published Karuhanga’s writing. She has been featured in AGO’s Artist Spotlight\, i-D\, DAZED\, Visual Aids\, Border Crossings\, Toronto Star\, CBC Arts\, ESSE\, and the Globe and Mail. She earned her BFA from Western University and MFA from the University of Victoria. She is an Assistant Professor in Studio Art in the Visual Arts Department at Western University (London\, ON\, Canada). \nwww.jessicakaruhanga.net \n  \nPresented as part of QALEIDOSCOPE QUEER FILM AND PERFORMANCE ON TOUR 2024 URL:https://warehouse9.dk/event/jessica-karuhanga-ground-and-cover-me/2024-05-10/1/ LOCATION:Warehouse9\, Rosenlunds Allé 5\, Baghuset\, Copenhagen\, 2720\, Denmark ATTACH;FMTTYPE=image/jpeg:https://warehouse9.dk/wp-content/uploads/2024/04/Untitled-design.jpeg ORGANIZER;CN="Warehouse9":MAILTO:info@warehouse9.dk END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20240509T200000 DTEND;TZID=Europe/London:20240509T213000 DTSTAMP:20260501T051950 CREATED:20240408T123609Z LAST-MODIFIED:20240408T123933Z UID:10000319-1715284800-1715290200@warehouse9.dk SUMMARY:QALEIDOSCOPE QUEER FILM AND PERFORMANCE DESCRIPTION:WELCOME TO QALEIDOSCOPE\nQUEER FILM AND PERFORMANCE ON TOUR 2024 – THE BALTICS RIGA • GOTHENBURG • TALLINN • TURKU • VILNIUS • COPENHAGEN  \nScreening program 2 (of 2) see list of screenings here: Baltic film programs \nSee the full programme of films here: https://queercitycinema.ca/tour2024-baltics/?events=copenhagen  \nQALEIDOSCOPE QUEER FILM AND PERFORMANCE ON TOUR 2024 – THE  BALTICS – will feature Queer and QTBIPOC (Queer\, Trans\, Black\, Indigenous\, Persons  of Color) film and performance art that explore\, question and play with identity to  propose and investigate diverse ways of looking at sexuality\, gender and race.   \nAs the titles suggests\, QALEIDOSCOPE – will be a well-textured assemblage of  images\, ideas\, and realities that collide in fantastical\, personal\, and playful ways to  produce an ever-changing\, multi-faceted queer film and performance art viewing  experience.   \nSome of the films focus on image\, sound and abstract narratives; others present  information\, facts\, and queerforward realities; while others share the pleasure and pain  of individual and collective identities. Even though experimental and artistically rigorous  artworks are in abundance\, and heavy hitting and thoughtful issues and topics such as  feminism\, race\, racism\, class\, identity politics\, community\, colonization\, conceptual art\,  politics\, religion\, violence\, popular culture\, gender and of course sexuality are provided  for their important role in providing awareness and insight on many levels\, transgressive  and subversive play is also an important characteristic of several of the films on the tour.  This is in keeping with Queer City Cinema’s mandate to reflect hallmarks of queer  image making — in this case\, film with a decidedly tongue-in-cheek disposition and  sensibility; injecting the programming with moments of intelligent\, incisive humour – film  that pleases and appeases.   \nQALEIDOSCOPE was conceived to promote the artistic vision of Queer and QTBIPOC  filmmakers and performance artists whose work might not otherwise be shown within  these urban centres in The Baltics. These works\, though falling under the banner of  ‘queer’\, remain relevant to the broader artistic communities in each of the five cities\, not  only because of the subject matter broached but also because many of the artists  represented float amongst multiple disciplines within the context of the film\, visual and  performance art. In this sense\, artistic rigour and the fluidity of experience are  paramount in the programming for the tour.   \nThis will be the tenth tour of Queer City Cinema’s programming. This tour follows  QALEIDOSCOPE – Queer Film On Tour 2023 Canada and QALEIDOSCOPE – Queer  Film On Tour 2023 The Balkans.  \nGary Varro\nExecutive and Artistic Director\nQueer City Cinema and Performatorium  URL:https://warehouse9.dk/event/qaleidoscope-queer-film-and-performance-2/ LOCATION:Warehouse9\, Rosenlunds Allé 5\, Baghuset\, Copenhagen\, 2720\, Denmark ATTACH;FMTTYPE=image/png:https://warehouse9.dk/wp-content/uploads/2024/04/QCC2024Tour-Baltics_PSA_1116x1062-1.png ORGANIZER;CN="Warehouse9":MAILTO:info@warehouse9.dk END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20240509T180000 DTEND;TZID=Europe/London:20240509T193000 DTSTAMP:20260501T051950 CREATED:20240402T123802Z LAST-MODIFIED:20240408T124109Z UID:10000318-1715277600-1715283000@warehouse9.dk SUMMARY:QALEIDOSCOPE QUEER FILM AND PERFORMANCE DESCRIPTION:WELCOME TO QALEIDOSCOPE\nQUEER FILM AND PERFORMANCE ON TOUR 2024 – THE BALTICS RIGA • GOTHENBURG • TALLINN • TURKU • VILNIUS • COPENHAGEN  \nScreening program 1 (of 2) see list of screenings here: Baltic film programs \nSee the full programme of films here: https://queercitycinema.ca/tour2024-baltics/?events=copenhagen  \nQALEIDOSCOPE QUEER FILM AND PERFORMANCE ON TOUR 2024 – THE  BALTICS – will feature Queer and QTBIPOC (Queer\, Trans\, Black\, Indigenous\, Persons  of Color) film and performance art that explore\, question and play with identity to  propose and investigate diverse ways of looking at sexuality\, gender and race.   \nAs the titles suggests\, QALEIDOSCOPE – will be a well-textured assemblage of  images\, ideas\, and realities that collide in fantastical\, personal\, and playful ways to  produce an ever-changing\, multi-faceted queer film and performance art viewing  experience.   \nSome of the films focus on image\, sound and abstract narratives; others present  information\, facts\, and queerforward realities; while others share the pleasure and pain  of individual and collective identities. Even though experimental and artistically rigorous  artworks are in abundance\, and heavy hitting and thoughtful issues and topics such as  feminism\, race\, racism\, class\, identity politics\, community\, colonization\, conceptual art\,  politics\, religion\, violence\, popular culture\, gender and of course sexuality are provided  for their important role in providing awareness and insight on many levels\, transgressive  and subversive play is also an important characteristic of several of the films on the tour.  This is in keeping with Queer City Cinema’s mandate to reflect hallmarks of queer  image making — in this case\, film with a decidedly tongue-in-cheek disposition and  sensibility; injecting the programming with moments of intelligent\, incisive humour – film  that pleases and appeases.   \nQALEIDOSCOPE was conceived to promote the artistic vision of Queer and QTBIPOC  filmmakers and performance artists whose work might not otherwise be shown within  these urban centres in The Baltics. These works\, though falling under the banner of  ‘queer’\, remain relevant to the broader artistic communities in each of the five cities\, not  only because of the subject matter broached but also because many of the artists  represented float amongst multiple disciplines within the context of the film\, visual and  performance art. In this sense\, artistic rigour and the fluidity of experience are  paramount in the programming for the tour.   \nThis will be the tenth tour of Queer City Cinema’s programming. This tour follows  QALEIDOSCOPE – Queer Film On Tour 2023 Canada and QALEIDOSCOPE – Queer  Film On Tour 2023 The Balkans.  \nGary Varro\nExecutive and Artistic Director\nQueer City Cinema and Performatorium  URL:https://warehouse9.dk/event/qaleidoscope-queer-film-and-performance/ LOCATION:Warehouse9\, Rosenlunds Allé 5\, Baghuset\, Copenhagen\, 2720\, Denmark ATTACH;FMTTYPE=image/png:https://warehouse9.dk/wp-content/uploads/2024/04/QCC2024Tour-Baltics_PSA_1116x10622-1.png ORGANIZER;CN="Warehouse9":MAILTO:info@warehouse9.dk END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20240427T110000 DTEND;TZID=Europe/London:20240427T130000 DTSTAMP:20260501T051950 CREATED:20240207T143819Z LAST-MODIFIED:20240408T133402Z UID:10000298-1714215600-1714222800@warehouse9.dk SUMMARY:Queer Community Singing Group DESCRIPTION:Experience singing together without being limited by gender or voice type. Queer Community Singing Group welcomes all singing\, all genders\, all identities\, without judgement. QCSG embrace the joy of singing in harmony together\, and build community by showing each other respect and kindness. \nQueer Community Singing Group is a queer\, non-traditional singing group who sings pop songs. \nQCSG do not divide into the classic voice-groups to be inclusive of non-binary and trans friends. \nQCSG is free to join and no former choir experience is needed. No audition\, just book a free ticket and show up. \n\nAccess\nWarehouse9 is Wheelchair accessible. Accessible toilets are accessed via stairlift. Accessible parking is available on site. \n\nSupport\nQueer Community Singing Group is supported in close collaboration by Warehouse9 and made possible with support of Vanløse Lokaludvalg and the City of Copenhagen. URL:https://warehouse9.dk/event/queer-community-singing-group-2/2024-04-27/ LOCATION:Warehouse9\, Rosenlunds Allé 5\, Baghuset\, Copenhagen\, 2720\, Denmark ATTACH;FMTTYPE=image/jpeg:https://warehouse9.dk/wp-content/uploads/2024/02/Untitled-design-2.jpeg ORGANIZER;CN="Warehouse9":MAILTO:info@warehouse9.dk END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20240423T190000 DTEND;TZID=America/New_York:20240423T210000 DTSTAMP:20260501T051950 CREATED:20240422T065245Z LAST-MODIFIED:20240422T065537Z UID:10000326-1713898800-1713906000@warehouse9.dk SUMMARY:Performative ritual for the bat species (ATX\,USA) DESCRIPTION:Note: This event takes place in Austin\, Texas (USA) \n  \nConnect with a bat species and feel the freedom of flying and screaming! \nIn our time of biodiversity crisis where 52 % of bat species in North America are at risk of populations declining severely in the next 15 years\, we meet up to celebrate the magical creatures of the night and the diversity of life. \nThis is the final presentation of performance artist and climate activist Linh Le who has reached her end of the 1-month residency as part of Unlisted Projects\, a collaboration between Warehouse9 and MoHA. During her stay\, she has been volunteering at the Austin Bat Refuge\, collaborating with visual artist Laura M Cañas P\, opera singer Sir Beauregard Elliot\, Esquire and artist Andie Flores. \nLinh Le is inviting everyone to take part in her performance ritual 7-8 pm and join for dinner and talk 8-9 pm. URL:https://warehouse9.dk/event/performative-ritual-for-the-bat-species-atxusa/ LOCATION:Museum of Human Achievement\, 0205150312\, 3600 Lyons Rd Suite B\, Austin\, TX 78702\, United States0205150312\, 3600 Lyons Rd Suite B\, Austin\, TX 78702\, United States\, Texas\, United States ATTACH;FMTTYPE=image/jpeg:https://warehouse9.dk/wp-content/uploads/2024/03/Untitled-design-1.jpeg ORGANIZER;CN="Warehouse9":MAILTO:info@warehouse9.dk END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20240420T110000 DTEND;TZID=Europe/London:20240420T130000 DTSTAMP:20260501T051950 CREATED:20240207T143819Z LAST-MODIFIED:20240408T133402Z UID:10000297-1713610800-1713618000@warehouse9.dk SUMMARY:Queer Community Singing Group DESCRIPTION:Experience singing together without being limited by gender or voice type. Queer Community Singing Group welcomes all singing\, all genders\, all identities\, without judgement. QCSG embrace the joy of singing in harmony together\, and build community by showing each other respect and kindness. \nQueer Community Singing Group is a queer\, non-traditional singing group who sings pop songs. \nQCSG do not divide into the classic voice-groups to be inclusive of non-binary and trans friends. \nQCSG is free to join and no former choir experience is needed. No audition\, just book a free ticket and show up. \n\nAccess\nWarehouse9 is Wheelchair accessible. Accessible toilets are accessed via stairlift. Accessible parking is available on site. \n\nSupport\nQueer Community Singing Group is supported in close collaboration by Warehouse9 and made possible with support of Vanløse Lokaludvalg and the City of Copenhagen. URL:https://warehouse9.dk/event/queer-community-singing-group-2/2024-04-20/ LOCATION:Warehouse9\, Rosenlunds Allé 5\, Baghuset\, Copenhagen\, 2720\, Denmark ATTACH;FMTTYPE=image/jpeg:https://warehouse9.dk/wp-content/uploads/2024/02/Untitled-design-2.jpeg ORGANIZER;CN="Warehouse9":MAILTO:info@warehouse9.dk END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20240413T110000 DTEND;TZID=Europe/London:20240413T130000 DTSTAMP:20260501T051950 CREATED:20240207T143819Z LAST-MODIFIED:20240408T133402Z UID:10000296-1713006000-1713013200@warehouse9.dk SUMMARY:Queer Community Singing Group DESCRIPTION:Experience singing together without being limited by gender or voice type. Queer Community Singing Group welcomes all singing\, all genders\, all identities\, without judgement. QCSG embrace the joy of singing in harmony together\, and build community by showing each other respect and kindness. \nQueer Community Singing Group is a queer\, non-traditional singing group who sings pop songs. \nQCSG do not divide into the classic voice-groups to be inclusive of non-binary and trans friends. \nQCSG is free to join and no former choir experience is needed. No audition\, just book a free ticket and show up. \n\nAccess\nWarehouse9 is Wheelchair accessible. Accessible toilets are accessed via stairlift. Accessible parking is available on site. \n\nSupport\nQueer Community Singing Group is supported in close collaboration by Warehouse9 and made possible with support of Vanløse Lokaludvalg and the City of Copenhagen. URL:https://warehouse9.dk/event/queer-community-singing-group-2/2024-04-13/ LOCATION:Warehouse9\, Rosenlunds Allé 5\, Baghuset\, Copenhagen\, 2720\, Denmark ATTACH;FMTTYPE=image/jpeg:https://warehouse9.dk/wp-content/uploads/2024/02/Untitled-design-2.jpeg ORGANIZER;CN="Warehouse9":MAILTO:info@warehouse9.dk END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240413 DTEND;VALUE=DATE:20240415 DTSTAMP:20260501T051950 CREATED:20240319T130428Z LAST-MODIFIED:20240319T130530Z UID:10000317-1712966400-1713139199@warehouse9.dk SUMMARY:Linh Le Open Studio (Fusebox Festival\, ATX) DESCRIPTION:  \n\n\n\n\nPresented in partnership with  The Museum of Human Achievement and Fusebox Festival. This event  takes place in Austin\, Texas. \nText  from event website: \nDenmark based artist in residence thanks to the residency exchange of Warehouse9 (Copenhagen\, Denmark)\, Unlisted Projects (Austin\, TX) and The Museum of Human Achievement (Austin\, Texas). \nMore info on the open studio coming soon! \nLinh Le (she / her) works with performative activism and fights for a just world for life on earth. At the moment\, she explores the sensuousness and philosophy of species\, making rituals for the diversity of life. \nLinh Le is of a new generation of artists who with their own bodies are exploring the possibility of finding a balance between a growing desperation in a world of polycrisis and maintaining the belief in a different way of being human / species. \nAs a child of freedom fighters who came to Denmark as boat refugees from Vietnam\, and as a witness to their struggles in Danish society\, Linh Le is strongly called to free herself through dance\, to challenge the norms\, to transcend boundaries and explore how the body can act\, transform and demand space for the less heard voices. \nLinh Le is educated in Aesthetics and Culture from Aarhus University and Performance Design & Planning from Roskilde University. She is co-founder and member of the performance climate activist group Becoming Species which in close alliance with Extinction Rebellion and Embassy of the Species Copenhagen has made several performative actions in public space to amplify nature’s diverse voices. \nLinh Le is also a member of Dance Cooperative\, an artist-run platform and association with a physical work- and event space in Valby Copenhagen\, organized by 14 local performance artists. \nThis Residency is funded with the support of: Embassy of Denmark Washington D.C.\,The Consulate General of Denmark in Houston\, Scan Design Foundation\, the Danish Arts Foundation\, the Cultural Arts Department in Austin and The City of Copenhagen. \n\n\n  \n\n\n\n\n  URL:https://warehouse9.dk/event/linh-le-open-studio-fusebox-festival-atx/ LOCATION:Museum of Human Achievement\, 0205150312\, 3600 Lyons Rd Suite B\, Austin\, TX 78702\, United States0205150312\, 3600 Lyons Rd Suite B\, Austin\, TX 78702\, United States\, Texas\, United States ATTACH;FMTTYPE=image/jpeg:https://warehouse9.dk/wp-content/uploads/2024/03/Untitled-design-1.jpeg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20240406T110000 DTEND;TZID=Europe/London:20240406T130000 DTSTAMP:20260501T051950 CREATED:20240207T143819Z LAST-MODIFIED:20240408T133402Z UID:10000295-1712401200-1712408400@warehouse9.dk SUMMARY:Queer Community Singing Group DESCRIPTION:Experience singing together without being limited by gender or voice type. Queer Community Singing Group welcomes all singing\, all genders\, all identities\, without judgement. QCSG embrace the joy of singing in harmony together\, and build community by showing each other respect and kindness. \nQueer Community Singing Group is a queer\, non-traditional singing group who sings pop songs. \nQCSG do not divide into the classic voice-groups to be inclusive of non-binary and trans friends. \nQCSG is free to join and no former choir experience is needed. No audition\, just book a free ticket and show up. \n\nAccess\nWarehouse9 is Wheelchair accessible. Accessible toilets are accessed via stairlift. Accessible parking is available on site. \n\nSupport\nQueer Community Singing Group is supported in close collaboration by Warehouse9 and made possible with support of Vanløse Lokaludvalg and the City of Copenhagen. URL:https://warehouse9.dk/event/queer-community-singing-group-2/2024-04-06/ LOCATION:Warehouse9\, Rosenlunds Allé 5\, Baghuset\, Copenhagen\, 2720\, Denmark ATTACH;FMTTYPE=image/jpeg:https://warehouse9.dk/wp-content/uploads/2024/02/Untitled-design-2.jpeg ORGANIZER;CN="Warehouse9":MAILTO:info@warehouse9.dk END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20240404T100000 DTEND;TZID=Europe/London:20240404T123000 DTSTAMP:20260501T051950 CREATED:20240207T135437Z LAST-MODIFIED:20240207T135650Z UID:10000293-1712224800-1712233800@warehouse9.dk SUMMARY:In the zone: relying on erotics to exercise patience by Marga Alfeirao DESCRIPTION:In the zone: relying on erotics to exercise patience \nThis workshop offers a site to deconstruct your movement vocabulary\, to watch others going through it and to allow being witnessed in the process. Following a typical class format with a warm-up and intense physical movement\, the pace slows down and the amplitude gets minimal as we proceed.The participants will understand the basics of wining solo and tarraxo together – what you are invited to watch or offered to see. Building togetherness by dancing for each other. It is a dance workshop and an exercise for the gaze of those who watch and are being watched. \nMarga Alfeirao uses media to carve safe-spaces for the exploration of intimacy and sexuality through dance. Heavily influenced by dance-genres and sound textures from the african diaspora disseminated through Lisbon’s social tissue\, she attempts an active claim of womanhood\, crossing the exercise of gazing and patience in sensuality.\nIn 2023 she premiered LOUNGE (2023) – a site that stretches the perception of a lapdance through the relation of erotics and rest. It received the Impulstanz\, Young Choreographers Award 2023. \n\nDuration: 2.5 hours per session \nSessions: There are 3 sessions in total. We recommend you go to all\, but it is not a necessity. \nAccess: Warehouse9 is wheelchair accessible. Access to toilets is via stairlift. Accessible parking can be made available on site. \nThese classes are a collaboration between Warehouse9 and Dansehallerne. You can participate through Warehouse9 or as a member of Dansehallerne. This is for all professional members regardless of background in dance training\, and we recommend participating all three days. \n  \nDansehallerne is a national center for dance and choreography in Copenhagen.\nCo-producing and presenting a diverse spectrum of national and international performances\, facilitating professional training and industry events. Dansehallerne has a strong focus on cultivating an efficient and sustainable ecosystem for dance and choreography in Denmark nurtured by\, and in dynamic valued exchange with\, the organization’s local and global associations.  URL:https://warehouse9.dk/event/in-the-zone-relying-on-erotics-to-exercise-patience-by-marga-alfeirao/2024-04-04/ LOCATION:Warehouse9\, Rosenlunds Allé 5\, Baghuset\, Copenhagen\, 2720\, Denmark ATTACH;FMTTYPE=image/jpeg:https://warehouse9.dk/wp-content/uploads/2024/02/Untitled-design-1.jpeg ORGANIZER;CN="Warehouse9":MAILTO:info@warehouse9.dk END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20240403T100000 DTEND;TZID=Europe/London:20240403T123000 DTSTAMP:20260501T051950 CREATED:20240207T135437Z LAST-MODIFIED:20240207T135650Z UID:10000292-1712138400-1712147400@warehouse9.dk SUMMARY:In the zone: relying on erotics to exercise patience by Marga Alfeirao DESCRIPTION:In the zone: relying on erotics to exercise patience \nThis workshop offers a site to deconstruct your movement vocabulary\, to watch others going through it and to allow being witnessed in the process. Following a typical class format with a warm-up and intense physical movement\, the pace slows down and the amplitude gets minimal as we proceed.The participants will understand the basics of wining solo and tarraxo together – what you are invited to watch or offered to see. Building togetherness by dancing for each other. It is a dance workshop and an exercise for the gaze of those who watch and are being watched. \nMarga Alfeirao uses media to carve safe-spaces for the exploration of intimacy and sexuality through dance. Heavily influenced by dance-genres and sound textures from the african diaspora disseminated through Lisbon’s social tissue\, she attempts an active claim of womanhood\, crossing the exercise of gazing and patience in sensuality.\nIn 2023 she premiered LOUNGE (2023) – a site that stretches the perception of a lapdance through the relation of erotics and rest. It received the Impulstanz\, Young Choreographers Award 2023. \n\nDuration: 2.5 hours per session \nSessions: There are 3 sessions in total. We recommend you go to all\, but it is not a necessity. \nAccess: Warehouse9 is wheelchair accessible. Access to toilets is via stairlift. Accessible parking can be made available on site. \nThese classes are a collaboration between Warehouse9 and Dansehallerne. You can participate through Warehouse9 or as a member of Dansehallerne. This is for all professional members regardless of background in dance training\, and we recommend participating all three days. \n  \nDansehallerne is a national center for dance and choreography in Copenhagen.\nCo-producing and presenting a diverse spectrum of national and international performances\, facilitating professional training and industry events. Dansehallerne has a strong focus on cultivating an efficient and sustainable ecosystem for dance and choreography in Denmark nurtured by\, and in dynamic valued exchange with\, the organization’s local and global associations.  URL:https://warehouse9.dk/event/in-the-zone-relying-on-erotics-to-exercise-patience-by-marga-alfeirao/2024-04-03/ LOCATION:Warehouse9\, Rosenlunds Allé 5\, Baghuset\, Copenhagen\, 2720\, Denmark ATTACH;FMTTYPE=image/jpeg:https://warehouse9.dk/wp-content/uploads/2024/02/Untitled-design-1.jpeg ORGANIZER;CN="Warehouse9":MAILTO:info@warehouse9.dk END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20240402T100000 DTEND;TZID=Europe/London:20240402T123000 DTSTAMP:20260501T051950 CREATED:20240207T135437Z LAST-MODIFIED:20240207T135650Z UID:10000291-1712052000-1712061000@warehouse9.dk SUMMARY:In the zone: relying on erotics to exercise patience by Marga Alfeirao DESCRIPTION:In the zone: relying on erotics to exercise patience \nThis workshop offers a site to deconstruct your movement vocabulary\, to watch others going through it and to allow being witnessed in the process. Following a typical class format with a warm-up and intense physical movement\, the pace slows down and the amplitude gets minimal as we proceed.The participants will understand the basics of wining solo and tarraxo together – what you are invited to watch or offered to see. Building togetherness by dancing for each other. It is a dance workshop and an exercise for the gaze of those who watch and are being watched. \nMarga Alfeirao uses media to carve safe-spaces for the exploration of intimacy and sexuality through dance. Heavily influenced by dance-genres and sound textures from the african diaspora disseminated through Lisbon’s social tissue\, she attempts an active claim of womanhood\, crossing the exercise of gazing and patience in sensuality.\nIn 2023 she premiered LOUNGE (2023) – a site that stretches the perception of a lapdance through the relation of erotics and rest. It received the Impulstanz\, Young Choreographers Award 2023. \n\nDuration: 2.5 hours per session \nSessions: There are 3 sessions in total. We recommend you go to all\, but it is not a necessity. \nAccess: Warehouse9 is wheelchair accessible. Access to toilets is via stairlift. Accessible parking can be made available on site. \nThese classes are a collaboration between Warehouse9 and Dansehallerne. You can participate through Warehouse9 or as a member of Dansehallerne. This is for all professional members regardless of background in dance training\, and we recommend participating all three days. \n  \nDansehallerne is a national center for dance and choreography in Copenhagen.\nCo-producing and presenting a diverse spectrum of national and international performances\, facilitating professional training and industry events. Dansehallerne has a strong focus on cultivating an efficient and sustainable ecosystem for dance and choreography in Denmark nurtured by\, and in dynamic valued exchange with\, the organization’s local and global associations.  URL:https://warehouse9.dk/event/in-the-zone-relying-on-erotics-to-exercise-patience-by-marga-alfeirao/2024-04-02/ LOCATION:Warehouse9\, Rosenlunds Allé 5\, Baghuset\, Copenhagen\, 2720\, Denmark ATTACH;FMTTYPE=image/jpeg:https://warehouse9.dk/wp-content/uploads/2024/02/Untitled-design-1.jpeg ORGANIZER;CN="Warehouse9":MAILTO:info@warehouse9.dk END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240329 DTEND;VALUE=DATE:20240429 DTSTAMP:20260501T051950 CREATED:20240319T124810Z LAST-MODIFIED:20240403T113750Z UID:10000316-1711670400-1714348799@warehouse9.dk SUMMARY:Linh Le: CopenhAustin Residency (ATX) DESCRIPTION:Linh Le will undetake a 1-month residency in Austin\, Texas as part of the CopenhAustin residency initiative. As part of the residency period Linh Le will host an open studio of their practice as part  of Fusebox Festival: April 13 & 14. More info soo. \n  \nAbout the artist: \nLinh Le (she / her) works with performative activism and fights for a just world for life on earth. At the moment\, she explores the sensuousness and philosophy of species\, making rituals for the diversity of life. \nLinh Le is of a new generation of artists who with their own bodies are exploring the possibility of finding a balance between a growing desperation in a world of polycrisis and maintaining the belief in a different way of being human / species. \nAs a child of freedom fighters who came to Denmark as boat refugees from Vietnam\, and as a witness to their struggles in Danish society\, Linh Le is strongly called to free herself through dance\, to challenge the norms\, to transcend boundaries and explore how the body can act\, transform and demand space for the less heard voices. \nLinh Le is educated in Aesthetics and Culture from Aarhus University and Performance Design & Planning from Roskilde University. She is co-founder and member of the performance climate activist group Becoming Species which in close alliance with Extinction Rebellion and Embassy of the Species Copenhagen has made several performative actions in public space to amplify nature’s diverse voices. \nLinh Le is also a member of Dance Cooperative\, an artist-run platform and association with a physical work- and event space in Valby Copenhagen\, organized by 14 local performance artists. \nhttps://linhle.dk/ \n  \nAbout the program: \nWarehouse9 (Copenhagen\, Denmark)\, Unlisted Projects (Austin\, TX) and The Museum of Human Achievement (Austin\, Texas) have come together to offer a residency exchange of one artist from Texas and one artist from Denmark. This international residency opportunity is intended for queer artists working within live performance and designed to support network building\, the creation and sharing of new work in an international context. Residents are given the time\, space\, freedom and financial support to concentrate upon the development of their own work. This residency programme is funded and has a fixed duration of one month. This residency opportunity will be awarded following an open call and application process. Residency artists will be selected in partnership with participating organizations and host a public sharing of work created during their residency at both their host and home organization. \nThe purpose of this residency programme is to support artistic development and facilitate cultural exchange\, and long-term connections between artists\, organizations and the greater communities of Texas and Denmark. A unique dimension of the call is a commitment to the intersection of LGBTQIA+ issues and environmental sustainability practices. \n  \nThis residency is made possible with support  from: \nEmbassy of Denmark Washington D.C.\,The Consulate General of Denmark in Houston\, Scan Design Foundation\, the Danish Arts Foundation\, the Cultural Arts Department in Austin and The City of Copenhagen. URL:https://warehouse9.dk/event/linh-le-copenhaustin-residency-atx/ LOCATION:Museum of Human Achievement\, 0205150312\, 3600 Lyons Rd Suite B\, Austin\, TX 78702\, United States0205150312\, 3600 Lyons Rd Suite B\, Austin\, TX 78702\, United States\, Texas\, United States ATTACH;FMTTYPE=image/png:https://warehouse9.dk/wp-content/uploads/2024/03/Screenshot-2024-03-26-at-13.10.01.png ORGANIZER;CN="Warehouse9":MAILTO:info@warehouse9.dk END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20240317T120000 DTEND;TZID=Europe/London:20240317T150000 DTSTAMP:20260501T051950 CREATED:20240208T093943Z LAST-MODIFIED:20240219T143855Z UID:10000300-1710676800-1710687600@warehouse9.dk SUMMARY:First Trimester: Krishna Istha DESCRIPTION:IPAF presents: First Trimester by Krishna Istha \nThis groundbreaking performance offers a rare opportunity to contribute to and witness queer family-making. \nEmbark on a journey with London-based performance artist Krishna Istha as they search for the ‘perfect’ sperm donor. First Trimester explores human connection and parenthood\, challenging expectations and redefining what it means to create a family as a transgender person. \nIn the Danish premiere of this one-of-a-kind durational experience\, fresh from its world premiere in London & Auckland\, First Trimester invites you to witness intimate live interviews between Krishna and 100s of participants\, in a quest to find them and their partner a sperm donor\, or at least discover the qualities that bring them closer to their perfect match. \nKrishna asks questions that range from funny to serious\, from matter-of-fact information to philosophical perspectives in order to make the ultimate connection. \n“Did you grow up with pets?”\n“Where do you store your memories?”\n“What do you value more\, kindness or intelligence?”\nAnd\, most importantly for Krishna\, “Have you watched The Princess Diaries?” \nAudience members are invited to watch as the interviews unfold\, but are also welcome to sign-up as a participant as a prospective donor. We welcome participants aged 18 to 60+ from all backgrounds. Each interview is pivotal in helping Krishna get closer to finding the right donor. If you would like to sign up to participate\, please visit our website: https://firsttrimester.co.uk/ \nThis is a durational performance. Saturday’s performance runs for 7 hours\, and you can either buy a ticket for the full 7 hours (plus a 1 hour break) or for 3 hour slots. Sunday’s performance runs for 3 hours and you can buy a ticket for the duration. All shows are sensory adapted and are relaxed — i.e you are welcome to come and go from the space as you please with the slot you have selected. \nCommissioned by Roundhouse\, Battersea Arts Centre and Marlborough Productions.\nSupported by Arts Council England.\nPresented by Warehouse9 as part of IPAF 2024  \n\nLanguage: English \nTickets: Tickets are pay-what-you-can. On the 16th March you can either book a 3 hours time slot or a ticket for the whole day. \nAccess: Dansekapellet is wheelchair accessible. Accessible toilets are located on site. This is a relaxed performance. \nContent warnings: The participants taking part in the live conversations have not rehearsed before coming on stage and do not know what the questions are before taking part. We therefore can not know exactly what will be said in advance.  \nAudiences are welcome to come and go from the space as you please with the slot they have selected. \n\nOther content notes:  \n\nThere will be moments of loud music and sounds.\nAll performances will be Relaxed. We invite you to make yourself comfortable and move around if you need to and if you need to leave the performance at any point you will be allowed to return to the space when you feel ready.\nParticipant & audience care has been central to the development of the show and there will be a wellbeing practitioner on site at every performance.\nPlease note\, due to the format of the show\, there may be a small wait of no more than 10 minutes to enter the space if you arrive after the start time.\n\n\nWorking group & credits\nLead Artist: Krishna Istha\nProducer: Ruby Glaskin\nDramaturg: Paula Varjack\nCoder & website designer: Suzanna Hurst\nSet & Costume Designer: Christine Ting – Huan Urquhart\nLighting Designer: Martha Godfrey\nSound Designer: Olive Mondegreen\nProduction Manager: Helen Mugridge \n  \nAbout the artists:\nKrishna Istha is a London-based performance artist\, comedian\, theatre maker and screenwriter. They create socially conscious\, form-pushing works about taboo or underrepresented experiences of gender\, race and sexual politics. Most recently\, they wrote on Netflix’s Sex Education (Season 4\, Episode 3) and is a Netflix Documentary Talent Fund recipient. They were a Barbican Centre Open Lab artist (2021-22) and an Arts Admin Bursary Artist (2020-21). They were one of two shortlisted writers for the SKY Arts & Royal Society of Literature Writers Awards under screenwriting (2022)\, and came Runner-Up on Screenshot (2021) — a competition for comedy writer-performers hosted by Sister Pictures and South of the River Pictures.\nhttps://www.krishnaistha.com/ \n  \nFirst Trimester is part of IPAF: an international festival for contemporary performance presenting artists from different cultural contexts\, whose work engages identity politics\, sexual expressions\, and body representations\, facilitated by Warehouse9. \nThe festival is supported by the Danish Arts Foundation\, the City of Copenhagen and Bispebjerg Lokaludvalg. \n  \n \n  URL:https://warehouse9.dk/event/first-trimester-krishna-istha/2024-03-17/ LOCATION:Dansekapellet\, Bispebjerg Torv 1\, København\, 2400\, Denmark ATTACH;FMTTYPE=image/jpeg:https://warehouse9.dk/wp-content/uploads/2024/02/FT.jpeg ORGANIZER;CN="Warehouse9":MAILTO:info@warehouse9.dk END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20240317T100000 DTEND;TZID=Europe/London:20240317T120000 DTSTAMP:20260501T051950 CREATED:20240213T101034Z LAST-MODIFIED:20240306T143637Z UID:10000305-1710669600-1710676800@warehouse9.dk SUMMARY:Breakfast Club DESCRIPTION:IPAF special edition of Breakfast Club! \nCome and join us for coffee\, morning nibbles and good company. Come by for the food\, the conversation\, and a chance to meet new people.  \nWe will provide a simple vegan set-up: croissants\, fruit\, coffee and tea\, but you are also welcome to bring your own food and drinks if you prefer. \n  \nFree to attend – RSVP by emailing: blomqvist.caroline@gmail.com  \nThis edition takes place just before Krishna Istha’s last showing of First Trimester. \n\nBreakfast Club was originally created because we know that working in the arts and freelancing can be lonely. Therefore\, we want to create a monthly shared space to check in\, meet new people and be together. This edition of Breakfast Club takes places during our international performance festival IPAF. It is therefore also a chance to for artists and audiences to meet\, as well as to meet international colleagues. We hope you will join us!  \nWe ask that you RSVP so that we can estimate the correct amount of food on offer. \n  \nAccess: Dansekapellet is wheelchair accessible. Accessible toilets are located on site.  \n\n\nThis edition of Breakfast Club is part of IPAF: an international festival for contemporary performance presenting artists from different cultural contexts\, whose work engages identity politics\, sexual expressions\, and body representations\, facilitated by Warehouse9.\n \nThe festival is supported by the Danish Arts Foundation\, the City of Copenhagen and Bispebjerg Lokaludvalg. \n  URL:https://warehouse9.dk/event/breakfast-club-2/ LOCATION:Dansekapellet\, Bispebjerg Torv 1\, København\, 2400\, Denmark ORGANIZER;CN="Warehouse9":MAILTO:info@warehouse9.dk END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20240316T213000 DTEND;TZID=Europe/London:20240316T230000 DTSTAMP:20260501T051950 CREATED:20240206T113036Z LAST-MODIFIED:20240219T143132Z UID:10000302-1710624600-1710630000@warehouse9.dk SUMMARY:Enter Exude: Teo Ala-Ruona DESCRIPTION:IPAF presents: Enter Exude by Teo Ala-Ruona \nEnter Exude is a cinematic auto-fantasy for three performers and a Chevrolet Camaro.  \nBorn from the anal canal of an automobile\, the three techno-brothers derive pleasure from inhaling the spirit of the car – both a symbol of familial and trans narratives. Enter Exude takes the audience on an ominously erotic ride\, unfolding on various time scales\, blurring the boundaries between life and slow death.  \nEnter Exude delves into contemporary notions of gender\, technology\, and ecology while crafting simultaneously a hypnotic and haunting experience of unfulfilled desires. The performance is simultaneously exaggerative and intimate\, breaking the boundaries of the stage and creating a continuous interplay between reality and the imagined. \nEnter Exude continues Ala-Ruona’s series of performances exploring the intertwining of environmental toxicities and trans-corporeality\, with bodily transformations and complex sexuality forming an intense\, mutually accelerating cycle. \n\nNotes for audience\nEnter Exude includes talk about sex and death. The performance also includes close proximity audience contact\, from which audience members can opt out if they wish. The performance includes loud sounds and blinking lights.Earplugs are provided at the entrance door for those who wish to use them. \nLanguage: English \nAccess: Warehouse9 is Wheelchair accessible. Accessible toilets are accessed via stairlift. Accessible parking is available on site. \nPost-show: on the 16th March there will be a post-show celebration. We hope you will join us. \n\nWorking group & credits\nSummoning\, concept and directing: Teo Ala-Ruona\nChoreography:Raoni Muzho Saleh\, Charlie Laban Trier and Teo Ala-Ruona\nPerformers: Raoni Muzho Saleh\, Charlie Laban Trier and Teo Ala-Ruona\nDramaturg: Even Minn\nSet and costume design: Teo Paaer\nSound dramaturg: Kaino Wennerstrand\nSound design: Miša Skalskis\nLighting design: Heikki Paasonen\nProducer: Sanna Ritvanen\nPre-production: Jonni Korhonen\nArtistic dialogue: Remi Vesala\n\nProduction: Kiasma-teatteri\, Finnish Cultural Institute for the Benelux\, Viernulvier\, Warehouse9\nSupported by: Niilo Helander Foundation\, Arts Promotion Centre\, Wihuri Foundation\, Oskar Öflund Foundation\, Suomen Kulttuurirahasto\, Finnish Cultural Institute of Denmark\nResidencies: FABRIKKEN\, Zodiak-laboratory\, BUDA \n  \n  \nRead the text ‘Car and I’ that frames the themes of the Enter Exude: \n“”This text\, too\, arises from the car. I see it in my mind as a knot of interchanges composed of highway ramps\, an accelerating landscape with multiple directions and lanes. I stand in the midst of that landscape\, amidst the noise of highways\, and I write.”” \nWritten by: Teo Ala Ruona and Remi Vesala \nPDF Download: Teo Ala Ruona and Remi Vesala \n  \nAbout the artists:\nTeo Ala-Ruona is a Helsinki-based performance artist\, whose works delve into somatospeculative fiction\, exploring themes such as techno-trans-masculinity\, sexuality\, ecology\, and toxicity. He employs a blend of theoretical discourse\, autobiographical text\, and psychophysical performance scores to redefine language and narratives that address pleasure and intimacy in the context of a toxic Earth. \nHe approaches trans corporeality as an arena\, where various normative processes of naturalization become infeasible\, and address queer ecological topics from explicitly sexual perspective to revoke the heteronormative biases that influence the research done on biology and ecology\, gender and sexuality. \nThrough the use of the performing body as a canvas for speculative storytelling\, he experiments how fiction can transform the ways bodies are understood. Ala-Ruona is committed to the transgressive potential of performance art to push the boundaries of our perception of normality and conventionality. \nAla-Ruona’s work has recently been shown in Performa Biennial (New York)\, The Vilnius Biennial of Performance Art (Vilnius)\, The Finnish National Gallery Kiasma (Helsinki)\, The Institute of Contemporary Arts in London (London)\, Sequences festival (Reykjavik) and Centrale Fies (Dro) among others. \nhttps://teoalaruona.net/  \n  \nEnter Exude is co-presented with the The Finnish Cultural Institute in Denmark \nEnter Exude is part of IPAF: an international festival for contemporary performance presenting artists from different cultural contexts\, whose work engages identity politics\, sexual expressions\, and body representations\, facilitated by Warehouse9. \n  URL:https://warehouse9.dk/event/enter-exude-teo-ala-ruona/2024-03-16/ LOCATION:Warehouse9\, Rosenlunds Allé 5\, Baghuset\, Copenhagen\, 2720\, Denmark ATTACH;FMTTYPE=image/jpeg:https://warehouse9.dk/wp-content/uploads/2024/02/enter-exude-web.jpeg ORGANIZER;CN="Warehouse9":MAILTO:info@warehouse9.dk END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20240316T200000 DTEND;TZID=Europe/London:20240316T210000 DTSTAMP:20260501T051950 CREATED:20240206T120112Z LAST-MODIFIED:20240305T155224Z UID:10000301-1710619200-1710622800@warehouse9.dk SUMMARY:Afterlife: Louis Schou-Hansen DESCRIPTION:IPAF presents: Afterlife by Louis Schou-Hansen \nAfterlife is a messed-up playground. It is a site for speculative futurities and derailed interpretations of a renaissance that never really happened. While diving into hauntologies of Western dance history\, questioning whether the Sun King actually ever died\, the performance moves through a series of twisted dances from the late Italian Renaissance and early French Baroque. Only to disperse into weird referential landscapes containing subtle traces of Britney’s banger dance from Hit Me Baby One More Time\, Andrzej Zulawski’s subway scene from Possession and distorted yoga-gone-wrong inspired materials. \nCarried out by three performers\, Afterlife tries to unfold muted histories of subaltern bodies. Bodies that\, through Western colonial and anti-queer epistemic regimes\, were deemed disposable and unfit to partake in any further historical development. \n\nNotes for audience\nThe performance includes loud sounds. Earplugs are provided at the entrance door for those who wish to use them. \nLanguage: Non-verbal \nAccess: Dansekapellet is wheelchair accessible. Accessible toilets are located on site. Kuppelsalen is accessible via stairlift. \n \n\nWorking group & credits\nCHOREOGRAPHY & DIRECTION Louis Schou-Hansen / COSTUMES AND SCULPTURAL WORK Karoline Bakken Lund / CO-MAKING PERFORMERS Amie Mbye\, Elise Nohr Nystad\, Georgiana Dobre / MUSIC Peachlyfe\, Petra Skibsted / ARTISTIC ADVISOR Sebastian De Line / RECONSTRUCTION OF RENAISSANCE DANCE Elizabeth Svarstad / HAIR Anna Lübeck / PHOTOS Chai Saeidi / CO. PRODUCTION Black Box Teater Oslo\, Mimosa Studio & Palmera Bergen SUPPORTED BY: Arts Council Norway\, FFUK\, Oslo Municipality\, Fond For Lyd og Bilde \n  \nAbout the artists:\n \nLouis Schou-Hansen (it/they) is a dancer and choreographer whose work is situated at the intersection of dance and visual arts. Its practice encompasses various formats such as performances\, making dances\, performing\, writing\, and sometimes curating. Louis’ work dives into speculative fiction as a tool to investigate\, dissect\, and denaturalize how bodies have been molded through violent Western fairytales\, utilizing queer and trans-feminist epistemologies. Louis has studied dance at the Oslo National Academy of the Arts and the Royal Danish Ballet School\, as well as fine arts at The Dutch Art Institute. \nIn 2023\, Louis was shortlisted for the Sandefjord Kunstforenings Art Prize with Harald Beharie\, and was in 2020 nominated for the Norwegian Critics Association Prize for the piece Shine Utopians. \nIn 2016\, it started collaborating with Norwegian choreographer Ingri Fiksdal\, working as a performer in several of her works. Louis has also performed in the works of Runa Borch Skolseg\, Pedro Gomez Egana\, Edhem Jesenkovic\, Goro Tronsmo\, Andrew Amorim\, Janne Camilla Lyster\, & Ingun Bjørnsgaard\, to name some. Between 2020-2022 it co-founded and curated the discursive\, platform Brakkesnakk together with Ines Belli. \nLouis has presented works at Copenhagen Contemporary\, the Munch Museum Oslo\, Untitled Tbilisi\, Black Box Teater Oslo\, Suprainfinit Bucharest\, Dansens Hus Oslo\, My Wild Flag Stockholm\, The Norwegian National Museum\, and RAS Sandnes\, among others. Since 2019 it has been active as a guest teacher at various academies and venues such as CONDTIONS STUDIO PROGRAMME London\, Palais De Tokyo Paris\, Oslo National Academy of the Arts\, ICA – Institute of Contemporary Arts London\, The Place London\, and BRUT Vienna. \nhttp://www.louisschouhansen.net/  \n \nAfterlife is presented in close collaboration with Dansehallerne. \n\nDansehallerne is a national center for dance and choreography in Copenhagen. \nCo-producing and presenting a diverse spectrum of national and international performances\, facilitating professional training and industry events. Dansehallerne has a strong focus on cultivating an efficient and sustainable ecosystem for dance and choreography in Denmark nurtured by\, and in dynamic valued exchange with\, the organization’s local and global associations.  \nAfterlife is part of IPAF: an international festival for contemporary performance presenting artists from different cultural contexts\, whose work engages identity politics\, sexual expressions\, and body representations\, facilitated by Warehouse9. \nThe festival is supported by the Danish Arts Foundation\, the City of Copenhagen and Bispebjerg Lokaludvalg. \n  URL:https://warehouse9.dk/event/afterlife-louis-schou-hansen/2024-03-16/2/ LOCATION:Dansekapellet\, Bispebjerg Torv 1\, København\, 2400\, Denmark ATTACH;FMTTYPE=image/jpeg:https://warehouse9.dk/wp-content/uploads/2024/02/afterlife-web.jpeg ORGANIZER;CN="Warehouse9":MAILTO:info@warehouse9.dk END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20240316T163000 DTEND;TZID=Europe/London:20240316T183000 DTSTAMP:20260501T051950 CREATED:20240305T135310Z LAST-MODIFIED:20240313T085729Z UID:10000315-1710606600-1710613800@warehouse9.dk SUMMARY:Sewing Pride by Filip Pawlak (Artist-in-Residence) DESCRIPTION:IPAF artists-in-residence with his project Sewing Pride.\n \nAs part of IPAF Filip Pawlak will be inviting audiences to sew a disability flag together. \n\nSewing Pride by Filip Pawlak \nCan disabled people feel their own queer pride?\nWhat is the pride of excluded groups built on?\nDoes trauma have to be the building block? \nIn the simple practice of sewing together a disability flag – whose background\, however\, is the black that symbolises death – I want to ask the question about the communal experience of this group. I am jealously thinking of queer pride\, the shining hammer that has allowed oppressive norms to crumble for years. I reflect on the experience of the AIDS epidemic\, an identity event that marked out a common enemy but also the pride of a common cause.  \nDo disabled people access their own melancholy\, the social permission to experience grief? Can the experience of an epidemic 30 years later\, COVID\, become (as similar to AIDS for queer) a building block for this group to create a positive political\, social community? \n\nNotes for audience\nSewing Pride is a performance intervention that will take place in Dansekapellets foyer. Anyone interested in joining the action is welcome to participate. No booking needed.  \nLanguage\nEnglish\n \nAccess\nDansekapellet is wheelchair accessible. Accessible toilets are located on site. Kuppelsalen is accessible via stairlift.  \n\nAbout the artists  \nFilip Pawlak (born 1994) – performer\, independent producer of performing arts\, self-advocate for artists with disabilities. In recent years involved in the Europe Beyond Access project. Experienced in the institutional and independent art sector (in the past\, among others\, head of the production department of the Nowy Teatr in Warsaw\, curatorial advisor and producer of the 10Treffen series at the Theatertreffen Berlin\, collaborator and performer of Rafał Urbacki’s crip art works). After a break of several years\, he is once again taking steps on stage as an artist. \n  \nSupported in partnership with Malmö Theatre Academy. \nSewing Pride is part of IPAF: an international festival for contemporary performance presenting artists from different cultural contexts\, whose work engages identity politics\, sexual expressions\, and body representations\, facilitated by Warehouse9. \nThe festival is supported by the Danish Arts Foundation\, the City of Copenhagen and Bispebjerg Lokaludvalg. \n  URL:https://warehouse9.dk/event/artist-in-residence-sewing-pride-by-filip-pawlak/2024-03-16/2/ LOCATION:Dansekapellet\, Bispebjerg Torv 1\, København\, 2400\, Denmark ATTACH;FMTTYPE=image/jpeg:https://warehouse9.dk/wp-content/uploads/2024/03/Sewing-Pride-1.jpeg ORGANIZER;CN="Warehouse9":MAILTO:info@warehouse9.dk END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20240316T150000 DTEND;TZID=Europe/London:20240316T160000 DTSTAMP:20260501T051950 CREATED:20240206T120112Z LAST-MODIFIED:20240305T155224Z UID:10000282-1710601200-1710604800@warehouse9.dk SUMMARY:Afterlife: Louis Schou-Hansen DESCRIPTION:IPAF presents: Afterlife by Louis Schou-Hansen \nAfterlife is a messed-up playground. It is a site for speculative futurities and derailed interpretations of a renaissance that never really happened. While diving into hauntologies of Western dance history\, questioning whether the Sun King actually ever died\, the performance moves through a series of twisted dances from the late Italian Renaissance and early French Baroque. Only to disperse into weird referential landscapes containing subtle traces of Britney’s banger dance from Hit Me Baby One More Time\, Andrzej Zulawski’s subway scene from Possession and distorted yoga-gone-wrong inspired materials. \nCarried out by three performers\, Afterlife tries to unfold muted histories of subaltern bodies. Bodies that\, through Western colonial and anti-queer epistemic regimes\, were deemed disposable and unfit to partake in any further historical development. \n\nNotes for audience\nThe performance includes loud sounds. Earplugs are provided at the entrance door for those who wish to use them. \nLanguage: Non-verbal \nAccess: Dansekapellet is wheelchair accessible. Accessible toilets are located on site. Kuppelsalen is accessible via stairlift. \n \n\nWorking group & credits\nCHOREOGRAPHY & DIRECTION Louis Schou-Hansen / COSTUMES AND SCULPTURAL WORK Karoline Bakken Lund / CO-MAKING PERFORMERS Amie Mbye\, Elise Nohr Nystad\, Georgiana Dobre / MUSIC Peachlyfe\, Petra Skibsted / ARTISTIC ADVISOR Sebastian De Line / RECONSTRUCTION OF RENAISSANCE DANCE Elizabeth Svarstad / HAIR Anna Lübeck / PHOTOS Chai Saeidi / CO. PRODUCTION Black Box Teater Oslo\, Mimosa Studio & Palmera Bergen SUPPORTED BY: Arts Council Norway\, FFUK\, Oslo Municipality\, Fond For Lyd og Bilde \n  \nAbout the artists:\n \nLouis Schou-Hansen (it/they) is a dancer and choreographer whose work is situated at the intersection of dance and visual arts. Its practice encompasses various formats such as performances\, making dances\, performing\, writing\, and sometimes curating. Louis’ work dives into speculative fiction as a tool to investigate\, dissect\, and denaturalize how bodies have been molded through violent Western fairytales\, utilizing queer and trans-feminist epistemologies. Louis has studied dance at the Oslo National Academy of the Arts and the Royal Danish Ballet School\, as well as fine arts at The Dutch Art Institute. \nIn 2023\, Louis was shortlisted for the Sandefjord Kunstforenings Art Prize with Harald Beharie\, and was in 2020 nominated for the Norwegian Critics Association Prize for the piece Shine Utopians. \nIn 2016\, it started collaborating with Norwegian choreographer Ingri Fiksdal\, working as a performer in several of her works. Louis has also performed in the works of Runa Borch Skolseg\, Pedro Gomez Egana\, Edhem Jesenkovic\, Goro Tronsmo\, Andrew Amorim\, Janne Camilla Lyster\, & Ingun Bjørnsgaard\, to name some. Between 2020-2022 it co-founded and curated the discursive\, platform Brakkesnakk together with Ines Belli. \nLouis has presented works at Copenhagen Contemporary\, the Munch Museum Oslo\, Untitled Tbilisi\, Black Box Teater Oslo\, Suprainfinit Bucharest\, Dansens Hus Oslo\, My Wild Flag Stockholm\, The Norwegian National Museum\, and RAS Sandnes\, among others. Since 2019 it has been active as a guest teacher at various academies and venues such as CONDTIONS STUDIO PROGRAMME London\, Palais De Tokyo Paris\, Oslo National Academy of the Arts\, ICA – Institute of Contemporary Arts London\, The Place London\, and BRUT Vienna. \nhttp://www.louisschouhansen.net/  \n \nAfterlife is presented in close collaboration with Dansehallerne. \n\nDansehallerne is a national center for dance and choreography in Copenhagen. \nCo-producing and presenting a diverse spectrum of national and international performances\, facilitating professional training and industry events. Dansehallerne has a strong focus on cultivating an efficient and sustainable ecosystem for dance and choreography in Denmark nurtured by\, and in dynamic valued exchange with\, the organization’s local and global associations.  \nAfterlife is part of IPAF: an international festival for contemporary performance presenting artists from different cultural contexts\, whose work engages identity politics\, sexual expressions\, and body representations\, facilitated by Warehouse9. \nThe festival is supported by the Danish Arts Foundation\, the City of Copenhagen and Bispebjerg Lokaludvalg. \n  URL:https://warehouse9.dk/event/afterlife-louis-schou-hansen/2024-03-16/1/ LOCATION:Dansekapellet\, Bispebjerg Torv 1\, København\, 2400\, Denmark ATTACH;FMTTYPE=image/jpeg:https://warehouse9.dk/wp-content/uploads/2024/02/afterlife-web.jpeg ORGANIZER;CN="Warehouse9":MAILTO:info@warehouse9.dk END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20240316T123000 DTEND;TZID=Europe/London:20240316T143000 DTSTAMP:20260501T051950 CREATED:20240305T135310Z LAST-MODIFIED:20240313T085729Z UID:10000312-1710592200-1710599400@warehouse9.dk SUMMARY:Sewing Pride by Filip Pawlak (Artist-in-Residence) DESCRIPTION:IPAF artists-in-residence with his project Sewing Pride.\n \nAs part of IPAF Filip Pawlak will be inviting audiences to sew a disability flag together. \n\nSewing Pride by Filip Pawlak \nCan disabled people feel their own queer pride?\nWhat is the pride of excluded groups built on?\nDoes trauma have to be the building block? \nIn the simple practice of sewing together a disability flag – whose background\, however\, is the black that symbolises death – I want to ask the question about the communal experience of this group. I am jealously thinking of queer pride\, the shining hammer that has allowed oppressive norms to crumble for years. I reflect on the experience of the AIDS epidemic\, an identity event that marked out a common enemy but also the pride of a common cause.  \nDo disabled people access their own melancholy\, the social permission to experience grief? Can the experience of an epidemic 30 years later\, COVID\, become (as similar to AIDS for queer) a building block for this group to create a positive political\, social community? \n\nNotes for audience\nSewing Pride is a performance intervention that will take place in Dansekapellets foyer. Anyone interested in joining the action is welcome to participate. No booking needed.  \nLanguage\nEnglish\n \nAccess\nDansekapellet is wheelchair accessible. Accessible toilets are located on site. Kuppelsalen is accessible via stairlift.  \n\nAbout the artists  \nFilip Pawlak (born 1994) – performer\, independent producer of performing arts\, self-advocate for artists with disabilities. In recent years involved in the Europe Beyond Access project. Experienced in the institutional and independent art sector (in the past\, among others\, head of the production department of the Nowy Teatr in Warsaw\, curatorial advisor and producer of the 10Treffen series at the Theatertreffen Berlin\, collaborator and performer of Rafał Urbacki’s crip art works). After a break of several years\, he is once again taking steps on stage as an artist. \n  \nSupported in partnership with Malmö Theatre Academy. \nSewing Pride is part of IPAF: an international festival for contemporary performance presenting artists from different cultural contexts\, whose work engages identity politics\, sexual expressions\, and body representations\, facilitated by Warehouse9. \nThe festival is supported by the Danish Arts Foundation\, the City of Copenhagen and Bispebjerg Lokaludvalg. \n  URL:https://warehouse9.dk/event/artist-in-residence-sewing-pride-by-filip-pawlak/2024-03-16/1/ LOCATION:Dansekapellet\, Bispebjerg Torv 1\, København\, 2400\, Denmark ATTACH;FMTTYPE=image/jpeg:https://warehouse9.dk/wp-content/uploads/2024/03/Sewing-Pride-1.jpeg ORGANIZER;CN="Warehouse9":MAILTO:info@warehouse9.dk END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20240316T120000 DTEND;TZID=Europe/London:20240316T190000 DTSTAMP:20260501T051950 CREATED:20240208T093943Z LAST-MODIFIED:20240219T143855Z UID:10000311-1710590400-1710615600@warehouse9.dk SUMMARY:First Trimester: Krishna Istha DESCRIPTION:IPAF presents: First Trimester by Krishna Istha \nThis groundbreaking performance offers a rare opportunity to contribute to and witness queer family-making. \nEmbark on a journey with London-based performance artist Krishna Istha as they search for the ‘perfect’ sperm donor. First Trimester explores human connection and parenthood\, challenging expectations and redefining what it means to create a family as a transgender person. \nIn the Danish premiere of this one-of-a-kind durational experience\, fresh from its world premiere in London & Auckland\, First Trimester invites you to witness intimate live interviews between Krishna and 100s of participants\, in a quest to find them and their partner a sperm donor\, or at least discover the qualities that bring them closer to their perfect match. \nKrishna asks questions that range from funny to serious\, from matter-of-fact information to philosophical perspectives in order to make the ultimate connection. \n“Did you grow up with pets?”\n“Where do you store your memories?”\n“What do you value more\, kindness or intelligence?”\nAnd\, most importantly for Krishna\, “Have you watched The Princess Diaries?” \nAudience members are invited to watch as the interviews unfold\, but are also welcome to sign-up as a participant as a prospective donor. We welcome participants aged 18 to 60+ from all backgrounds. Each interview is pivotal in helping Krishna get closer to finding the right donor. If you would like to sign up to participate\, please visit our website: https://firsttrimester.co.uk/ \nThis is a durational performance. Saturday’s performance runs for 7 hours\, and you can either buy a ticket for the full 7 hours (plus a 1 hour break) or for 3 hour slots. Sunday’s performance runs for 3 hours and you can buy a ticket for the duration. All shows are sensory adapted and are relaxed — i.e you are welcome to come and go from the space as you please with the slot you have selected. \nCommissioned by Roundhouse\, Battersea Arts Centre and Marlborough Productions.\nSupported by Arts Council England.\nPresented by Warehouse9 as part of IPAF 2024  \n\nLanguage: English \nTickets: Tickets are pay-what-you-can. On the 16th March you can either book a 3 hours time slot or a ticket for the whole day. \nAccess: Dansekapellet is wheelchair accessible. Accessible toilets are located on site. This is a relaxed performance. \nContent warnings: The participants taking part in the live conversations have not rehearsed before coming on stage and do not know what the questions are before taking part. We therefore can not know exactly what will be said in advance.  \nAudiences are welcome to come and go from the space as you please with the slot they have selected. \n\nOther content notes:  \n\nThere will be moments of loud music and sounds.\nAll performances will be Relaxed. We invite you to make yourself comfortable and move around if you need to and if you need to leave the performance at any point you will be allowed to return to the space when you feel ready.\nParticipant & audience care has been central to the development of the show and there will be a wellbeing practitioner on site at every performance.\nPlease note\, due to the format of the show\, there may be a small wait of no more than 10 minutes to enter the space if you arrive after the start time.\n\n\nWorking group & credits\nLead Artist: Krishna Istha\nProducer: Ruby Glaskin\nDramaturg: Paula Varjack\nCoder & website designer: Suzanna Hurst\nSet & Costume Designer: Christine Ting – Huan Urquhart\nLighting Designer: Martha Godfrey\nSound Designer: Olive Mondegreen\nProduction Manager: Helen Mugridge \n  \nAbout the artists:\nKrishna Istha is a London-based performance artist\, comedian\, theatre maker and screenwriter. They create socially conscious\, form-pushing works about taboo or underrepresented experiences of gender\, race and sexual politics. Most recently\, they wrote on Netflix’s Sex Education (Season 4\, Episode 3) and is a Netflix Documentary Talent Fund recipient. They were a Barbican Centre Open Lab artist (2021-22) and an Arts Admin Bursary Artist (2020-21). They were one of two shortlisted writers for the SKY Arts & Royal Society of Literature Writers Awards under screenwriting (2022)\, and came Runner-Up on Screenshot (2021) — a competition for comedy writer-performers hosted by Sister Pictures and South of the River Pictures.\nhttps://www.krishnaistha.com/ \n  \nFirst Trimester is part of IPAF: an international festival for contemporary performance presenting artists from different cultural contexts\, whose work engages identity politics\, sexual expressions\, and body representations\, facilitated by Warehouse9. \nThe festival is supported by the Danish Arts Foundation\, the City of Copenhagen and Bispebjerg Lokaludvalg. \n  \n \n  URL:https://warehouse9.dk/event/first-trimester-krishna-istha/2024-03-16/ LOCATION:Dansekapellet\, Bispebjerg Torv 1\, København\, 2400\, Denmark ATTACH;FMTTYPE=image/jpeg:https://warehouse9.dk/wp-content/uploads/2024/02/FT.jpeg ORGANIZER;CN="Warehouse9":MAILTO:info@warehouse9.dk END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20240315T220000 DTEND;TZID=Europe/London:20240316T000000 DTSTAMP:20260501T051950 CREATED:20240305T154408Z LAST-MODIFIED:20240306T160654Z UID:10000314-1710540000-1710547200@warehouse9.dk SUMMARY:FESTIVAL BAR NIGHT DESCRIPTION:Join us for a midway festival celebration and drink at TOASTER’s bar.\nCome down and an enjoy some tunes\, dance and hang out with friends. \n\nDJ:\nDj jibril is  a Portuguese born Guinean dj who plays big tunes inspired by the diaspora for the diaspora (them/they) \n  \nThe festival bar night takes place after the double-bill with Sall Lam Toro and Martin O’Brien.\nYou can join the evening regardless if you have a ticket to see the performances. \n  \n  \nAccess: Husets Teater does not have level free access and is not equipped with stairlifts\, and is therefore not accessible for wheelchair users. We recognise that this is not good enough. TOASTER’s bar is in the basement of Husets Teaters building. There are stairs leading down to the bar. \n  \nThis evening is co-hosted with TOASTER and Live Art DK.\n\nThe Festival Bar Night is part of IPAF: an international festival for contemporary performance presenting artists from different cultural contexts\, whose work engages identity politics\, sexual expressions\, and body representations\, facilitated by Warehouse9.\n \nThe festival is supported by the Danish Arts Foundation\, the City of Copenhagen and Bispebjerg Lokaludvalg. \n  URL:https://warehouse9.dk/event/festival-bar-night/ LOCATION:Husets Teater\, Halmtorvet 9\, Copenhagen\, 1700\, Denmark ATTACH;FMTTYPE=image/jpeg:https://warehouse9.dk/wp-content/uploads/2024/03/Untitled-design.jpeg ORGANIZER;CN="Warehouse9":MAILTO:info@warehouse9.dk END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20240315T200000 DTEND;TZID=Europe/London:20240315T220000 DTSTAMP:20260501T051950 CREATED:20240206T124641Z LAST-MODIFIED:20240219T143013Z UID:10000304-1710532800-1710540000@warehouse9.dk SUMMARY:OBSIDIANA\, ESTRANHA\, ERÓTICA E ULTRAVIOLETA: Sall Lam Toro DESCRIPTION:IPAF & Managing Discomfort presents: OBSIDIANA\, ESTRANHA\, ERÓTICA E ULTRAVIOLETA by Sall Lam Toro \n\nLive performance rework from Obsidian Dream Love Letters series (2023) \n\nThe live performance piece “obsidiana\, estranha\, erótica e ultravioleta” (2024) is a rework of the multimedia installation performance Obsidian Dream Love Letters series (2023) universe of surrealist ecoerotic poetics of queer blackness\, archiving and rituals situated in multi-cosmologies of space. The previous version was developed for Close Encounters: Embodied Journeys festival co-produced by Danshallerne and Den Frie Udstillingsted Bygning and curated by Julienne Doko last year. And the multimedia installation was also shown at Fear and Fauna group exhibition curated by Ariel Feminisms ending with another performance version as well at the finissage. Drawing upon a love letter to black ecoerotic consciousness built upon universes of phantasmagoria\, the space is inhabited by sculptures\, light and soil companions. The piece materializes manifestos of atemporal and multidimensional fugitivity with the support of sensuous rituals channeled by the presence of obsidian and rose quartz raw living bodies within the sculptures and soil trails. \nIn this rework without video nor mapped visuals\, the scenographic space shifts into a green\, ultraviolet light glitch\, concentrated immersing space with an assemblage of two poles and sculptures-podium of obsidian and rose quartz leveled onto them. The performers not only move backwards in different positions grounded on the floor in possession-like modes as the previous version\, but also lift their own bodies up supported by the pole moving upside down in twists and distorted body positions. This version contrasts with the previous ones offering a heightened physicality of the performative with an abundant hypererotic descent into the sensuous vibrational frequencies of obsidian and rose quartz. \n  \nNotes for audience\nTBA \nDouble Bill: This performance is a DOUBLE BILL showing with Martin O’Brien. 1 ticket = access to 2 performances. \nLanguage\nNon-Verbal  \nAccess\nHusets Teater does not have level free access and is not equipped with stairlifts\, and is therefore not accessible for wheelchair users. We recognise that this is not good enough. \n\nCredits\nConcept\, development\, artistic direction\, performance\, & choreography: Sall Lam Toro\nCo-development\, co-performance\, & co-choreography: Suziethecockroach\nChoreography consultant & assistance: Tabatha Araujo\nSound composition: Warren Jones\nSound remixing: Suziethecockroach\nSculpture work: Sall Lam Toro\nScenography and light design: Bella Jensen\nCostume design: Serena Coelho\nAdditional re-styling: Sall Lam Toro and Suziethecockroach \n  \nAbout the artists:\n \nSall is a black trans queer unbinary antidisciplinary multimedia  performance artist and organizer based in Copenhagen\, Denmark\, and\, born and raised in Portugal to immigrant parents from Guiné-Bissau. They work with the mediums of performance\, movement\, sound\, textual and visual art. Their work relates to  claiming the ecoerotic as a way into decolonizing body(ies) while finding strategies to create more accessibility to multiple\, non-linear\, poetic universes of the sensual through equally disruptive\, emotional and dissident forms.\n\n Their pieces strive to break with/interrupt the consequences of coloniality-based inherited violence and oppression in the becoming of the body through rituals\, economies of care and the senses while establishing intentional relationships with grief and death.  \nTheir interactive and collaborative visual works indulge within meta-universes of meaning\, body and spirit erupting shifting transcendental states within the body of the viewer/participant attempting to defy capitalist modes of operating and sensing. \nThey are part of (Co)Opulence\, and Humus Collectives working mainly in Denmark and Scandinavia. \nhttps://salllamtoro.com/  \n  \nOBSIDIANA\, ESTRANHA\, ERÓTICA E ULTRAVIOLETA is co-presented with TOASTER and Live Art DK and also a part of their Managing Discomfort Performance Festival. \nOBSIDIANA\, ESTRANHA\, ERÓTICA E ULTRAVIOLETA is part of IPAF: an international festival for contemporary performance presenting artists from different cultural contexts\, whose work engages identity politics\, sexual expressions\, and body representations\, facilitated by Warehouse9. \nThe festival is supported by the Danish Arts Foundation\, the City of Copenhagen and Bispebjerg Lokaludvalg. \n  \n      URL:https://warehouse9.dk/event/obsidiana-estranha-erotica-e-ultravioleta-sall-lam-toro/2024-03-15/ LOCATION:Husets Teater\, Halmtorvet 9\, Copenhagen\, 1700\, Denmark ATTACH;FMTTYPE=image/jpeg:https://warehouse9.dk/wp-content/uploads/2024/02/sall-web.jpeg ORGANIZER;CN="Warehouse9":MAILTO:info@warehouse9.dk END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20240315T200000 DTEND;TZID=Europe/London:20240315T220000 DTSTAMP:20260501T051950 CREATED:20240206T122233Z LAST-MODIFIED:20240311T133203Z UID:10000303-1710532800-1710540000@warehouse9.dk SUMMARY:AN AMBULANCE TO THE FUTURE (THE SECOND CHANCE): Martin O'Brien DESCRIPTION:IPAF & Managing Discomfort presents: An Ambulance to the Future (The Second Chance) by Martin O’Brien \n\nThe grim reaper stood there\, finally I saw him. His skeletal form sparkled in the moonlight and nothing else existed. This was the deal. He reached out and wrapped his cold\, bone hand around my skull. I was lost in the darkness of his cape. He drew me near and kissed me. He tasted like death\, and I loved it. \n\nIn ‘An Ambulance to the Future (The Second Chance)’\, Death pays a man for sex. The price is immortality. \nMixing video\, live performance action and parables\, the work paints the picture of life lived over and over again\, a life that doesn’t need water or oxygen\, a life without the promise of an end point. It is a meditation on endings and new beginnings. With his usual intensity and wit\, this work continues Martin O’Brien’s explorations of the politics of death by asking what the idea of immortality can help us understood about being mortal. \n‘An Ambulance to the Future (The Second Chance)’ premiered at Whitechapel Gallery in May 2023 and was presented as part of Martin O’Brien’s year as ‘Writer-in-Residence’. \n\nNotes for audience\nAn Ambulance to the Future (The Second Chance) contains nudity\, footage of scrotal piercing\, discussion of sex and death and spanking.\n \nDouble Bill: This performance is a DOUBLE BILL showing with Sall Lam Toro. 1 ticket = access to 2 performances. \nLanguage\nEnglish \nAccess\nHusets Teater does not have level free access and is not equipped with stairlifts\, and is therefore not accessible for wheelchair users. We recognise that this is not good enough. \nThe text that Martin O’Brien will be performing in English will be available as limited quantity handouts at the venue. \nCredits\nLead artist: Martin O’Brien\nProducer: FUTURE RITUAL\nVideography: Baiba Sprance and Marco Beradi\nPerformers (Live): Zack Mennell\nPerformers (Film): Ali Campbell\, Ash McNaughton\, Carolyn Naish\, Ewan Hindes\, Pianka M\, Regina Jay \n  \nAbout the artists:\nMartin O’Brien is an artist and zombie. He works across performance\, writing and video art. His work uses long durational actions\, short speculative texts and critical rants\, and performance processes in order to explore death and dying\, what it means to be born with a life shortening disease\, and the philosophical implications of living longer than expected. He has shown work throughout the UK; Europe; USA; and Canada\, and is well known for his solo performances and collaborations with the legendary LA artist and dominatrix Sheree Rose. His most recent works were at Tate Britain in 2020\, and the ICA (London) in 2021. He is winner of the Philip Leverhulme Prize for Visual and Performing Arts 2022. He is Writer-in-Residence at Whitechapel Gallery throughout 2023. Martin has cystic fibrosis and all his work and writing draws upon this experience. In 2018\, the book ‘Survival of the Sickest: The Art of Martin O’Brien’ was published by Live Art Development Agency. His work has been featured on BBC radio and Sky Arts television. Martin O’Brien is currently senior lecturer in Live Art at Queen Mary University of London \n  \nAn Ambulance to the Future (The Second Chance) is co-presented with TOASTER and Live Art DK and also a part of their Managing Discomfort Performance Festival. \nAn Ambulance to the Future (The Second Chance) is part of IPAF: an international festival for contemporary performance presenting artists from different cultural contexts\, whose work engages identity politics\, sexual expressions\, and body representations\, facilitated by Warehouse9. \nThe festival is supported by the Danish Arts Foundation\, the City of Copenhagen and Bispebjerg Lokaludvalg. \n  \n     URL:https://warehouse9.dk/event/an-ambulance-to-the-future-the-second-chance-martin-obrien/2024-03-15/ LOCATION:Husets Teater\, Halmtorvet 9\, Copenhagen\, 1700\, Denmark ATTACH;FMTTYPE=image/jpeg:https://warehouse9.dk/wp-content/uploads/2024/02/martin.jpeg ORGANIZER;CN="Warehouse9":MAILTO:info@warehouse9.dk END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20240315T170000 DTEND;TZID=Europe/London:20240315T183000 DTSTAMP:20260501T051950 CREATED:20240206T113036Z LAST-MODIFIED:20240219T143132Z UID:10000280-1710522000-1710527400@warehouse9.dk SUMMARY:Enter Exude: Teo Ala-Ruona DESCRIPTION:IPAF presents: Enter Exude by Teo Ala-Ruona \nEnter Exude is a cinematic auto-fantasy for three performers and a Chevrolet Camaro.  \nBorn from the anal canal of an automobile\, the three techno-brothers derive pleasure from inhaling the spirit of the car – both a symbol of familial and trans narratives. Enter Exude takes the audience on an ominously erotic ride\, unfolding on various time scales\, blurring the boundaries between life and slow death.  \nEnter Exude delves into contemporary notions of gender\, technology\, and ecology while crafting simultaneously a hypnotic and haunting experience of unfulfilled desires. The performance is simultaneously exaggerative and intimate\, breaking the boundaries of the stage and creating a continuous interplay between reality and the imagined. \nEnter Exude continues Ala-Ruona’s series of performances exploring the intertwining of environmental toxicities and trans-corporeality\, with bodily transformations and complex sexuality forming an intense\, mutually accelerating cycle. \n\nNotes for audience\nEnter Exude includes talk about sex and death. The performance also includes close proximity audience contact\, from which audience members can opt out if they wish. The performance includes loud sounds and blinking lights.Earplugs are provided at the entrance door for those who wish to use them. \nLanguage: English \nAccess: Warehouse9 is Wheelchair accessible. Accessible toilets are accessed via stairlift. Accessible parking is available on site. \nPost-show: on the 16th March there will be a post-show celebration. We hope you will join us. \n\nWorking group & credits\nSummoning\, concept and directing: Teo Ala-Ruona\nChoreography:Raoni Muzho Saleh\, Charlie Laban Trier and Teo Ala-Ruona\nPerformers: Raoni Muzho Saleh\, Charlie Laban Trier and Teo Ala-Ruona\nDramaturg: Even Minn\nSet and costume design: Teo Paaer\nSound dramaturg: Kaino Wennerstrand\nSound design: Miša Skalskis\nLighting design: Heikki Paasonen\nProducer: Sanna Ritvanen\nPre-production: Jonni Korhonen\nArtistic dialogue: Remi Vesala\n\nProduction: Kiasma-teatteri\, Finnish Cultural Institute for the Benelux\, Viernulvier\, Warehouse9\nSupported by: Niilo Helander Foundation\, Arts Promotion Centre\, Wihuri Foundation\, Oskar Öflund Foundation\, Suomen Kulttuurirahasto\, Finnish Cultural Institute of Denmark\nResidencies: FABRIKKEN\, Zodiak-laboratory\, BUDA \n  \n  \nRead the text ‘Car and I’ that frames the themes of the Enter Exude: \n“”This text\, too\, arises from the car. I see it in my mind as a knot of interchanges composed of highway ramps\, an accelerating landscape with multiple directions and lanes. I stand in the midst of that landscape\, amidst the noise of highways\, and I write.”” \nWritten by: Teo Ala Ruona and Remi Vesala \nPDF Download: Teo Ala Ruona and Remi Vesala \n  \nAbout the artists:\nTeo Ala-Ruona is a Helsinki-based performance artist\, whose works delve into somatospeculative fiction\, exploring themes such as techno-trans-masculinity\, sexuality\, ecology\, and toxicity. He employs a blend of theoretical discourse\, autobiographical text\, and psychophysical performance scores to redefine language and narratives that address pleasure and intimacy in the context of a toxic Earth. \nHe approaches trans corporeality as an arena\, where various normative processes of naturalization become infeasible\, and address queer ecological topics from explicitly sexual perspective to revoke the heteronormative biases that influence the research done on biology and ecology\, gender and sexuality. \nThrough the use of the performing body as a canvas for speculative storytelling\, he experiments how fiction can transform the ways bodies are understood. Ala-Ruona is committed to the transgressive potential of performance art to push the boundaries of our perception of normality and conventionality. \nAla-Ruona’s work has recently been shown in Performa Biennial (New York)\, The Vilnius Biennial of Performance Art (Vilnius)\, The Finnish National Gallery Kiasma (Helsinki)\, The Institute of Contemporary Arts in London (London)\, Sequences festival (Reykjavik) and Centrale Fies (Dro) among others. \nhttps://teoalaruona.net/  \n  \nEnter Exude is co-presented with the The Finnish Cultural Institute in Denmark \nEnter Exude is part of IPAF: an international festival for contemporary performance presenting artists from different cultural contexts\, whose work engages identity politics\, sexual expressions\, and body representations\, facilitated by Warehouse9. \n  URL:https://warehouse9.dk/event/enter-exude-teo-ala-ruona/2024-03-15/ LOCATION:Warehouse9\, Rosenlunds Allé 5\, Baghuset\, Copenhagen\, 2720\, Denmark ATTACH;FMTTYPE=image/jpeg:https://warehouse9.dk/wp-content/uploads/2024/02/enter-exude-web.jpeg ORGANIZER;CN="Warehouse9":MAILTO:info@warehouse9.dk END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20240315T110000 DTEND;TZID=Europe/London:20240315T130000 DTSTAMP:20260501T051950 CREATED:20240208T100758Z LAST-MODIFIED:20240312T135412Z UID:10000299-1710500400-1710507600@warehouse9.dk SUMMARY:Out of The Coffin: Alba&Linn (Artist-in-Residence) DESCRIPTION:Alba&Linn are IPAF artists-in-residence with their new project Out of The Coffin. \nAs part of IPAF Alba&Linn will be sharing their project with a work-in-progress performance.\nThis performance is a participatory worksharing with feedback from the audience. \n \nOut of The Coffin by Alba&Linn\nDuring their residency period they have taken a deep dive into the rich and bloody archive of vampire fiction and stories as a queer figure and fantasy. Being other\, living at night in a queer temporality\, that is hidden and dissolves by day\, and an existence only possible through what is deemed immoral by those who fear the vampire\, and much more. \nFor this worksharing you will partake in a performative dialogue meeting. And do not worry\, nobody will get bitten. \n\nNotes for audience\nFree to attend\, please RSVP to reserve your spot. \nLanguage\nEnglish\n \nAccess\nDansekapellet is wheelchair accessible. Accessible toilets are located on site. Kuppelsalen is accessible via stairlift.  \n\nAbout the artists  \nAlba Greve (they/them) – Is a copenhagen based actor and performance maker\, navigating between theatre\, performance art\, and erotics. Alba works with audience manipulation\, crafting immersive experiences. With an interest in fictional non-fiction\, they invite the audience to participate in world building and create a blend of fiction and ¨reality¨. They work freelance in many different collaborations and are a part of Roomies Production. They recently premiered the Art porn Under the Cherries by Frida Retz. Alba holds a BA from Norwegian Theatre Academy \nLinn Haldrup Lorenzen (she/her) is a freelance performance maker based in Copenhagen. She is occupied with questions of use and uselessness\, real and imaginary\, visible and invisible in relation to queerness and living with chronic illness. She works as a performer\, director\, teacher and concept developer\, both self-producing and for others\, and she is associated with the performance collective CuntsCollective. Among others she has worked with Fix&Foxy\, Live Art DK and Bianca Casady. She holds a Master in Performance from Norwegian Theatre Academy. \nwww.linnhalo.com \n  \nOut of The Coffin is co-produced by HIMHERANDIT Productions\, Genderhouse Festival and Warehouse9. Prior to this sharing Alba&Linn have been supported with a 1 months residency in Aarhus at Q&A Studios and Åbne Scene – Godsbanen.  \nOut of The Coffin is part of IPAF: an international festival for contemporary performance presenting artists from different cultural contexts\, whose work engages identity politics\, sexual expressions\, and body representations\, facilitated by Warehouse9. \nThe festival is supported by the Danish Arts Foundation\, the City of Copenhagen and Bispebjerg Lokaludvalg. \n  \n          \n  URL:https://warehouse9.dk/event/artist-in-residence-out-of-the-coffin-by-albalinn/ LOCATION:Dansekapellet\, Bispebjerg Torv 1\, København\, 2400\, Denmark ATTACH;FMTTYPE=image/jpeg:https://warehouse9.dk/wp-content/uploads/2024/02/linn.jpeg ORGANIZER;CN="Warehouse9":MAILTO:info@warehouse9.dk END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20240314T200000 DTEND;TZID=Europe/London:20240314T220000 DTSTAMP:20260501T051950 CREATED:20240206T124641Z LAST-MODIFIED:20240219T143013Z UID:10000286-1710446400-1710453600@warehouse9.dk SUMMARY:OBSIDIANA\, ESTRANHA\, ERÓTICA E ULTRAVIOLETA: Sall Lam Toro DESCRIPTION:IPAF & Managing Discomfort presents: OBSIDIANA\, ESTRANHA\, ERÓTICA E ULTRAVIOLETA by Sall Lam Toro \n\nLive performance rework from Obsidian Dream Love Letters series (2023) \n\nThe live performance piece “obsidiana\, estranha\, erótica e ultravioleta” (2024) is a rework of the multimedia installation performance Obsidian Dream Love Letters series (2023) universe of surrealist ecoerotic poetics of queer blackness\, archiving and rituals situated in multi-cosmologies of space. The previous version was developed for Close Encounters: Embodied Journeys festival co-produced by Danshallerne and Den Frie Udstillingsted Bygning and curated by Julienne Doko last year. And the multimedia installation was also shown at Fear and Fauna group exhibition curated by Ariel Feminisms ending with another performance version as well at the finissage. Drawing upon a love letter to black ecoerotic consciousness built upon universes of phantasmagoria\, the space is inhabited by sculptures\, light and soil companions. The piece materializes manifestos of atemporal and multidimensional fugitivity with the support of sensuous rituals channeled by the presence of obsidian and rose quartz raw living bodies within the sculptures and soil trails. \nIn this rework without video nor mapped visuals\, the scenographic space shifts into a green\, ultraviolet light glitch\, concentrated immersing space with an assemblage of two poles and sculptures-podium of obsidian and rose quartz leveled onto them. The performers not only move backwards in different positions grounded on the floor in possession-like modes as the previous version\, but also lift their own bodies up supported by the pole moving upside down in twists and distorted body positions. This version contrasts with the previous ones offering a heightened physicality of the performative with an abundant hypererotic descent into the sensuous vibrational frequencies of obsidian and rose quartz. \n  \nNotes for audience\nTBA \nDouble Bill: This performance is a DOUBLE BILL showing with Martin O’Brien. 1 ticket = access to 2 performances. \nLanguage\nNon-Verbal  \nAccess\nHusets Teater does not have level free access and is not equipped with stairlifts\, and is therefore not accessible for wheelchair users. We recognise that this is not good enough. \n\nCredits\nConcept\, development\, artistic direction\, performance\, & choreography: Sall Lam Toro\nCo-development\, co-performance\, & co-choreography: Suziethecockroach\nChoreography consultant & assistance: Tabatha Araujo\nSound composition: Warren Jones\nSound remixing: Suziethecockroach\nSculpture work: Sall Lam Toro\nScenography and light design: Bella Jensen\nCostume design: Serena Coelho\nAdditional re-styling: Sall Lam Toro and Suziethecockroach \n  \nAbout the artists:\n \nSall is a black trans queer unbinary antidisciplinary multimedia  performance artist and organizer based in Copenhagen\, Denmark\, and\, born and raised in Portugal to immigrant parents from Guiné-Bissau. They work with the mediums of performance\, movement\, sound\, textual and visual art. Their work relates to  claiming the ecoerotic as a way into decolonizing body(ies) while finding strategies to create more accessibility to multiple\, non-linear\, poetic universes of the sensual through equally disruptive\, emotional and dissident forms.\n\n Their pieces strive to break with/interrupt the consequences of coloniality-based inherited violence and oppression in the becoming of the body through rituals\, economies of care and the senses while establishing intentional relationships with grief and death.  \nTheir interactive and collaborative visual works indulge within meta-universes of meaning\, body and spirit erupting shifting transcendental states within the body of the viewer/participant attempting to defy capitalist modes of operating and sensing. \nThey are part of (Co)Opulence\, and Humus Collectives working mainly in Denmark and Scandinavia. \nhttps://salllamtoro.com/  \n  \nOBSIDIANA\, ESTRANHA\, ERÓTICA E ULTRAVIOLETA is co-presented with TOASTER and Live Art DK and also a part of their Managing Discomfort Performance Festival. \nOBSIDIANA\, ESTRANHA\, ERÓTICA E ULTRAVIOLETA is part of IPAF: an international festival for contemporary performance presenting artists from different cultural contexts\, whose work engages identity politics\, sexual expressions\, and body representations\, facilitated by Warehouse9. \nThe festival is supported by the Danish Arts Foundation\, the City of Copenhagen and Bispebjerg Lokaludvalg. \n  \n      URL:https://warehouse9.dk/event/obsidiana-estranha-erotica-e-ultravioleta-sall-lam-toro/2024-03-14/ LOCATION:Husets Teater\, Halmtorvet 9\, Copenhagen\, 1700\, Denmark ATTACH;FMTTYPE=image/jpeg:https://warehouse9.dk/wp-content/uploads/2024/02/sall-web.jpeg ORGANIZER;CN="Warehouse9":MAILTO:info@warehouse9.dk END:VEVENT BEGIN:VEVENT DTSTART;TZID=Europe/London:20240314T200000 DTEND;TZID=Europe/London:20240314T220000 DTSTAMP:20260501T051950 CREATED:20240206T122233Z LAST-MODIFIED:20240311T133203Z UID:10000284-1710446400-1710453600@warehouse9.dk SUMMARY:AN AMBULANCE TO THE FUTURE (THE SECOND CHANCE): Martin O'Brien DESCRIPTION:IPAF & Managing Discomfort presents: An Ambulance to the Future (The Second Chance) by Martin O’Brien \n\nThe grim reaper stood there\, finally I saw him. His skeletal form sparkled in the moonlight and nothing else existed. This was the deal. He reached out and wrapped his cold\, bone hand around my skull. I was lost in the darkness of his cape. He drew me near and kissed me. He tasted like death\, and I loved it. \n\nIn ‘An Ambulance to the Future (The Second Chance)’\, Death pays a man for sex. The price is immortality. \nMixing video\, live performance action and parables\, the work paints the picture of life lived over and over again\, a life that doesn’t need water or oxygen\, a life without the promise of an end point. It is a meditation on endings and new beginnings. With his usual intensity and wit\, this work continues Martin O’Brien’s explorations of the politics of death by asking what the idea of immortality can help us understood about being mortal. \n‘An Ambulance to the Future (The Second Chance)’ premiered at Whitechapel Gallery in May 2023 and was presented as part of Martin O’Brien’s year as ‘Writer-in-Residence’. \n\nNotes for audience\nAn Ambulance to the Future (The Second Chance) contains nudity\, footage of scrotal piercing\, discussion of sex and death and spanking.\n \nDouble Bill: This performance is a DOUBLE BILL showing with Sall Lam Toro. 1 ticket = access to 2 performances. \nLanguage\nEnglish \nAccess\nHusets Teater does not have level free access and is not equipped with stairlifts\, and is therefore not accessible for wheelchair users. We recognise that this is not good enough. \nThe text that Martin O’Brien will be performing in English will be available as limited quantity handouts at the venue. \nCredits\nLead artist: Martin O’Brien\nProducer: FUTURE RITUAL\nVideography: Baiba Sprance and Marco Beradi\nPerformers (Live): Zack Mennell\nPerformers (Film): Ali Campbell\, Ash McNaughton\, Carolyn Naish\, Ewan Hindes\, Pianka M\, Regina Jay \n  \nAbout the artists:\nMartin O’Brien is an artist and zombie. He works across performance\, writing and video art. His work uses long durational actions\, short speculative texts and critical rants\, and performance processes in order to explore death and dying\, what it means to be born with a life shortening disease\, and the philosophical implications of living longer than expected. He has shown work throughout the UK; Europe; USA; and Canada\, and is well known for his solo performances and collaborations with the legendary LA artist and dominatrix Sheree Rose. His most recent works were at Tate Britain in 2020\, and the ICA (London) in 2021. He is winner of the Philip Leverhulme Prize for Visual and Performing Arts 2022. He is Writer-in-Residence at Whitechapel Gallery throughout 2023. Martin has cystic fibrosis and all his work and writing draws upon this experience. In 2018\, the book ‘Survival of the Sickest: The Art of Martin O’Brien’ was published by Live Art Development Agency. His work has been featured on BBC radio and Sky Arts television. Martin O’Brien is currently senior lecturer in Live Art at Queen Mary University of London \n  \nAn Ambulance to the Future (The Second Chance) is co-presented with TOASTER and Live Art DK and also a part of their Managing Discomfort Performance Festival. \nAn Ambulance to the Future (The Second Chance) is part of IPAF: an international festival for contemporary performance presenting artists from different cultural contexts\, whose work engages identity politics\, sexual expressions\, and body representations\, facilitated by Warehouse9. \nThe festival is supported by the Danish Arts Foundation\, the City of Copenhagen and Bispebjerg Lokaludvalg. \n  \n     URL:https://warehouse9.dk/event/an-ambulance-to-the-future-the-second-chance-martin-obrien/2024-03-14/ LOCATION:Husets Teater\, Halmtorvet 9\, Copenhagen\, 1700\, Denmark ATTACH;FMTTYPE=image/jpeg:https://warehouse9.dk/wp-content/uploads/2024/02/martin.jpeg ORGANIZER;CN="Warehouse9":MAILTO:info@warehouse9.dk END:VEVENT END:VCALENDAR