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DTSTART;TZID=Europe/London:20240403T100000
DTEND;TZID=Europe/London:20240403T123000
DTSTAMP:20260501T070710
CREATED:20240207T135437Z
LAST-MODIFIED:20240207T135650Z
UID:10000292-1712138400-1712147400@warehouse9.dk
SUMMARY:In the zone: relying on erotics to exercise patience by Marga Alfeirao
DESCRIPTION:In the zone: relying on erotics to exercise patience \nThis workshop offers a site to deconstruct your movement vocabulary\, to watch others going through it and to allow being witnessed in the process. Following a typical class format with a warm-up and intense physical movement\, the pace slows down and the amplitude gets minimal as we proceed.The participants will understand the basics of wining solo and tarraxo together – what you are invited to watch or offered to see. Building togetherness by dancing for each other. It is a dance workshop and an exercise for the gaze of those who watch and are being watched. \nMarga Alfeirao uses media to carve safe-spaces for the exploration of intimacy and sexuality through dance. Heavily influenced by dance-genres and sound textures from the african diaspora disseminated through Lisbon’s social tissue\, she attempts an active claim of womanhood\, crossing the exercise of gazing and patience in sensuality.\nIn 2023 she premiered LOUNGE (2023) – a site that stretches the perception of a lapdance through the relation of erotics and rest. It received the Impulstanz\, Young Choreographers Award 2023. \n\nDuration: 2.5 hours per session \nSessions: There are 3 sessions in total. We recommend you go to all\, but it is not a necessity. \nAccess: Warehouse9 is wheelchair accessible. Access to toilets is via stairlift. Accessible parking can be made available on site. \nThese classes are a collaboration between Warehouse9 and Dansehallerne. You can participate through Warehouse9 or as a member of Dansehallerne. This is for all professional members regardless of background in dance training\, and we recommend participating all three days. \n  \nDansehallerne is a national center for dance and choreography in Copenhagen.\nCo-producing and presenting a diverse spectrum of national and international performances\, facilitating professional training and industry events. Dansehallerne has a strong focus on cultivating an efficient and sustainable ecosystem for dance and choreography in Denmark nurtured by\, and in dynamic valued exchange with\, the organization’s local and global associations. 
URL:https://warehouse9.dk/event/in-the-zone-relying-on-erotics-to-exercise-patience-by-marga-alfeirao/2024-04-03/
LOCATION:Warehouse9\, Rosenlunds Allé 5\, Baghuset\, Copenhagen\, 2720\, Denmark
ATTACH;FMTTYPE=image/jpeg:https://warehouse9.dk/wp-content/uploads/2024/02/Untitled-design-1.jpeg
ORGANIZER;CN="Warehouse9":MAILTO:info@warehouse9.dk
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240402T100000
DTEND;TZID=Europe/London:20240402T123000
DTSTAMP:20260501T070710
CREATED:20240207T135437Z
LAST-MODIFIED:20240207T135650Z
UID:10000291-1712052000-1712061000@warehouse9.dk
SUMMARY:In the zone: relying on erotics to exercise patience by Marga Alfeirao
DESCRIPTION:In the zone: relying on erotics to exercise patience \nThis workshop offers a site to deconstruct your movement vocabulary\, to watch others going through it and to allow being witnessed in the process. Following a typical class format with a warm-up and intense physical movement\, the pace slows down and the amplitude gets minimal as we proceed.The participants will understand the basics of wining solo and tarraxo together – what you are invited to watch or offered to see. Building togetherness by dancing for each other. It is a dance workshop and an exercise for the gaze of those who watch and are being watched. \nMarga Alfeirao uses media to carve safe-spaces for the exploration of intimacy and sexuality through dance. Heavily influenced by dance-genres and sound textures from the african diaspora disseminated through Lisbon’s social tissue\, she attempts an active claim of womanhood\, crossing the exercise of gazing and patience in sensuality.\nIn 2023 she premiered LOUNGE (2023) – a site that stretches the perception of a lapdance through the relation of erotics and rest. It received the Impulstanz\, Young Choreographers Award 2023. \n\nDuration: 2.5 hours per session \nSessions: There are 3 sessions in total. We recommend you go to all\, but it is not a necessity. \nAccess: Warehouse9 is wheelchair accessible. Access to toilets is via stairlift. Accessible parking can be made available on site. \nThese classes are a collaboration between Warehouse9 and Dansehallerne. You can participate through Warehouse9 or as a member of Dansehallerne. This is for all professional members regardless of background in dance training\, and we recommend participating all three days. \n  \nDansehallerne is a national center for dance and choreography in Copenhagen.\nCo-producing and presenting a diverse spectrum of national and international performances\, facilitating professional training and industry events. Dansehallerne has a strong focus on cultivating an efficient and sustainable ecosystem for dance and choreography in Denmark nurtured by\, and in dynamic valued exchange with\, the organization’s local and global associations. 
URL:https://warehouse9.dk/event/in-the-zone-relying-on-erotics-to-exercise-patience-by-marga-alfeirao/2024-04-02/
LOCATION:Warehouse9\, Rosenlunds Allé 5\, Baghuset\, Copenhagen\, 2720\, Denmark
ATTACH;FMTTYPE=image/jpeg:https://warehouse9.dk/wp-content/uploads/2024/02/Untitled-design-1.jpeg
ORGANIZER;CN="Warehouse9":MAILTO:info@warehouse9.dk
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240329
DTEND;VALUE=DATE:20240429
DTSTAMP:20260501T070710
CREATED:20240319T124810Z
LAST-MODIFIED:20240403T113750Z
UID:10000316-1711670400-1714348799@warehouse9.dk
SUMMARY:Linh Le: CopenhAustin Residency (ATX)
DESCRIPTION:Linh Le will undetake a 1-month residency in Austin\, Texas as part of the CopenhAustin residency initiative. As part of the residency period Linh Le will host an open studio of their practice as part  of Fusebox Festival: April 13 & 14. More info soo. \n  \nAbout the artist: \nLinh Le (she / her) works with performative activism and fights for a just world for life on earth. At the moment\, she explores the sensuousness and philosophy of species\, making rituals for the diversity of life. \nLinh Le is of a new generation of artists who with their own bodies are exploring the possibility of finding a balance between a growing desperation in a world of polycrisis and maintaining the belief in a different way of being human / species. \nAs a child of freedom fighters who came to Denmark as boat refugees from Vietnam\, and as a witness to their struggles in Danish society\, Linh Le is strongly called to free herself through dance\, to challenge the norms\, to transcend boundaries and explore how the body can act\, transform and demand space for the less heard voices. \nLinh Le is educated in Aesthetics and Culture from Aarhus University and Performance Design & Planning from Roskilde University. She is co-founder and member of the performance climate activist group Becoming Species which in close alliance with Extinction Rebellion and Embassy of the Species Copenhagen has made several performative actions in public space to amplify nature’s diverse voices. \nLinh Le is also a member of Dance Cooperative\, an artist-run platform and association with a physical work- and event space in Valby Copenhagen\, organized by 14 local performance artists. \nhttps://linhle.dk/ \n  \nAbout the program: \nWarehouse9 (Copenhagen\, Denmark)\, Unlisted Projects (Austin\, TX) and The Museum of Human Achievement (Austin\, Texas) have come together to offer a residency exchange of one artist from Texas and one artist from Denmark. This international residency opportunity is intended for queer artists working within live performance and designed to support network building\, the creation and sharing of new work in an international context. Residents are given the time\, space\, freedom and financial support to concentrate upon the development of their own work. This residency programme is funded and has a fixed duration of one month. This residency opportunity will be awarded following an open call and application process. Residency artists will be selected in partnership with participating organizations and host a public sharing of work created during their residency at both their host and home organization. \nThe purpose of this residency programme is to support artistic development and facilitate cultural exchange\, and long-term connections between artists\, organizations and the greater communities of Texas and Denmark. A unique dimension of the call is a commitment to the intersection of LGBTQIA+ issues and environmental sustainability practices. \n  \nThis residency is made possible with support  from: \nEmbassy of Denmark Washington D.C.\,The Consulate General of Denmark in Houston\, Scan Design Foundation\, the Danish Arts Foundation\, the Cultural Arts Department in Austin and The City of Copenhagen.
URL:https://warehouse9.dk/event/linh-le-copenhaustin-residency-atx/
LOCATION:Museum of Human Achievement\, 0205150312\, 3600 Lyons Rd Suite B\, Austin\, TX 78702\, United States0205150312\, 3600 Lyons Rd Suite B\, Austin\, TX 78702\, United States\, Texas\, United States
ATTACH;FMTTYPE=image/png:https://warehouse9.dk/wp-content/uploads/2024/03/Screenshot-2024-03-26-at-13.10.01.png
ORGANIZER;CN="Warehouse9":MAILTO:info@warehouse9.dk
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240317T120000
DTEND;TZID=Europe/London:20240317T150000
DTSTAMP:20260501T070710
CREATED:20240208T093943Z
LAST-MODIFIED:20240219T143855Z
UID:10000300-1710676800-1710687600@warehouse9.dk
SUMMARY:First Trimester: Krishna Istha
DESCRIPTION:IPAF presents: First Trimester by Krishna Istha  \nThis groundbreaking performance offers a rare opportunity to contribute to and witness queer family-making. \nEmbark on a journey with London-based performance artist Krishna Istha as they search for the ‘perfect’ sperm donor. First Trimester explores human connection and parenthood\, challenging expectations and redefining what it means to create a family as a transgender person. \nIn the Danish premiere of this one-of-a-kind durational experience\, fresh from its world premiere in London & Auckland\, First Trimester invites you to witness intimate live interviews between Krishna and 100s of participants\, in a quest to find them and their partner a sperm donor\, or at least discover the qualities that bring them closer to their perfect match. \nKrishna asks questions that range from funny to serious\, from matter-of-fact information to philosophical perspectives in order to make the ultimate connection. \n“Did you grow up with pets?”\n“Where do you store your memories?”\n“What do you value more\, kindness or intelligence?”\nAnd\, most importantly for Krishna\, “Have you watched The Princess Diaries?” \nAudience members are invited to watch as the interviews unfold\, but are also welcome to sign-up as a participant as a prospective donor. We welcome participants aged 18 to 60+ from all backgrounds. Each interview is pivotal in helping Krishna get closer to finding the right donor. If you would like to sign up to participate\, please visit our website: https://firsttrimester.co.uk/ \nThis is a durational performance. Saturday’s performance runs for 7 hours\, and you can either buy a ticket for the full 7 hours (plus a 1 hour break) or for 3 hour slots. Sunday’s performance runs for 3 hours and you can buy a ticket for the duration. All shows are sensory adapted and are relaxed — i.e you are welcome to come and go from the space as you please with the slot you have selected. \nCommissioned by Roundhouse\, Battersea Arts Centre and Marlborough Productions.\nSupported by Arts Council England.\nPresented by Warehouse9 as part of IPAF 2024  \n\nLanguage: English \nTickets: Tickets are pay-what-you-can. On the 16th March you can either book a 3 hours time slot or a ticket for the whole day. \nAccess: Dansekapellet is wheelchair accessible. Accessible toilets are located on site. This is a relaxed performance. \nContent warnings: The participants taking part in the live conversations have not rehearsed before coming on stage and do not know what the questions are before taking part. We therefore can not know exactly what will be said in advance.  \nAudiences are welcome to come and go from the space as you please with the slot they have selected. \n\nOther content notes:  \n\nThere will be moments of loud music and sounds.\nAll performances will be Relaxed. We invite you to make yourself comfortable and move around if you need to and if you need to leave the performance at any point you will be allowed to return to the space when you feel ready.\nParticipant & audience care has been central to the development of the show and there will be a wellbeing practitioner on site at every performance.\nPlease note\, due to the format of the show\, there may be a small wait of no more than 10 minutes to enter the space if you arrive after the start time.\n\n\nWorking group & credits\nLead Artist: Krishna Istha\nProducer: Ruby Glaskin\nDramaturg: Paula Varjack\nCoder & website designer: Suzanna Hurst\nSet & Costume Designer: Christine Ting – Huan Urquhart\nLighting Designer: Martha Godfrey\nSound Designer: Olive Mondegreen\nProduction Manager: Helen Mugridge \n  \nAbout the artists:\nKrishna Istha is a London-based performance artist\, comedian\, theatre maker and screenwriter. They create socially conscious\, form-pushing works about taboo or underrepresented experiences of gender\, race and sexual politics. Most recently\, they wrote on Netflix’s Sex Education (Season 4\, Episode 3) and is a Netflix Documentary Talent Fund recipient. They were a Barbican Centre Open Lab artist (2021-22) and an Arts Admin Bursary Artist (2020-21). They were one of two shortlisted writers for the SKY Arts & Royal Society of Literature Writers Awards under screenwriting (2022)\, and came Runner-Up on Screenshot (2021) — a competition for comedy writer-performers hosted by Sister Pictures and South of the River Pictures.\nhttps://www.krishnaistha.com/ \n  \nFirst Trimester is part of IPAF: an international festival for contemporary performance presenting artists from different cultural contexts\, whose work engages identity politics\, sexual expressions\, and body representations\, facilitated by Warehouse9. \nThe festival is supported by the Danish Arts Foundation\, the City of Copenhagen and Bispebjerg Lokaludvalg. \n  \n \n 
URL:https://warehouse9.dk/event/first-trimester-krishna-istha/2024-03-17/
LOCATION:Dansekapellet\, Bispebjerg Torv 1\, København\, 2400\, Denmark
ATTACH;FMTTYPE=image/jpeg:https://warehouse9.dk/wp-content/uploads/2024/02/FT.jpeg
ORGANIZER;CN="Warehouse9":MAILTO:info@warehouse9.dk
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240317T100000
DTEND;TZID=Europe/London:20240317T120000
DTSTAMP:20260501T070710
CREATED:20240213T101034Z
LAST-MODIFIED:20240306T143637Z
UID:10000305-1710669600-1710676800@warehouse9.dk
SUMMARY:Breakfast Club
DESCRIPTION:IPAF special edition of Breakfast Club! \nCome and join us for coffee\, morning nibbles and good company. Come by for the food\, the conversation\, and a chance to meet new people.  \nWe will provide a simple vegan set-up: croissants\, fruit\, coffee and tea\, but you are also welcome to bring your own food and drinks if you prefer. \n  \nFree to attend – RSVP by emailing: blomqvist.caroline@gmail.com  \nThis edition takes place just before Krishna Istha’s last showing of First Trimester. \n\nBreakfast Club was originally created because we know that working in the arts and freelancing can be lonely. Therefore\, we want to create a monthly shared space to check in\, meet new people and be together. This edition of Breakfast Club takes places during our international performance festival IPAF. It is therefore also a chance to for artists and audiences to meet\, as well as to meet international colleagues. We hope you will join us!  \nWe ask that you RSVP so that we can estimate the correct amount of food on offer. \n  \nAccess: Dansekapellet is wheelchair accessible. Accessible toilets are located on site.  \n\n\nThis edition of Breakfast Club is part of IPAF: an international festival for contemporary performance presenting artists from different cultural contexts\, whose work engages identity politics\, sexual expressions\, and body representations\, facilitated by Warehouse9.\n \nThe festival is supported by the Danish Arts Foundation\, the City of Copenhagen and Bispebjerg Lokaludvalg. \n 
URL:https://warehouse9.dk/event/breakfast-club-2/
LOCATION:Dansekapellet\, Bispebjerg Torv 1\, København\, 2400\, Denmark
ORGANIZER;CN="Warehouse9":MAILTO:info@warehouse9.dk
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240316T213000
DTEND;TZID=Europe/London:20240316T230000
DTSTAMP:20260501T070710
CREATED:20240206T113036Z
LAST-MODIFIED:20240219T143132Z
UID:10000302-1710624600-1710630000@warehouse9.dk
SUMMARY:Enter Exude: Teo Ala-Ruona
DESCRIPTION:IPAF presents: Enter Exude by Teo Ala-Ruona \nEnter Exude is a cinematic auto-fantasy for three performers and a Chevrolet Camaro.  \nBorn from the anal canal of an automobile\, the three techno-brothers derive pleasure from inhaling the spirit of the car – both a symbol of familial and trans narratives. Enter Exude takes the audience on an ominously erotic ride\, unfolding on various time scales\, blurring the boundaries between life and slow death.  \nEnter Exude delves into contemporary notions of gender\, technology\, and ecology while crafting simultaneously a hypnotic and haunting experience of unfulfilled desires. The performance is simultaneously exaggerative and intimate\, breaking the boundaries of the stage and creating a continuous interplay between reality and the imagined. \nEnter Exude continues Ala-Ruona’s series of performances exploring the intertwining of environmental toxicities and trans-corporeality\, with bodily transformations and complex sexuality forming an intense\, mutually accelerating cycle. \n\nNotes for audience\nEnter Exude includes talk about sex and death. The performance also includes close proximity audience contact\, from which audience members can opt out if they wish. The performance includes loud sounds and blinking lights.Earplugs are provided at the entrance door for those who wish to use them. \nLanguage: English \nAccess: Warehouse9 is Wheelchair accessible. Accessible toilets are accessed via stairlift. Accessible parking is available on site. \nPost-show: on the 16th March there will be a post-show celebration. We hope you will join us. \n\nWorking group & credits\nSummoning\, concept and directing: Teo Ala-Ruona\nChoreography:Raoni Muzho Saleh\, Charlie Laban Trier and Teo Ala-Ruona\nPerformers: Raoni Muzho Saleh\, Charlie Laban Trier and Teo Ala-Ruona\nDramaturg: Even Minn\nSet and costume design: Teo Paaer\nSound dramaturg: Kaino Wennerstrand\nSound design: Miša Skalskis\nLighting design: Heikki Paasonen\nProducer: Sanna Ritvanen\nPre-production: Jonni Korhonen\nArtistic dialogue: Remi Vesala\n\nProduction: Kiasma-teatteri\, Finnish Cultural Institute for the Benelux\, Viernulvier\, Warehouse9\nSupported by: Niilo Helander Foundation\, Arts Promotion Centre\, Wihuri Foundation\, Oskar Öflund Foundation\, Suomen Kulttuurirahasto\, Finnish Cultural Institute of Denmark\nResidencies: FABRIKKEN\, Zodiak-laboratory\, BUDA \n  \n  \nRead the text ‘Car and I’ that frames the themes of the Enter Exude: \n“”This text\, too\, arises from the car. I see it in my mind as a knot of interchanges composed of highway ramps\, an accelerating landscape with multiple directions and lanes. I stand in the midst of that landscape\, amidst the noise of highways\, and I write.”” \nWritten by: Teo Ala Ruona and Remi Vesala \nPDF Download: Teo Ala Ruona and Remi Vesala \n  \nAbout the artists:\nTeo Ala-Ruona is a Helsinki-based performance artist\, whose works delve into somatospeculative fiction\, exploring themes such as techno-trans-masculinity\, sexuality\, ecology\, and toxicity. He employs a blend of theoretical discourse\, autobiographical text\, and psychophysical performance scores to redefine language and narratives that address pleasure and intimacy in the context of a toxic Earth. \nHe approaches trans corporeality as an arena\, where various normative processes of naturalization become infeasible\, and address queer ecological topics from explicitly sexual perspective to revoke the heteronormative biases that influence the research done on biology and ecology\, gender and sexuality. \nThrough the use of the performing body as a canvas for speculative storytelling\, he experiments how fiction can transform the ways bodies are understood. Ala-Ruona is committed to the transgressive potential of performance art to push the boundaries of our perception of normality and conventionality. \nAla-Ruona’s work has recently been shown in Performa Biennial (New York)\, The Vilnius Biennial of Performance Art (Vilnius)\, The Finnish National Gallery Kiasma (Helsinki)\, The Institute of Contemporary Arts in London (London)\, Sequences festival (Reykjavik) and Centrale Fies (Dro) among others. \nhttps://teoalaruona.net/  \n  \nEnter Exude is co-presented with the The Finnish Cultural Institute in Denmark \nEnter Exude is part of IPAF: an international festival for contemporary performance presenting artists from different cultural contexts\, whose work engages identity politics\, sexual expressions\, and body representations\, facilitated by Warehouse9. \n 
URL:https://warehouse9.dk/event/enter-exude-teo-ala-ruona/2024-03-16/
LOCATION:Warehouse9\, Rosenlunds Allé 5\, Baghuset\, Copenhagen\, 2720\, Denmark
ATTACH;FMTTYPE=image/jpeg:https://warehouse9.dk/wp-content/uploads/2024/02/enter-exude-web.jpeg
ORGANIZER;CN="Warehouse9":MAILTO:info@warehouse9.dk
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240316T200000
DTEND;TZID=Europe/London:20240316T210000
DTSTAMP:20260501T070710
CREATED:20240206T120112Z
LAST-MODIFIED:20240305T155224Z
UID:10000301-1710619200-1710622800@warehouse9.dk
SUMMARY:Afterlife: Louis Schou-Hansen
DESCRIPTION:IPAF presents: Afterlife by Louis Schou-Hansen  \nAfterlife is a messed-up playground. It is a site for speculative futurities and derailed interpretations of a renaissance that never really happened. While diving into hauntologies of Western dance history\, questioning whether the Sun King actually ever died\, the performance moves through a series of twisted dances from the late Italian Renaissance and early French Baroque. Only to disperse into weird referential landscapes containing subtle traces of Britney’s banger dance from Hit Me Baby One More Time\, Andrzej Zulawski’s subway scene from Possession and distorted yoga-gone-wrong inspired materials. \nCarried out by three performers\, Afterlife tries to unfold muted histories of subaltern bodies. Bodies that\, through Western colonial and anti-queer epistemic regimes\, were deemed disposable and unfit to partake in any further historical development. \n\nNotes for audience\nThe performance includes loud sounds. Earplugs are provided at the entrance door for those who wish to use them. \nLanguage: Non-verbal \nAccess: Dansekapellet is wheelchair accessible. Accessible toilets are located on site. Kuppelsalen is accessible via stairlift. \n \n\nWorking group & credits\nCHOREOGRAPHY & DIRECTION Louis Schou-Hansen / COSTUMES AND SCULPTURAL WORK Karoline Bakken Lund / CO-MAKING PERFORMERS Amie Mbye\, Elise Nohr Nystad\, Georgiana Dobre / MUSIC Peachlyfe\, Petra Skibsted / ARTISTIC ADVISOR Sebastian De Line / RECONSTRUCTION OF RENAISSANCE DANCE Elizabeth Svarstad / HAIR Anna Lübeck / PHOTOS Chai Saeidi / CO. PRODUCTION Black Box Teater Oslo\, Mimosa Studio & Palmera Bergen SUPPORTED BY: Arts Council Norway\, FFUK\, Oslo Municipality\, Fond For Lyd og Bilde \n  \nAbout the artists:\n \nLouis Schou-Hansen (it/they) is a dancer and choreographer whose work is situated at the intersection of dance and visual arts. Its practice encompasses various formats such as performances\, making dances\, performing\, writing\, and sometimes curating. Louis’ work dives into speculative fiction as a tool to investigate\, dissect\, and denaturalize how bodies have been molded through violent Western fairytales\, utilizing queer and trans-feminist epistemologies. Louis has studied dance at the Oslo National Academy of the Arts and the Royal Danish Ballet School\, as well as fine arts at The Dutch Art Institute. \nIn 2023\, Louis was shortlisted for the Sandefjord Kunstforenings Art Prize with Harald Beharie\, and was in 2020 nominated for the Norwegian Critics Association Prize for the piece Shine Utopians. \nIn 2016\, it started collaborating with Norwegian choreographer Ingri Fiksdal\, working as a performer in several of her works. Louis has also performed in the works of Runa Borch Skolseg\, Pedro Gomez Egana\, Edhem Jesenkovic\, Goro Tronsmo\, Andrew Amorim\, Janne Camilla Lyster\, & Ingun Bjørnsgaard\, to name some. Between 2020-2022 it co-founded and curated the discursive\, platform Brakkesnakk together with Ines Belli. \nLouis has presented works at Copenhagen Contemporary\, the Munch Museum Oslo\, Untitled Tbilisi\, Black Box Teater Oslo\, Suprainfinit Bucharest\, Dansens Hus Oslo\, My Wild Flag Stockholm\, The Norwegian National Museum\, and RAS Sandnes\, among others. Since 2019 it has been active as a guest teacher at various academies and venues such as CONDTIONS STUDIO PROGRAMME London\, Palais De Tokyo Paris\, Oslo National Academy of the Arts\, ICA – Institute of Contemporary Arts London\, The Place London\, and BRUT Vienna. \nhttp://www.louisschouhansen.net/  \n \nAfterlife is presented in close collaboration with Dansehallerne. \n\nDansehallerne is a national center for dance and choreography in Copenhagen. \nCo-producing and presenting a diverse spectrum of national and international performances\, facilitating professional training and industry events. Dansehallerne has a strong focus on cultivating an efficient and sustainable ecosystem for dance and choreography in Denmark nurtured by\, and in dynamic valued exchange with\, the organization’s local and global associations.  \nAfterlife is part of IPAF: an international festival for contemporary performance presenting artists from different cultural contexts\, whose work engages identity politics\, sexual expressions\, and body representations\, facilitated by Warehouse9. \nThe festival is supported by the Danish Arts Foundation\, the City of Copenhagen and Bispebjerg Lokaludvalg. \n 
URL:https://warehouse9.dk/event/afterlife-louis-schou-hansen/2024-03-16/2/
LOCATION:Dansekapellet\, Bispebjerg Torv 1\, København\, 2400\, Denmark
ATTACH;FMTTYPE=image/jpeg:https://warehouse9.dk/wp-content/uploads/2024/02/afterlife-web.jpeg
ORGANIZER;CN="Warehouse9":MAILTO:info@warehouse9.dk
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240316T163000
DTEND;TZID=Europe/London:20240316T183000
DTSTAMP:20260501T070710
CREATED:20240305T135310Z
LAST-MODIFIED:20240313T085729Z
UID:10000315-1710606600-1710613800@warehouse9.dk
SUMMARY:Sewing Pride by Filip Pawlak (Artist-in-Residence)
DESCRIPTION:IPAF artists-in-residence with his project Sewing Pride.\n \nAs part of IPAF Filip Pawlak will be inviting audiences to sew a disability flag together. \n\nSewing Pride by Filip Pawlak \nCan disabled people feel their own queer pride?\nWhat is the pride of excluded groups built on?\nDoes trauma have to be the building block? \nIn the simple practice of sewing together a disability flag – whose background\, however\, is the black that symbolises death – I want to ask the question about the communal experience of this group. I am jealously thinking of queer pride\, the shining hammer that has allowed oppressive norms to crumble for years. I reflect on the experience of the AIDS epidemic\, an identity event that marked out a common enemy but also the pride of a common cause.  \nDo disabled people access their own melancholy\, the social permission to experience grief? Can the experience of an epidemic 30 years later\, COVID\, become (as similar to AIDS for queer) a building block for this group to create a positive political\, social community? \n\nNotes for audience\nSewing Pride is a performance intervention that will take place in Dansekapellets foyer. Anyone interested in joining the action is welcome to participate. No booking needed.  \nLanguage\nEnglish\n \nAccess\nDansekapellet is wheelchair accessible. Accessible toilets are located on site. Kuppelsalen is accessible via stairlift.  \n\nAbout the artists  \nFilip Pawlak (born 1994) – performer\, independent producer of performing arts\, self-advocate for artists with disabilities. In recent years involved in the Europe Beyond Access project. Experienced in the institutional and independent art sector (in the past\, among others\, head of the production department of the Nowy Teatr in Warsaw\, curatorial advisor and producer of the 10Treffen series at the Theatertreffen Berlin\, collaborator and performer of Rafał Urbacki’s crip art works). After a break of several years\, he is once again taking steps on stage as an artist. \n  \nSupported in partnership with Malmö Theatre Academy.  \nSewing Pride is part of IPAF: an international festival for contemporary performance presenting artists from different cultural contexts\, whose work engages identity politics\, sexual expressions\, and body representations\, facilitated by Warehouse9. \nThe festival is supported by the Danish Arts Foundation\, the City of Copenhagen and Bispebjerg Lokaludvalg. \n 
URL:https://warehouse9.dk/event/artist-in-residence-sewing-pride-by-filip-pawlak/2024-03-16/2/
LOCATION:Dansekapellet\, Bispebjerg Torv 1\, København\, 2400\, Denmark
ATTACH;FMTTYPE=image/jpeg:https://warehouse9.dk/wp-content/uploads/2024/03/Sewing-Pride-1.jpeg
ORGANIZER;CN="Warehouse9":MAILTO:info@warehouse9.dk
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240316T150000
DTEND;TZID=Europe/London:20240316T160000
DTSTAMP:20260501T070710
CREATED:20240206T120112Z
LAST-MODIFIED:20240305T155224Z
UID:10000282-1710601200-1710604800@warehouse9.dk
SUMMARY:Afterlife: Louis Schou-Hansen
DESCRIPTION:IPAF presents: Afterlife by Louis Schou-Hansen  \nAfterlife is a messed-up playground. It is a site for speculative futurities and derailed interpretations of a renaissance that never really happened. While diving into hauntologies of Western dance history\, questioning whether the Sun King actually ever died\, the performance moves through a series of twisted dances from the late Italian Renaissance and early French Baroque. Only to disperse into weird referential landscapes containing subtle traces of Britney’s banger dance from Hit Me Baby One More Time\, Andrzej Zulawski’s subway scene from Possession and distorted yoga-gone-wrong inspired materials. \nCarried out by three performers\, Afterlife tries to unfold muted histories of subaltern bodies. Bodies that\, through Western colonial and anti-queer epistemic regimes\, were deemed disposable and unfit to partake in any further historical development. \n\nNotes for audience\nThe performance includes loud sounds. Earplugs are provided at the entrance door for those who wish to use them. \nLanguage: Non-verbal \nAccess: Dansekapellet is wheelchair accessible. Accessible toilets are located on site. Kuppelsalen is accessible via stairlift. \n \n\nWorking group & credits\nCHOREOGRAPHY & DIRECTION Louis Schou-Hansen / COSTUMES AND SCULPTURAL WORK Karoline Bakken Lund / CO-MAKING PERFORMERS Amie Mbye\, Elise Nohr Nystad\, Georgiana Dobre / MUSIC Peachlyfe\, Petra Skibsted / ARTISTIC ADVISOR Sebastian De Line / RECONSTRUCTION OF RENAISSANCE DANCE Elizabeth Svarstad / HAIR Anna Lübeck / PHOTOS Chai Saeidi / CO. PRODUCTION Black Box Teater Oslo\, Mimosa Studio & Palmera Bergen SUPPORTED BY: Arts Council Norway\, FFUK\, Oslo Municipality\, Fond For Lyd og Bilde \n  \nAbout the artists:\n \nLouis Schou-Hansen (it/they) is a dancer and choreographer whose work is situated at the intersection of dance and visual arts. Its practice encompasses various formats such as performances\, making dances\, performing\, writing\, and sometimes curating. Louis’ work dives into speculative fiction as a tool to investigate\, dissect\, and denaturalize how bodies have been molded through violent Western fairytales\, utilizing queer and trans-feminist epistemologies. Louis has studied dance at the Oslo National Academy of the Arts and the Royal Danish Ballet School\, as well as fine arts at The Dutch Art Institute. \nIn 2023\, Louis was shortlisted for the Sandefjord Kunstforenings Art Prize with Harald Beharie\, and was in 2020 nominated for the Norwegian Critics Association Prize for the piece Shine Utopians. \nIn 2016\, it started collaborating with Norwegian choreographer Ingri Fiksdal\, working as a performer in several of her works. Louis has also performed in the works of Runa Borch Skolseg\, Pedro Gomez Egana\, Edhem Jesenkovic\, Goro Tronsmo\, Andrew Amorim\, Janne Camilla Lyster\, & Ingun Bjørnsgaard\, to name some. Between 2020-2022 it co-founded and curated the discursive\, platform Brakkesnakk together with Ines Belli. \nLouis has presented works at Copenhagen Contemporary\, the Munch Museum Oslo\, Untitled Tbilisi\, Black Box Teater Oslo\, Suprainfinit Bucharest\, Dansens Hus Oslo\, My Wild Flag Stockholm\, The Norwegian National Museum\, and RAS Sandnes\, among others. Since 2019 it has been active as a guest teacher at various academies and venues such as CONDTIONS STUDIO PROGRAMME London\, Palais De Tokyo Paris\, Oslo National Academy of the Arts\, ICA – Institute of Contemporary Arts London\, The Place London\, and BRUT Vienna. \nhttp://www.louisschouhansen.net/  \n \nAfterlife is presented in close collaboration with Dansehallerne. \n\nDansehallerne is a national center for dance and choreography in Copenhagen. \nCo-producing and presenting a diverse spectrum of national and international performances\, facilitating professional training and industry events. Dansehallerne has a strong focus on cultivating an efficient and sustainable ecosystem for dance and choreography in Denmark nurtured by\, and in dynamic valued exchange with\, the organization’s local and global associations.  \nAfterlife is part of IPAF: an international festival for contemporary performance presenting artists from different cultural contexts\, whose work engages identity politics\, sexual expressions\, and body representations\, facilitated by Warehouse9. \nThe festival is supported by the Danish Arts Foundation\, the City of Copenhagen and Bispebjerg Lokaludvalg. \n 
URL:https://warehouse9.dk/event/afterlife-louis-schou-hansen/2024-03-16/1/
LOCATION:Dansekapellet\, Bispebjerg Torv 1\, København\, 2400\, Denmark
ATTACH;FMTTYPE=image/jpeg:https://warehouse9.dk/wp-content/uploads/2024/02/afterlife-web.jpeg
ORGANIZER;CN="Warehouse9":MAILTO:info@warehouse9.dk
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240316T123000
DTEND;TZID=Europe/London:20240316T143000
DTSTAMP:20260501T070710
CREATED:20240305T135310Z
LAST-MODIFIED:20240313T085729Z
UID:10000312-1710592200-1710599400@warehouse9.dk
SUMMARY:Sewing Pride by Filip Pawlak (Artist-in-Residence)
DESCRIPTION:IPAF artists-in-residence with his project Sewing Pride.\n \nAs part of IPAF Filip Pawlak will be inviting audiences to sew a disability flag together. \n\nSewing Pride by Filip Pawlak \nCan disabled people feel their own queer pride?\nWhat is the pride of excluded groups built on?\nDoes trauma have to be the building block? \nIn the simple practice of sewing together a disability flag – whose background\, however\, is the black that symbolises death – I want to ask the question about the communal experience of this group. I am jealously thinking of queer pride\, the shining hammer that has allowed oppressive norms to crumble for years. I reflect on the experience of the AIDS epidemic\, an identity event that marked out a common enemy but also the pride of a common cause.  \nDo disabled people access their own melancholy\, the social permission to experience grief? Can the experience of an epidemic 30 years later\, COVID\, become (as similar to AIDS for queer) a building block for this group to create a positive political\, social community? \n\nNotes for audience\nSewing Pride is a performance intervention that will take place in Dansekapellets foyer. Anyone interested in joining the action is welcome to participate. No booking needed.  \nLanguage\nEnglish\n \nAccess\nDansekapellet is wheelchair accessible. Accessible toilets are located on site. Kuppelsalen is accessible via stairlift.  \n\nAbout the artists  \nFilip Pawlak (born 1994) – performer\, independent producer of performing arts\, self-advocate for artists with disabilities. In recent years involved in the Europe Beyond Access project. Experienced in the institutional and independent art sector (in the past\, among others\, head of the production department of the Nowy Teatr in Warsaw\, curatorial advisor and producer of the 10Treffen series at the Theatertreffen Berlin\, collaborator and performer of Rafał Urbacki’s crip art works). After a break of several years\, he is once again taking steps on stage as an artist. \n  \nSupported in partnership with Malmö Theatre Academy.  \nSewing Pride is part of IPAF: an international festival for contemporary performance presenting artists from different cultural contexts\, whose work engages identity politics\, sexual expressions\, and body representations\, facilitated by Warehouse9. \nThe festival is supported by the Danish Arts Foundation\, the City of Copenhagen and Bispebjerg Lokaludvalg. \n 
URL:https://warehouse9.dk/event/artist-in-residence-sewing-pride-by-filip-pawlak/2024-03-16/1/
LOCATION:Dansekapellet\, Bispebjerg Torv 1\, København\, 2400\, Denmark
ATTACH;FMTTYPE=image/jpeg:https://warehouse9.dk/wp-content/uploads/2024/03/Sewing-Pride-1.jpeg
ORGANIZER;CN="Warehouse9":MAILTO:info@warehouse9.dk
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240316T120000
DTEND;TZID=Europe/London:20240316T190000
DTSTAMP:20260501T070710
CREATED:20240208T093943Z
LAST-MODIFIED:20240219T143855Z
UID:10000311-1710590400-1710615600@warehouse9.dk
SUMMARY:First Trimester: Krishna Istha
DESCRIPTION:IPAF presents: First Trimester by Krishna Istha  \nThis groundbreaking performance offers a rare opportunity to contribute to and witness queer family-making. \nEmbark on a journey with London-based performance artist Krishna Istha as they search for the ‘perfect’ sperm donor. First Trimester explores human connection and parenthood\, challenging expectations and redefining what it means to create a family as a transgender person. \nIn the Danish premiere of this one-of-a-kind durational experience\, fresh from its world premiere in London & Auckland\, First Trimester invites you to witness intimate live interviews between Krishna and 100s of participants\, in a quest to find them and their partner a sperm donor\, or at least discover the qualities that bring them closer to their perfect match. \nKrishna asks questions that range from funny to serious\, from matter-of-fact information to philosophical perspectives in order to make the ultimate connection. \n“Did you grow up with pets?”\n“Where do you store your memories?”\n“What do you value more\, kindness or intelligence?”\nAnd\, most importantly for Krishna\, “Have you watched The Princess Diaries?” \nAudience members are invited to watch as the interviews unfold\, but are also welcome to sign-up as a participant as a prospective donor. We welcome participants aged 18 to 60+ from all backgrounds. Each interview is pivotal in helping Krishna get closer to finding the right donor. If you would like to sign up to participate\, please visit our website: https://firsttrimester.co.uk/ \nThis is a durational performance. Saturday’s performance runs for 7 hours\, and you can either buy a ticket for the full 7 hours (plus a 1 hour break) or for 3 hour slots. Sunday’s performance runs for 3 hours and you can buy a ticket for the duration. All shows are sensory adapted and are relaxed — i.e you are welcome to come and go from the space as you please with the slot you have selected. \nCommissioned by Roundhouse\, Battersea Arts Centre and Marlborough Productions.\nSupported by Arts Council England.\nPresented by Warehouse9 as part of IPAF 2024  \n\nLanguage: English \nTickets: Tickets are pay-what-you-can. On the 16th March you can either book a 3 hours time slot or a ticket for the whole day. \nAccess: Dansekapellet is wheelchair accessible. Accessible toilets are located on site. This is a relaxed performance. \nContent warnings: The participants taking part in the live conversations have not rehearsed before coming on stage and do not know what the questions are before taking part. We therefore can not know exactly what will be said in advance.  \nAudiences are welcome to come and go from the space as you please with the slot they have selected. \n\nOther content notes:  \n\nThere will be moments of loud music and sounds.\nAll performances will be Relaxed. We invite you to make yourself comfortable and move around if you need to and if you need to leave the performance at any point you will be allowed to return to the space when you feel ready.\nParticipant & audience care has been central to the development of the show and there will be a wellbeing practitioner on site at every performance.\nPlease note\, due to the format of the show\, there may be a small wait of no more than 10 minutes to enter the space if you arrive after the start time.\n\n\nWorking group & credits\nLead Artist: Krishna Istha\nProducer: Ruby Glaskin\nDramaturg: Paula Varjack\nCoder & website designer: Suzanna Hurst\nSet & Costume Designer: Christine Ting – Huan Urquhart\nLighting Designer: Martha Godfrey\nSound Designer: Olive Mondegreen\nProduction Manager: Helen Mugridge \n  \nAbout the artists:\nKrishna Istha is a London-based performance artist\, comedian\, theatre maker and screenwriter. They create socially conscious\, form-pushing works about taboo or underrepresented experiences of gender\, race and sexual politics. Most recently\, they wrote on Netflix’s Sex Education (Season 4\, Episode 3) and is a Netflix Documentary Talent Fund recipient. They were a Barbican Centre Open Lab artist (2021-22) and an Arts Admin Bursary Artist (2020-21). They were one of two shortlisted writers for the SKY Arts & Royal Society of Literature Writers Awards under screenwriting (2022)\, and came Runner-Up on Screenshot (2021) — a competition for comedy writer-performers hosted by Sister Pictures and South of the River Pictures.\nhttps://www.krishnaistha.com/ \n  \nFirst Trimester is part of IPAF: an international festival for contemporary performance presenting artists from different cultural contexts\, whose work engages identity politics\, sexual expressions\, and body representations\, facilitated by Warehouse9. \nThe festival is supported by the Danish Arts Foundation\, the City of Copenhagen and Bispebjerg Lokaludvalg. \n  \n \n 
URL:https://warehouse9.dk/event/first-trimester-krishna-istha/2024-03-16/
LOCATION:Dansekapellet\, Bispebjerg Torv 1\, København\, 2400\, Denmark
ATTACH;FMTTYPE=image/jpeg:https://warehouse9.dk/wp-content/uploads/2024/02/FT.jpeg
ORGANIZER;CN="Warehouse9":MAILTO:info@warehouse9.dk
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240315T220000
DTEND;TZID=Europe/London:20240316T000000
DTSTAMP:20260501T070710
CREATED:20240305T154408Z
LAST-MODIFIED:20240306T160654Z
UID:10000314-1710540000-1710547200@warehouse9.dk
SUMMARY:FESTIVAL BAR NIGHT
DESCRIPTION:Join us for a midway festival celebration and drink at TOASTER’s bar.\nCome down and an enjoy some tunes\, dance and hang out with friends. \n\nDJ:\nDj jibril is  a Portuguese born Guinean dj who plays big tunes inspired by the diaspora for the diaspora (them/they) \n  \nThe festival bar night takes place after the double-bill with Sall Lam Toro and Martin O’Brien.\nYou can join the evening regardless if you have a ticket to see the performances. \n  \n  \nAccess: Husets Teater does not have level free access and is not equipped with stairlifts\, and is therefore not accessible for wheelchair users. We recognise that this is not good enough. TOASTER’s bar is in the basement of Husets Teaters building. There are stairs leading down to the bar. \n  \nThis evening is co-hosted with TOASTER and Live Art DK.\n\nThe Festival Bar Night is part of IPAF: an international festival for contemporary performance presenting artists from different cultural contexts\, whose work engages identity politics\, sexual expressions\, and body representations\, facilitated by Warehouse9.\n \nThe festival is supported by the Danish Arts Foundation\, the City of Copenhagen and Bispebjerg Lokaludvalg. \n 
URL:https://warehouse9.dk/event/festival-bar-night/
LOCATION:Husets Teater\, Halmtorvet 9\, Copenhagen\, 1700\, Denmark
ATTACH;FMTTYPE=image/jpeg:https://warehouse9.dk/wp-content/uploads/2024/03/Untitled-design.jpeg
ORGANIZER;CN="Warehouse9":MAILTO:info@warehouse9.dk
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240315T200000
DTEND;TZID=Europe/London:20240315T220000
DTSTAMP:20260501T070710
CREATED:20240206T124641Z
LAST-MODIFIED:20240219T143013Z
UID:10000304-1710532800-1710540000@warehouse9.dk
SUMMARY:OBSIDIANA\, ESTRANHA\, ERÓTICA E ULTRAVIOLETA: Sall Lam Toro
DESCRIPTION:IPAF & Managing Discomfort presents: OBSIDIANA\, ESTRANHA\, ERÓTICA E ULTRAVIOLETA by Sall Lam Toro  \n\nLive performance rework from Obsidian Dream Love Letters series (2023)  \n\nThe live performance piece “obsidiana\, estranha\, erótica e ultravioleta” (2024) is a rework of the multimedia installation performance Obsidian Dream Love Letters series (2023) universe of surrealist ecoerotic poetics of queer blackness\, archiving and rituals situated in multi-cosmologies of space. The previous version was developed for Close Encounters: Embodied Journeys festival co-produced by Danshallerne and Den Frie Udstillingsted Bygning and curated by Julienne Doko last year. And the multimedia installation was also shown at Fear and Fauna group exhibition curated by Ariel Feminisms ending with another performance version as well at the finissage. Drawing upon a love letter to black ecoerotic consciousness built upon universes of phantasmagoria\, the space is inhabited by sculptures\, light and soil companions. The piece materializes manifestos of atemporal and multidimensional fugitivity with the support of sensuous rituals channeled by the presence of obsidian and rose quartz raw living bodies within the sculptures and soil trails. \nIn this rework without video nor mapped visuals\, the scenographic space shifts into a green\, ultraviolet light glitch\, concentrated immersing space with an assemblage of two poles and sculptures-podium of obsidian and rose quartz leveled onto them. The performers not only move backwards in different positions grounded on the floor in possession-like modes as the previous version\, but also lift their own bodies up supported by the pole moving upside down in twists and distorted body positions. This version contrasts with the previous ones offering a heightened physicality of the performative with an abundant hypererotic descent into the sensuous vibrational frequencies of obsidian and rose quartz. \n  \nNotes for audience\nTBA \nDouble Bill: This performance is a DOUBLE BILL showing with Martin O’Brien. 1 ticket = access to 2 performances.  \nLanguage\nNon-Verbal  \nAccess\nHusets Teater does not have level free access and is not equipped with stairlifts\, and is therefore not accessible for wheelchair users. We recognise that this is not good enough. \n\nCredits\nConcept\, development\, artistic direction\, performance\, & choreography: Sall Lam Toro\nCo-development\, co-performance\, & co-choreography: Suziethecockroach\nChoreography consultant & assistance: Tabatha Araujo\nSound composition: Warren Jones\nSound remixing: Suziethecockroach\nSculpture work: Sall Lam Toro\nScenography and light design: Bella Jensen\nCostume design: Serena Coelho\nAdditional re-styling: Sall Lam Toro and Suziethecockroach \n  \nAbout the artists:\n \nSall is a black trans queer unbinary antidisciplinary multimedia  performance artist and organizer based in Copenhagen\, Denmark\, and\, born and raised in Portugal to immigrant parents from Guiné-Bissau. They work with the mediums of performance\, movement\, sound\, textual and visual art. Their work relates to  claiming the ecoerotic as a way into decolonizing body(ies) while finding strategies to create more accessibility to multiple\, non-linear\, poetic universes of the sensual through equally disruptive\, emotional and dissident forms.\n\n Their pieces strive to break with/interrupt the consequences of coloniality-based inherited violence and oppression in the becoming of the body through rituals\, economies of care and the senses while establishing intentional relationships with grief and death.  \nTheir interactive and collaborative visual works indulge within meta-universes of meaning\, body and spirit erupting shifting transcendental states within the body of the viewer/participant attempting to defy capitalist modes of operating and sensing. \nThey are part of (Co)Opulence\, and Humus Collectives working mainly in Denmark and Scandinavia. \nhttps://salllamtoro.com/  \n  \nOBSIDIANA\, ESTRANHA\, ERÓTICA E ULTRAVIOLETA is co-presented with TOASTER and Live Art DK and also a part of their Managing Discomfort Performance Festival.  \nOBSIDIANA\, ESTRANHA\, ERÓTICA E ULTRAVIOLETA is part of IPAF: an international festival for contemporary performance presenting artists from different cultural contexts\, whose work engages identity politics\, sexual expressions\, and body representations\, facilitated by Warehouse9. \nThe festival is supported by the Danish Arts Foundation\, the City of Copenhagen and Bispebjerg Lokaludvalg. \n  \n     
URL:https://warehouse9.dk/event/obsidiana-estranha-erotica-e-ultravioleta-sall-lam-toro/2024-03-15/
LOCATION:Husets Teater\, Halmtorvet 9\, Copenhagen\, 1700\, Denmark
ATTACH;FMTTYPE=image/jpeg:https://warehouse9.dk/wp-content/uploads/2024/02/sall-web.jpeg
ORGANIZER;CN="Warehouse9":MAILTO:info@warehouse9.dk
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240315T200000
DTEND;TZID=Europe/London:20240315T220000
DTSTAMP:20260501T070710
CREATED:20240206T122233Z
LAST-MODIFIED:20240311T133203Z
UID:10000303-1710532800-1710540000@warehouse9.dk
SUMMARY:AN AMBULANCE TO THE FUTURE (THE SECOND CHANCE): Martin O'Brien
DESCRIPTION:IPAF & Managing Discomfort presents: An Ambulance to the Future (The Second Chance) by Martin O’Brien \n\nThe grim reaper stood there\, finally I saw him. His skeletal form sparkled in the moonlight and nothing else existed. This was the deal. He reached out and wrapped his cold\, bone hand around my skull. I was lost in the darkness of his cape. He drew me near and kissed me. He tasted like death\, and I loved it. \n\nIn ‘An Ambulance to the Future (The Second Chance)’\, Death pays a man for sex. The price is immortality. \nMixing video\, live performance action and parables\, the work paints the picture of life lived over and over again\, a life that doesn’t need water or oxygen\, a life without the promise of an end point. It is a meditation on endings and new beginnings. With his usual intensity and wit\, this work continues Martin O’Brien’s explorations of the politics of death by asking what the idea of immortality can help us understood about being mortal. \n‘An Ambulance to the Future (The Second Chance)’ premiered at Whitechapel Gallery in May 2023 and was presented as part of Martin O’Brien’s year as ‘Writer-in-Residence’. \n\nNotes for audience\nAn Ambulance to the Future (The Second Chance) contains nudity\, footage of scrotal piercing\, discussion of sex and death and spanking.\n \nDouble Bill: This performance is a DOUBLE BILL showing with Sall Lam Toro. 1 ticket = access to 2 performances.  \nLanguage\nEnglish \nAccess\nHusets Teater does not have level free access and is not equipped with stairlifts\, and is therefore not accessible for wheelchair users. We recognise that this is not good enough. \nThe text that Martin O’Brien will be performing in English will be available as limited quantity handouts at the venue. \nCredits\nLead artist: Martin O’Brien\nProducer: FUTURE RITUAL\nVideography: Baiba Sprance and Marco Beradi\nPerformers (Live): Zack Mennell\nPerformers (Film): Ali Campbell\, Ash McNaughton\, Carolyn Naish\, Ewan Hindes\, Pianka M\, Regina Jay \n  \nAbout the artists:\nMartin O’Brien is an artist and zombie. He works across performance\, writing and video art. His work uses long durational actions\, short speculative texts and critical rants\, and performance processes in order to explore death and dying\, what it means to be born with a life shortening disease\, and the philosophical implications of living longer than expected. He has shown work throughout the UK; Europe; USA; and Canada\, and is well known for his solo performances and collaborations with the legendary LA artist and dominatrix Sheree Rose. His most recent works were at Tate Britain in 2020\, and the ICA (London) in 2021. He is winner of the Philip Leverhulme Prize for Visual and Performing Arts 2022. He is Writer-in-Residence at Whitechapel Gallery throughout 2023. Martin has cystic fibrosis and all his work and writing draws upon this experience. In 2018\, the book ‘Survival of the Sickest: The Art of Martin O’Brien’ was published by Live Art Development Agency. His work has been featured on BBC radio and Sky Arts television. Martin O’Brien is currently senior lecturer in Live Art at Queen Mary University of London \n  \nAn Ambulance to the Future (The Second Chance) is co-presented with TOASTER and Live Art DK and also a part of their Managing Discomfort Performance Festival.  \nAn Ambulance to the Future (The Second Chance) is part of IPAF: an international festival for contemporary performance presenting artists from different cultural contexts\, whose work engages identity politics\, sexual expressions\, and body representations\, facilitated by Warehouse9. \nThe festival is supported by the Danish Arts Foundation\, the City of Copenhagen and Bispebjerg Lokaludvalg. \n  \n    
URL:https://warehouse9.dk/event/an-ambulance-to-the-future-the-second-chance-martin-obrien/2024-03-15/
LOCATION:Husets Teater\, Halmtorvet 9\, Copenhagen\, 1700\, Denmark
ATTACH;FMTTYPE=image/jpeg:https://warehouse9.dk/wp-content/uploads/2024/02/martin.jpeg
ORGANIZER;CN="Warehouse9":MAILTO:info@warehouse9.dk
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240315T170000
DTEND;TZID=Europe/London:20240315T183000
DTSTAMP:20260501T070710
CREATED:20240206T113036Z
LAST-MODIFIED:20240219T143132Z
UID:10000280-1710522000-1710527400@warehouse9.dk
SUMMARY:Enter Exude: Teo Ala-Ruona
DESCRIPTION:IPAF presents: Enter Exude by Teo Ala-Ruona \nEnter Exude is a cinematic auto-fantasy for three performers and a Chevrolet Camaro.  \nBorn from the anal canal of an automobile\, the three techno-brothers derive pleasure from inhaling the spirit of the car – both a symbol of familial and trans narratives. Enter Exude takes the audience on an ominously erotic ride\, unfolding on various time scales\, blurring the boundaries between life and slow death.  \nEnter Exude delves into contemporary notions of gender\, technology\, and ecology while crafting simultaneously a hypnotic and haunting experience of unfulfilled desires. The performance is simultaneously exaggerative and intimate\, breaking the boundaries of the stage and creating a continuous interplay between reality and the imagined. \nEnter Exude continues Ala-Ruona’s series of performances exploring the intertwining of environmental toxicities and trans-corporeality\, with bodily transformations and complex sexuality forming an intense\, mutually accelerating cycle. \n\nNotes for audience\nEnter Exude includes talk about sex and death. The performance also includes close proximity audience contact\, from which audience members can opt out if they wish. The performance includes loud sounds and blinking lights.Earplugs are provided at the entrance door for those who wish to use them. \nLanguage: English \nAccess: Warehouse9 is Wheelchair accessible. Accessible toilets are accessed via stairlift. Accessible parking is available on site. \nPost-show: on the 16th March there will be a post-show celebration. We hope you will join us. \n\nWorking group & credits\nSummoning\, concept and directing: Teo Ala-Ruona\nChoreography:Raoni Muzho Saleh\, Charlie Laban Trier and Teo Ala-Ruona\nPerformers: Raoni Muzho Saleh\, Charlie Laban Trier and Teo Ala-Ruona\nDramaturg: Even Minn\nSet and costume design: Teo Paaer\nSound dramaturg: Kaino Wennerstrand\nSound design: Miša Skalskis\nLighting design: Heikki Paasonen\nProducer: Sanna Ritvanen\nPre-production: Jonni Korhonen\nArtistic dialogue: Remi Vesala\n\nProduction: Kiasma-teatteri\, Finnish Cultural Institute for the Benelux\, Viernulvier\, Warehouse9\nSupported by: Niilo Helander Foundation\, Arts Promotion Centre\, Wihuri Foundation\, Oskar Öflund Foundation\, Suomen Kulttuurirahasto\, Finnish Cultural Institute of Denmark\nResidencies: FABRIKKEN\, Zodiak-laboratory\, BUDA \n  \n  \nRead the text ‘Car and I’ that frames the themes of the Enter Exude: \n“”This text\, too\, arises from the car. I see it in my mind as a knot of interchanges composed of highway ramps\, an accelerating landscape with multiple directions and lanes. I stand in the midst of that landscape\, amidst the noise of highways\, and I write.”” \nWritten by: Teo Ala Ruona and Remi Vesala \nPDF Download: Teo Ala Ruona and Remi Vesala \n  \nAbout the artists:\nTeo Ala-Ruona is a Helsinki-based performance artist\, whose works delve into somatospeculative fiction\, exploring themes such as techno-trans-masculinity\, sexuality\, ecology\, and toxicity. He employs a blend of theoretical discourse\, autobiographical text\, and psychophysical performance scores to redefine language and narratives that address pleasure and intimacy in the context of a toxic Earth. \nHe approaches trans corporeality as an arena\, where various normative processes of naturalization become infeasible\, and address queer ecological topics from explicitly sexual perspective to revoke the heteronormative biases that influence the research done on biology and ecology\, gender and sexuality. \nThrough the use of the performing body as a canvas for speculative storytelling\, he experiments how fiction can transform the ways bodies are understood. Ala-Ruona is committed to the transgressive potential of performance art to push the boundaries of our perception of normality and conventionality. \nAla-Ruona’s work has recently been shown in Performa Biennial (New York)\, The Vilnius Biennial of Performance Art (Vilnius)\, The Finnish National Gallery Kiasma (Helsinki)\, The Institute of Contemporary Arts in London (London)\, Sequences festival (Reykjavik) and Centrale Fies (Dro) among others. \nhttps://teoalaruona.net/  \n  \nEnter Exude is co-presented with the The Finnish Cultural Institute in Denmark \nEnter Exude is part of IPAF: an international festival for contemporary performance presenting artists from different cultural contexts\, whose work engages identity politics\, sexual expressions\, and body representations\, facilitated by Warehouse9. \n 
URL:https://warehouse9.dk/event/enter-exude-teo-ala-ruona/2024-03-15/
LOCATION:Warehouse9\, Rosenlunds Allé 5\, Baghuset\, Copenhagen\, 2720\, Denmark
ATTACH;FMTTYPE=image/jpeg:https://warehouse9.dk/wp-content/uploads/2024/02/enter-exude-web.jpeg
ORGANIZER;CN="Warehouse9":MAILTO:info@warehouse9.dk
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240315T110000
DTEND;TZID=Europe/London:20240315T130000
DTSTAMP:20260501T070710
CREATED:20240208T100758Z
LAST-MODIFIED:20240312T135412Z
UID:10000299-1710500400-1710507600@warehouse9.dk
SUMMARY:Out of The Coffin: Alba&Linn (Artist-in-Residence)
DESCRIPTION:Alba&Linn are IPAF artists-in-residence with their new project Out of The Coffin. \nAs part of IPAF Alba&Linn will be sharing their project with a work-in-progress performance.\nThis performance is a participatory worksharing with feedback from the audience.  \n \nOut of The Coffin by Alba&Linn\nDuring their residency period they have taken a deep dive into the rich and bloody archive of vampire fiction and stories as a queer figure and fantasy. Being other\, living at night in a queer temporality\, that is hidden and dissolves by day\, and an existence only possible through what is deemed immoral by those who fear the vampire\, and much more. \nFor this worksharing you will partake in a performative dialogue meeting. And do not worry\, nobody will get bitten.  \n\nNotes for audience\nFree to attend\, please RSVP to reserve your spot.  \nLanguage\nEnglish\n \nAccess\nDansekapellet is wheelchair accessible. Accessible toilets are located on site. Kuppelsalen is accessible via stairlift.  \n\nAbout the artists  \nAlba Greve (they/them) – Is a copenhagen based actor and performance maker\, navigating between theatre\, performance art\, and erotics. Alba works with audience manipulation\, crafting immersive experiences. With an interest in fictional non-fiction\, they invite the audience to participate in world building and create a blend of fiction and ¨reality¨. They work freelance in many different collaborations and are a part of Roomies Production. They recently premiered the Art porn Under the Cherries by Frida Retz. Alba holds a BA from Norwegian Theatre Academy \nLinn Haldrup Lorenzen (she/her) is a freelance performance maker based in Copenhagen. She is occupied with questions of use and uselessness\, real and imaginary\, visible and invisible in relation to queerness and living with chronic illness. She works as a performer\, director\, teacher and concept developer\, both self-producing and for others\, and she is associated with the performance collective CuntsCollective. Among others she has worked with Fix&Foxy\, Live Art DK and Bianca Casady. She holds a Master in Performance from Norwegian Theatre Academy. \nwww.linnhalo.com \n  \nOut of The Coffin is co-produced by HIMHERANDIT Productions\, Genderhouse Festival and Warehouse9. Prior to this sharing Alba&Linn have been supported with a 1 months residency in Aarhus at Q&A Studios and Åbne Scene – Godsbanen.  \nOut of The Coffin is part of IPAF: an international festival for contemporary performance presenting artists from different cultural contexts\, whose work engages identity politics\, sexual expressions\, and body representations\, facilitated by Warehouse9. \nThe festival is supported by the Danish Arts Foundation\, the City of Copenhagen and Bispebjerg Lokaludvalg. \n  \n          \n 
URL:https://warehouse9.dk/event/artist-in-residence-out-of-the-coffin-by-albalinn/
LOCATION:Dansekapellet\, Bispebjerg Torv 1\, København\, 2400\, Denmark
ATTACH;FMTTYPE=image/jpeg:https://warehouse9.dk/wp-content/uploads/2024/02/linn.jpeg
ORGANIZER;CN="Warehouse9":MAILTO:info@warehouse9.dk
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240314T200000
DTEND;TZID=Europe/London:20240314T220000
DTSTAMP:20260501T070710
CREATED:20240206T124641Z
LAST-MODIFIED:20240219T143013Z
UID:10000286-1710446400-1710453600@warehouse9.dk
SUMMARY:OBSIDIANA\, ESTRANHA\, ERÓTICA E ULTRAVIOLETA: Sall Lam Toro
DESCRIPTION:IPAF & Managing Discomfort presents: OBSIDIANA\, ESTRANHA\, ERÓTICA E ULTRAVIOLETA by Sall Lam Toro  \n\nLive performance rework from Obsidian Dream Love Letters series (2023)  \n\nThe live performance piece “obsidiana\, estranha\, erótica e ultravioleta” (2024) is a rework of the multimedia installation performance Obsidian Dream Love Letters series (2023) universe of surrealist ecoerotic poetics of queer blackness\, archiving and rituals situated in multi-cosmologies of space. The previous version was developed for Close Encounters: Embodied Journeys festival co-produced by Danshallerne and Den Frie Udstillingsted Bygning and curated by Julienne Doko last year. And the multimedia installation was also shown at Fear and Fauna group exhibition curated by Ariel Feminisms ending with another performance version as well at the finissage. Drawing upon a love letter to black ecoerotic consciousness built upon universes of phantasmagoria\, the space is inhabited by sculptures\, light and soil companions. The piece materializes manifestos of atemporal and multidimensional fugitivity with the support of sensuous rituals channeled by the presence of obsidian and rose quartz raw living bodies within the sculptures and soil trails. \nIn this rework without video nor mapped visuals\, the scenographic space shifts into a green\, ultraviolet light glitch\, concentrated immersing space with an assemblage of two poles and sculptures-podium of obsidian and rose quartz leveled onto them. The performers not only move backwards in different positions grounded on the floor in possession-like modes as the previous version\, but also lift their own bodies up supported by the pole moving upside down in twists and distorted body positions. This version contrasts with the previous ones offering a heightened physicality of the performative with an abundant hypererotic descent into the sensuous vibrational frequencies of obsidian and rose quartz. \n  \nNotes for audience\nTBA \nDouble Bill: This performance is a DOUBLE BILL showing with Martin O’Brien. 1 ticket = access to 2 performances.  \nLanguage\nNon-Verbal  \nAccess\nHusets Teater does not have level free access and is not equipped with stairlifts\, and is therefore not accessible for wheelchair users. We recognise that this is not good enough. \n\nCredits\nConcept\, development\, artistic direction\, performance\, & choreography: Sall Lam Toro\nCo-development\, co-performance\, & co-choreography: Suziethecockroach\nChoreography consultant & assistance: Tabatha Araujo\nSound composition: Warren Jones\nSound remixing: Suziethecockroach\nSculpture work: Sall Lam Toro\nScenography and light design: Bella Jensen\nCostume design: Serena Coelho\nAdditional re-styling: Sall Lam Toro and Suziethecockroach \n  \nAbout the artists:\n \nSall is a black trans queer unbinary antidisciplinary multimedia  performance artist and organizer based in Copenhagen\, Denmark\, and\, born and raised in Portugal to immigrant parents from Guiné-Bissau. They work with the mediums of performance\, movement\, sound\, textual and visual art. Their work relates to  claiming the ecoerotic as a way into decolonizing body(ies) while finding strategies to create more accessibility to multiple\, non-linear\, poetic universes of the sensual through equally disruptive\, emotional and dissident forms.\n\n Their pieces strive to break with/interrupt the consequences of coloniality-based inherited violence and oppression in the becoming of the body through rituals\, economies of care and the senses while establishing intentional relationships with grief and death.  \nTheir interactive and collaborative visual works indulge within meta-universes of meaning\, body and spirit erupting shifting transcendental states within the body of the viewer/participant attempting to defy capitalist modes of operating and sensing. \nThey are part of (Co)Opulence\, and Humus Collectives working mainly in Denmark and Scandinavia. \nhttps://salllamtoro.com/  \n  \nOBSIDIANA\, ESTRANHA\, ERÓTICA E ULTRAVIOLETA is co-presented with TOASTER and Live Art DK and also a part of their Managing Discomfort Performance Festival.  \nOBSIDIANA\, ESTRANHA\, ERÓTICA E ULTRAVIOLETA is part of IPAF: an international festival for contemporary performance presenting artists from different cultural contexts\, whose work engages identity politics\, sexual expressions\, and body representations\, facilitated by Warehouse9. \nThe festival is supported by the Danish Arts Foundation\, the City of Copenhagen and Bispebjerg Lokaludvalg. \n  \n     
URL:https://warehouse9.dk/event/obsidiana-estranha-erotica-e-ultravioleta-sall-lam-toro/2024-03-14/
LOCATION:Husets Teater\, Halmtorvet 9\, Copenhagen\, 1700\, Denmark
ATTACH;FMTTYPE=image/jpeg:https://warehouse9.dk/wp-content/uploads/2024/02/sall-web.jpeg
ORGANIZER;CN="Warehouse9":MAILTO:info@warehouse9.dk
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240314T200000
DTEND;TZID=Europe/London:20240314T220000
DTSTAMP:20260501T070710
CREATED:20240206T122233Z
LAST-MODIFIED:20240311T133203Z
UID:10000284-1710446400-1710453600@warehouse9.dk
SUMMARY:AN AMBULANCE TO THE FUTURE (THE SECOND CHANCE): Martin O'Brien
DESCRIPTION:IPAF & Managing Discomfort presents: An Ambulance to the Future (The Second Chance) by Martin O’Brien \n\nThe grim reaper stood there\, finally I saw him. His skeletal form sparkled in the moonlight and nothing else existed. This was the deal. He reached out and wrapped his cold\, bone hand around my skull. I was lost in the darkness of his cape. He drew me near and kissed me. He tasted like death\, and I loved it. \n\nIn ‘An Ambulance to the Future (The Second Chance)’\, Death pays a man for sex. The price is immortality. \nMixing video\, live performance action and parables\, the work paints the picture of life lived over and over again\, a life that doesn’t need water or oxygen\, a life without the promise of an end point. It is a meditation on endings and new beginnings. With his usual intensity and wit\, this work continues Martin O’Brien’s explorations of the politics of death by asking what the idea of immortality can help us understood about being mortal. \n‘An Ambulance to the Future (The Second Chance)’ premiered at Whitechapel Gallery in May 2023 and was presented as part of Martin O’Brien’s year as ‘Writer-in-Residence’. \n\nNotes for audience\nAn Ambulance to the Future (The Second Chance) contains nudity\, footage of scrotal piercing\, discussion of sex and death and spanking.\n \nDouble Bill: This performance is a DOUBLE BILL showing with Sall Lam Toro. 1 ticket = access to 2 performances.  \nLanguage\nEnglish \nAccess\nHusets Teater does not have level free access and is not equipped with stairlifts\, and is therefore not accessible for wheelchair users. We recognise that this is not good enough. \nThe text that Martin O’Brien will be performing in English will be available as limited quantity handouts at the venue. \nCredits\nLead artist: Martin O’Brien\nProducer: FUTURE RITUAL\nVideography: Baiba Sprance and Marco Beradi\nPerformers (Live): Zack Mennell\nPerformers (Film): Ali Campbell\, Ash McNaughton\, Carolyn Naish\, Ewan Hindes\, Pianka M\, Regina Jay \n  \nAbout the artists:\nMartin O’Brien is an artist and zombie. He works across performance\, writing and video art. His work uses long durational actions\, short speculative texts and critical rants\, and performance processes in order to explore death and dying\, what it means to be born with a life shortening disease\, and the philosophical implications of living longer than expected. He has shown work throughout the UK; Europe; USA; and Canada\, and is well known for his solo performances and collaborations with the legendary LA artist and dominatrix Sheree Rose. His most recent works were at Tate Britain in 2020\, and the ICA (London) in 2021. He is winner of the Philip Leverhulme Prize for Visual and Performing Arts 2022. He is Writer-in-Residence at Whitechapel Gallery throughout 2023. Martin has cystic fibrosis and all his work and writing draws upon this experience. In 2018\, the book ‘Survival of the Sickest: The Art of Martin O’Brien’ was published by Live Art Development Agency. His work has been featured on BBC radio and Sky Arts television. Martin O’Brien is currently senior lecturer in Live Art at Queen Mary University of London \n  \nAn Ambulance to the Future (The Second Chance) is co-presented with TOASTER and Live Art DK and also a part of their Managing Discomfort Performance Festival.  \nAn Ambulance to the Future (The Second Chance) is part of IPAF: an international festival for contemporary performance presenting artists from different cultural contexts\, whose work engages identity politics\, sexual expressions\, and body representations\, facilitated by Warehouse9. \nThe festival is supported by the Danish Arts Foundation\, the City of Copenhagen and Bispebjerg Lokaludvalg. \n  \n    
URL:https://warehouse9.dk/event/an-ambulance-to-the-future-the-second-chance-martin-obrien/2024-03-14/
LOCATION:Husets Teater\, Halmtorvet 9\, Copenhagen\, 1700\, Denmark
ATTACH;FMTTYPE=image/jpeg:https://warehouse9.dk/wp-content/uploads/2024/02/martin.jpeg
ORGANIZER;CN="Warehouse9":MAILTO:info@warehouse9.dk
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240314
DTEND;VALUE=DATE:20240318
DTSTAMP:20260501T070710
CREATED:20231212T125712Z
LAST-MODIFIED:20240312T141255Z
UID:10000278-1710374400-1710719999@warehouse9.dk
SUMMARY:IPAF Festival
DESCRIPTION:IPAF is back with its 2024 edition taking place 14th – 17th March 2024.\n \nIPAF is a biannual international performance festival. The festival is an extension of Warehouse9’s focus to support LGBTQIA+ artists and cultural practitioners practice. The festival supports development opportunities\, live performance encounters\, and creates spaces for dialogue and gatherings. \nThe Festival unfolds across the city of Copenhagen and presents genre-blurring work that engages with identity politics\, sexual expressions and body representations. The Festival is based on the belief that performance can provide different perspectives and ways to understand reality\, inspire collective imagining and advocate for better and more just futures. \nIPAF creates spaces for gathering around live work made by queer artists. Spaces that celebrate learning\, risk taking and embrace failure. Spaces for artists and audiences to meet. Spaces that hold artist-\, audience-\, and collective-care at the heart of the festival. \n\nArtists & Performances\nKrishna Istha: First Trimester\nLouis Schou-Hansen: Afterlife\nMartin O’Brien: An Ambulance to the Future (The Second Chance)\nSall Lam Toro: obsidiana\, estranha\, erótica e ultravioleta\nTeo Ala-Ruona: Enter Exude   \nArtist-in-Residence: Alba&Linn: Out of The Coffin\nArtist-in-Residence: Filip Pawlak: Sewing Pride \n  \nTickets:\nBook your tickets here: https://billetto.dk/users/warehouse9 \n& \nHere: https://teaterbilletter.dk/forestillinger/obsidiana-an-ambulance-to-the-future-117928  \nProgramme overview  \n14 March   \nManaging Discomfort – DOUBLE BILL (@ Husets Teater)\n Sall Lam Toro: obsidiana\, estranha\, erótica e ultravioleta \nMartin O’Brien: An Ambulance to the Future (The Second Chance) \n\n15 March  \nAlba&Linn: Out of The Coffin (@ Dansekapellet) \nTeo Ala-Ruona: Enter Exude (@ Warehouse9) \nManaging Discomfort – DOUBLE BILL (@ Husets Teater)\n Sall Lam Toro: obsidiana\, estranha\, erótica e ultravioleta\nMartin O’Brien: An Ambulance to the Future (The Second Chance)\n +post show Festival Bar Night  \n\n16 March \nKrishna Istha: First Trimester (@ Dansekapellet)\nLouis Schou-Hansen: Afterlife (@ Dansekapellet)\nFilip Pawlak: Sewing Pride (@ Dansekapellet) \nTeo Ala-Ruona: Enter Exude (@ Warehouse9)\n+post show celebration \n17 March \nBreakfast Club\nKrishna Istha: First Trimester (@ Dansekapellet) \n\nPROGRAMME \n \n  \nFESTIVAL TEAM\nCo-Director: Emma Castro Møller\nCo-Director: Jørgen Callesen\nProduction Manager: Zep Andersen\nLead Producer: Anne Mai Slot Vilmann\nProducer: Caroline Blomqvist\nAssistant Producer: Elias Ståhl\nAssistant Producer: Jasmin Ingemansen\nPR & Marketing Manager: Carla Rafaella Denalie Gianetti\nSoMe Manager: Sarah Wegeberg\nGraphic Designer: Alix Smed Dawids\nPhotographer: Søren Meisner  \nPARTNERS\nDansehallerne (co-presenting Afterlife)\nTOASTER (co-presenting Martin O’Brien and Sall Lam Toro)\nLive Art DK (co-presenting Martin O’Brien and Sall Lam Toro)\nThe Finnish Cultural Institute in Denmark (co-presenting Enter Exude)\nHIMHERANDIT Productions (co-producing Out of The Coffin / Residency)\nThe Genderhouse Festival (co-producing Out of The Coffin / Residency)\nMalmö Theatre Academy (Residency)\nDansekapellet (venue) \n\nSUPPORTED BY\nDanish Arts Foundation / Statens Kunstfond\nCity of Copenhagen / Københavns Kommune\nBispebjerg Lokaludvalg\nArts Council England  \n 
URL:https://warehouse9.dk/event/ipaf/
ATTACH;FMTTYPE=image/jpeg:https://warehouse9.dk/wp-content/uploads/2023/12/ipafthumb.jpeg
ORGANIZER;CN="Warehouse9":MAILTO:info@warehouse9.dk
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240229T150000
DTEND;TZID=Europe/London:20240229T180000
DTSTAMP:20260501T070710
CREATED:20231215T135030Z
LAST-MODIFIED:20240207T102502Z
UID:10000279-1709218800-1709229600@warehouse9.dk
SUMMARY:GRAND OPENING
DESCRIPTION:We would like to invite you to a very grand opening of our new workspace! \nAfter two years in transit we are delighted to have found a new home in Vanløse. We are excited to welcome artists\, communities\, partners and the public to our new space\, and to establish our centre of gravity in this part of the city. \nWe hope you can join us for an afternoon of celebration! \nThis event will include a welcome by Warehouse9’s board and co-directors\, followed by performances Rei Mansa\, Linh Le and MØR Collective.\nAs well as nibbles\, drinks\, chit chat and tunes by a local DJ. \nPlease note that spaces are limited\, so we encourage you to RSVP early to secure your spot. We look forward to seeing you!
URL:https://warehouse9.dk/event/grand-opening/
LOCATION:Warehouse9\, Rosenlunds Allé 5\, Baghuset\, Copenhagen\, 2720\, Denmark
ATTACH;FMTTYPE=image/jpeg:https://warehouse9.dk/wp-content/uploads/2023/12/Grand-opening-.jpeg
ORGANIZER;CN="Warehouse9":MAILTO:info@warehouse9.dk
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20231212
DTEND;VALUE=DATE:20240113
DTSTAMP:20260501T070710
CREATED:20231212T102520Z
LAST-MODIFIED:20231212T102520Z
UID:10000277-1702339200-1705103999@warehouse9.dk
SUMMARY:OPEN CALL: COPENHAUSTIN RESIDENCY
DESCRIPTION:Warehouse9 (Copenhagen\, Denmark)\, Unlisted Projects (Austin\, TX) and The Museum of Human Achievement (Austin\, Texas) have come together to offer a residency exchange of one artist from Texas and one artist from Denmark. This international residency opportunity is intended for queer artists working within live performance and designed to support network building\, the creation and sharing of new work in an international context. Residents are given the time\, space\, freedom and financial support to concentrate upon the development of their own work. This residency programme is funded and has a fixed duration of one month. This residency opportunity will be awarded following an open call and application process. Residency artists will be selected in partnership with participating organizations and host a public sharing of work created during their residency at both their host and home organization. \n\nThe purpose of this residency programme is to support artistic development and facilitate cultural exchange\, and long-term connections between artists\, organizations and the greater communities of Texas and Denmark. A unique dimension of the call is a commitment to the intersection of LGBTQIA+ issues and environmental sustainability practices. \n  \nRead more & Apply: https://form.jotform.com/233183832201144 \nThis first call is specifically for Artists based in Denmark applying for a residency in Austin. \nSubmission deadline: 12th January 2024 at 23.59PM local Denmark time (CET).  \n  \nThis Residency is funded with the support of:\nEmbassy of Denmark Washington D.C.\,The Consulate General of Denmark in Houston\, Scan Design Foundation\, the Danish Arts Foundation\, the Cultural Arts Department in Austin and The City of Copenhagen.
URL:https://warehouse9.dk/event/open-call-copenhaustin-residency/
ATTACH;FMTTYPE=image/png:https://warehouse9.dk/wp-content/uploads/2023/12/WH9-UP-Exchange-1080-x-1080-px.png
ORGANIZER;CN="Warehouse9":MAILTO:info@warehouse9.dk
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20231208T190000
DTEND;TZID=Europe/London:20231208T230000
DTSTAMP:20260501T070710
CREATED:20231012T192419Z
LAST-MODIFIED:20231128T144253Z
UID:10000275-1702062000-1702076400@warehouse9.dk
SUMMARY:QUEER XMAS: bare-bones
DESCRIPTION:Join us for this year’s QUEER XMAS: bare-bones edition! This year we are shaving it down to the barest essentials: a yuletide gathering with an open stage and festive atmosphere. Brace yourself for sensational encounters and seasonal delicacies that will warm up even the frostiest of Scrooges.  \n19:00 –  Doors open\n19:50 –  Encouraged latest arrival\n20:00 – Open stage with Josh Herring\n22:00 – Open stage ends\n23:00 – Doors close  \nGood to know:  \nWe encourage everyone to come for 19.00\, or at the latest before 20.00. Støberiet is more difficult to enter after 20.00 due to the building’s safety measures.  \nIf you’d like to share your talents on the open stage (and we hope you do!) then simply listen to the instructions given by Josh on the night. Easy\, peasy\, lemon\, squeezy!  \nEntrance: Ticketed \nThis event is ticketed with a symbolic amount which ensures you get a welcome drink upon arrival on the night. \n\nAccess\nWheelchair accessible via lift to the 2nd floor.\nAccessible toilets are available.\nService animals are welcome.\nComplimentary ticket for care assistant. \nWarehouse9 aims to create queer community driven safer spaces\, this means taking responsibility for our actions and behaviour towards one another. Please take some time to read our safer space policy\, which will be located in and before entering the space on the night.  \n\nThis event is co-presented with Støberiet.
URL:https://warehouse9.dk/event/queer-xmas/
LOCATION:Støberiet (Café)\, Blågårds Pl. 5\, Copenhagen\, 2200\, Denmark
ORGANIZER;CN="Warehouse9":MAILTO:info@warehouse9.dk
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20231124
DTEND;VALUE=DATE:20231212
DTSTAMP:20260501T070710
CREATED:20231124T073017Z
LAST-MODIFIED:20231124T073017Z
UID:10000276-1700784000-1702339199@warehouse9.dk
SUMMARY:OPEN CALL: QUEER PRACTICE
DESCRIPTION:HIMHERANDIT Productions (Aarhus) and Warehouse9 (Copenhagen) have (finally!) come together to offer opportunities to support queer performance practice in Denmark. Both organisations have a key interest in ensuring queer artists’ practice is cared for and represented in the greater performing arts landscape in Denmark. This open call is a first-step in our collaboration and will offer an opportunity to support practice between Aarhus and Copenhagen over a period of 6 months. The residency’s primary focus is on supporting practice through a research & development framework created by the organisations festivals\, which includes a residency period in Aarhus\, peer-to-peer mentorship\, ongoing dialogue and participation in the festivals in the spring of 2024. \nThe open call offers up to 4 weeks residency in Aarhus to 1 professional queer artist/company (consisting of 1-2 persons) within the performing arts\, living and working in denmark. \nDeadline for submission: 11th December 2023 at 23.59pm
URL:https://warehouse9.dk/event/open-call-queer-practice/
ATTACH;FMTTYPE=image/jpeg:https://warehouse9.dk/wp-content/uploads/2023/11/Open-Call-Visual-1.jpeg
ORGANIZER;CN="Warehouse9":MAILTO:info@warehouse9.dk
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20231028T190000
DTEND;TZID=Europe/London:20231028T235900
DTSTAMP:20260501T070710
CREATED:20230928T101444Z
LAST-MODIFIED:20231013T080556Z
UID:10000274-1698519600-1698537540@warehouse9.dk
SUMMARY:Sinner’s Sanctuary
DESCRIPTION:Warehouse9 presents: Sinner’s Sanctuary \nCome enjoy an evening of music and performances when Warehouse9 presents Brazilian pop-superstar Mavi Veloso and her performance concert Travesti Biológica: a concert that celebrates the beauty of trans and non-binary bodies.  \nThis night will take you for a trip through post orgasms\, H03ing\, biological moments and sweaty beats. Expect a outstanding line-up of local and international artists.   \nProgram\n19:00 Doors open\n20:00 suziethecockroach – “Push me / and then just touch me” \n20:30 Klara Lopez – “FL3SH”\n21:00 Break\n21:30 Mavi Veloso – Travesti Biológica\n22:30 DJ SINFOHME\n00:00 Doors close \nWhen this performance night is over\, move on over to RUST for MIX CPH’s closing party. Sinner’s Sanctuary ticket holders get 10% discount on the entrance fee. \nSinner’s Sanctuary is a warm-up event to Warehouse9’s international performance festival IPAF which takes place on March 14-17 2024. Sinners Sanctuary is co-curated by Warehouse9 associate artist Beck Heiberg and presented in collaboration with MIX CPH and Kapelvej44 \nSafer space policy\nWarehouse9 aims to create queer community driven safer spaces\, this means taking responsibility for our actions and behavior towards one another. Please take some time to read our safer space policy.  \nContent note\nMavi Veloso’s performance includes a visual action that may affect persons sensitive to needles\, as well as strobe lights which may affect photosensitive persons. \nAccess\nWheelchair accessible\, step-free access.\nThe bar is located in a separate wing and only accessible via stairs.\nAn accessible toilet is available on site. The toilet is located in a separate wing and access to the toilet is over cobblestones.\n​​Complimentary ticket for assistant.\nService animals are welcome.  \nCo-presented & Co-produced\nSinner’s Sanctuary is presented in collaboration with MIX CPH and Kapelvej 44.  \nThe presentation of Travesti Biológica by Mavi Veloso is part of an ongoing exchange with FLAM (Forum for Live Art Amsterdam) & BUZZCUT in Glasgow\, made possible with support from the European Festivals Fund for Emerging Artists – EFFEA\, to support and offer emerging artists a platform to develop their careers on a European level through residencies and network opportunities. \nSupported \nThis event is supported by the European Festivals Fund for Emerging Artists – EFFEA\, co-funded by the European Union\, the Danish Arts Foundation and the City of Copenhagen.
URL:https://warehouse9.dk/event/sinners-sanctuary/
LOCATION:Kapelvej 44\, Kapelvej 44\, Copenhagen\, 2200\, Denmark
ATTACH;FMTTYPE=image/jpeg:https://warehouse9.dk/wp-content/uploads/2023/09/Sinners_Sanctuary_Web.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20231007T111500
DTEND;TZID=Europe/London:20231007T124500
DTSTAMP:20260501T070710
CREATED:20230815T083941Z
LAST-MODIFIED:20230815T085632Z
UID:10000273-1696677300-1696682700@warehouse9.dk
SUMMARY:Queer Community Singing Group
DESCRIPTION:Warehouse9 and Josh Herring present Queer Community Singing Group: A singing group for queer people that offers weekly rehearsals and provides a meaningful and creative space\, regardless of your musical experience. The singing group will give queer people a space to express themselves and participate in a creative activity that is open to all voices\, all genders\, and non-genders. \nThe Queer Community Singing Group is a fun and diverse evolution of the traditional choir. We will be singing popular songs and in order to make the sessions more accessible\, we will not be working from music sheets and will not restrict vocals to gender or voice type. \nQueer Community Singing Group is a pilot initiative which began in spring 2023 and will continue into the autumn over the course of five Saturdays in September and October. It is preferable but not a requirement that you can attend all five sessions. \nQueer Community Singing Group is free to participate\, but we ask that you RSVP. There is room for 25 people in each session: 20 spots can be booked online and 5 spots will be accessible at the door on the day at a first come\, first serve principle. \nWe suggest that you bring your own water bottle to keep yourself hydrated during the session. \n  \nABOUT THE ARTIST \nJosh Herring (he/him) is a songwriter and performer\, with a background in composition and community music. He runs several choirs in Copenhagen\, having moved here in 2018. He fell in love with choirs in the UK\, in Birmingham\, where he worked with The Choir With No Name – a choir for people who have experienced homelessness. The passion of its members and the strength of the community that singing together created\, literally helped people to change their lives. \nAfterwards\, he started working with choirs inside prisons to be able to provide an engaging and creative community in a difficult environment. Whatever the setting\, singing together has the ability to change people’s lives and strengthen communities. \n  \nACCESS \nQueer Community Singing Group is accessible to all voice types.\nPlease note that the main language for the session will be English.  \nKU.BE Lab is located at the top of KU.BE and can be accessed via elevator. There are wheelchair-accessible toilets on the ground floor. Accessible parking spots are located at the front entrance of the venue. \nPlease note that KU.BE is a public space and it can be quite busy on Saturdays. The rehearsal room\, Lab\, will\, however\, be closed for public interference. \nAs always\, Warehouse9 strives toward securing safer spaces for our community. \n 
URL:https://warehouse9.dk/event/queer-community-singing-group/2023-10-07/
LOCATION:KU.BE\, Dirch Passers Allé 4\, Copenhagen\, 2000\, Denmark
ATTACH;FMTTYPE=image/jpeg:https://warehouse9.dk/wp-content/uploads/2023/08/QCSG-isnta.jpg
ORGANIZER;CN="Warehouse9":MAILTO:info@warehouse9.dk
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20230930T111500
DTEND;TZID=Europe/London:20230930T124500
DTSTAMP:20260501T070710
CREATED:20230815T083941Z
LAST-MODIFIED:20230815T085632Z
UID:10000272-1696072500-1696077900@warehouse9.dk
SUMMARY:Queer Community Singing Group
DESCRIPTION:Warehouse9 and Josh Herring present Queer Community Singing Group: A singing group for queer people that offers weekly rehearsals and provides a meaningful and creative space\, regardless of your musical experience. The singing group will give queer people a space to express themselves and participate in a creative activity that is open to all voices\, all genders\, and non-genders. \nThe Queer Community Singing Group is a fun and diverse evolution of the traditional choir. We will be singing popular songs and in order to make the sessions more accessible\, we will not be working from music sheets and will not restrict vocals to gender or voice type. \nQueer Community Singing Group is a pilot initiative which began in spring 2023 and will continue into the autumn over the course of five Saturdays in September and October. It is preferable but not a requirement that you can attend all five sessions. \nQueer Community Singing Group is free to participate\, but we ask that you RSVP. There is room for 25 people in each session: 20 spots can be booked online and 5 spots will be accessible at the door on the day at a first come\, first serve principle. \nWe suggest that you bring your own water bottle to keep yourself hydrated during the session. \n  \nABOUT THE ARTIST \nJosh Herring (he/him) is a songwriter and performer\, with a background in composition and community music. He runs several choirs in Copenhagen\, having moved here in 2018. He fell in love with choirs in the UK\, in Birmingham\, where he worked with The Choir With No Name – a choir for people who have experienced homelessness. The passion of its members and the strength of the community that singing together created\, literally helped people to change their lives. \nAfterwards\, he started working with choirs inside prisons to be able to provide an engaging and creative community in a difficult environment. Whatever the setting\, singing together has the ability to change people’s lives and strengthen communities. \n  \nACCESS \nQueer Community Singing Group is accessible to all voice types.\nPlease note that the main language for the session will be English.  \nKU.BE Lab is located at the top of KU.BE and can be accessed via elevator. There are wheelchair-accessible toilets on the ground floor. Accessible parking spots are located at the front entrance of the venue. \nPlease note that KU.BE is a public space and it can be quite busy on Saturdays. The rehearsal room\, Lab\, will\, however\, be closed for public interference. \nAs always\, Warehouse9 strives toward securing safer spaces for our community. \n 
URL:https://warehouse9.dk/event/queer-community-singing-group/2023-09-30/
LOCATION:KU.BE\, Dirch Passers Allé 4\, Copenhagen\, 2000\, Denmark
ATTACH;FMTTYPE=image/jpeg:https://warehouse9.dk/wp-content/uploads/2023/08/QCSG-isnta.jpg
ORGANIZER;CN="Warehouse9":MAILTO:info@warehouse9.dk
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20230923T111500
DTEND;TZID=Europe/London:20230923T124500
DTSTAMP:20260501T070711
CREATED:20230815T083941Z
LAST-MODIFIED:20230815T085632Z
UID:10000271-1695467700-1695473100@warehouse9.dk
SUMMARY:Queer Community Singing Group
DESCRIPTION:Warehouse9 and Josh Herring present Queer Community Singing Group: A singing group for queer people that offers weekly rehearsals and provides a meaningful and creative space\, regardless of your musical experience. The singing group will give queer people a space to express themselves and participate in a creative activity that is open to all voices\, all genders\, and non-genders. \nThe Queer Community Singing Group is a fun and diverse evolution of the traditional choir. We will be singing popular songs and in order to make the sessions more accessible\, we will not be working from music sheets and will not restrict vocals to gender or voice type. \nQueer Community Singing Group is a pilot initiative which began in spring 2023 and will continue into the autumn over the course of five Saturdays in September and October. It is preferable but not a requirement that you can attend all five sessions. \nQueer Community Singing Group is free to participate\, but we ask that you RSVP. There is room for 25 people in each session: 20 spots can be booked online and 5 spots will be accessible at the door on the day at a first come\, first serve principle. \nWe suggest that you bring your own water bottle to keep yourself hydrated during the session. \n  \nABOUT THE ARTIST \nJosh Herring (he/him) is a songwriter and performer\, with a background in composition and community music. He runs several choirs in Copenhagen\, having moved here in 2018. He fell in love with choirs in the UK\, in Birmingham\, where he worked with The Choir With No Name – a choir for people who have experienced homelessness. The passion of its members and the strength of the community that singing together created\, literally helped people to change their lives. \nAfterwards\, he started working with choirs inside prisons to be able to provide an engaging and creative community in a difficult environment. Whatever the setting\, singing together has the ability to change people’s lives and strengthen communities. \n  \nACCESS \nQueer Community Singing Group is accessible to all voice types.\nPlease note that the main language for the session will be English.  \nKU.BE Lab is located at the top of KU.BE and can be accessed via elevator. There are wheelchair-accessible toilets on the ground floor. Accessible parking spots are located at the front entrance of the venue. \nPlease note that KU.BE is a public space and it can be quite busy on Saturdays. The rehearsal room\, Lab\, will\, however\, be closed for public interference. \nAs always\, Warehouse9 strives toward securing safer spaces for our community. \n 
URL:https://warehouse9.dk/event/queer-community-singing-group/2023-09-23/
LOCATION:KU.BE\, Dirch Passers Allé 4\, Copenhagen\, 2000\, Denmark
ATTACH;FMTTYPE=image/jpeg:https://warehouse9.dk/wp-content/uploads/2023/08/QCSG-isnta.jpg
ORGANIZER;CN="Warehouse9":MAILTO:info@warehouse9.dk
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20230916T111500
DTEND;TZID=Europe/London:20230916T124500
DTSTAMP:20260501T070711
CREATED:20230815T083941Z
LAST-MODIFIED:20230815T085632Z
UID:10000270-1694862900-1694868300@warehouse9.dk
SUMMARY:Queer Community Singing Group
DESCRIPTION:Warehouse9 and Josh Herring present Queer Community Singing Group: A singing group for queer people that offers weekly rehearsals and provides a meaningful and creative space\, regardless of your musical experience. The singing group will give queer people a space to express themselves and participate in a creative activity that is open to all voices\, all genders\, and non-genders. \nThe Queer Community Singing Group is a fun and diverse evolution of the traditional choir. We will be singing popular songs and in order to make the sessions more accessible\, we will not be working from music sheets and will not restrict vocals to gender or voice type. \nQueer Community Singing Group is a pilot initiative which began in spring 2023 and will continue into the autumn over the course of five Saturdays in September and October. It is preferable but not a requirement that you can attend all five sessions. \nQueer Community Singing Group is free to participate\, but we ask that you RSVP. There is room for 25 people in each session: 20 spots can be booked online and 5 spots will be accessible at the door on the day at a first come\, first serve principle. \nWe suggest that you bring your own water bottle to keep yourself hydrated during the session. \n  \nABOUT THE ARTIST \nJosh Herring (he/him) is a songwriter and performer\, with a background in composition and community music. He runs several choirs in Copenhagen\, having moved here in 2018. He fell in love with choirs in the UK\, in Birmingham\, where he worked with The Choir With No Name – a choir for people who have experienced homelessness. The passion of its members and the strength of the community that singing together created\, literally helped people to change their lives. \nAfterwards\, he started working with choirs inside prisons to be able to provide an engaging and creative community in a difficult environment. Whatever the setting\, singing together has the ability to change people’s lives and strengthen communities. \n  \nACCESS \nQueer Community Singing Group is accessible to all voice types.\nPlease note that the main language for the session will be English.  \nKU.BE Lab is located at the top of KU.BE and can be accessed via elevator. There are wheelchair-accessible toilets on the ground floor. Accessible parking spots are located at the front entrance of the venue. \nPlease note that KU.BE is a public space and it can be quite busy on Saturdays. The rehearsal room\, Lab\, will\, however\, be closed for public interference. \nAs always\, Warehouse9 strives toward securing safer spaces for our community. \n 
URL:https://warehouse9.dk/event/queer-community-singing-group/2023-09-16/
LOCATION:KU.BE\, Dirch Passers Allé 4\, Copenhagen\, 2000\, Denmark
ATTACH;FMTTYPE=image/jpeg:https://warehouse9.dk/wp-content/uploads/2023/08/QCSG-isnta.jpg
ORGANIZER;CN="Warehouse9":MAILTO:info@warehouse9.dk
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20230909T111500
DTEND;TZID=Europe/London:20230909T124500
DTSTAMP:20260501T070711
CREATED:20230815T083941Z
LAST-MODIFIED:20230815T085632Z
UID:10000269-1694258100-1694263500@warehouse9.dk
SUMMARY:Queer Community Singing Group
DESCRIPTION:Warehouse9 and Josh Herring present Queer Community Singing Group: A singing group for queer people that offers weekly rehearsals and provides a meaningful and creative space\, regardless of your musical experience. The singing group will give queer people a space to express themselves and participate in a creative activity that is open to all voices\, all genders\, and non-genders. \nThe Queer Community Singing Group is a fun and diverse evolution of the traditional choir. We will be singing popular songs and in order to make the sessions more accessible\, we will not be working from music sheets and will not restrict vocals to gender or voice type. \nQueer Community Singing Group is a pilot initiative which began in spring 2023 and will continue into the autumn over the course of five Saturdays in September and October. It is preferable but not a requirement that you can attend all five sessions. \nQueer Community Singing Group is free to participate\, but we ask that you RSVP. There is room for 25 people in each session: 20 spots can be booked online and 5 spots will be accessible at the door on the day at a first come\, first serve principle. \nWe suggest that you bring your own water bottle to keep yourself hydrated during the session. \n  \nABOUT THE ARTIST \nJosh Herring (he/him) is a songwriter and performer\, with a background in composition and community music. He runs several choirs in Copenhagen\, having moved here in 2018. He fell in love with choirs in the UK\, in Birmingham\, where he worked with The Choir With No Name – a choir for people who have experienced homelessness. The passion of its members and the strength of the community that singing together created\, literally helped people to change their lives. \nAfterwards\, he started working with choirs inside prisons to be able to provide an engaging and creative community in a difficult environment. Whatever the setting\, singing together has the ability to change people’s lives and strengthen communities. \n  \nACCESS \nQueer Community Singing Group is accessible to all voice types.\nPlease note that the main language for the session will be English.  \nKU.BE Lab is located at the top of KU.BE and can be accessed via elevator. There are wheelchair-accessible toilets on the ground floor. Accessible parking spots are located at the front entrance of the venue. \nPlease note that KU.BE is a public space and it can be quite busy on Saturdays. The rehearsal room\, Lab\, will\, however\, be closed for public interference. \nAs always\, Warehouse9 strives toward securing safer spaces for our community. \n 
URL:https://warehouse9.dk/event/queer-community-singing-group/2023-09-09/
LOCATION:KU.BE\, Dirch Passers Allé 4\, Copenhagen\, 2000\, Denmark
ATTACH;FMTTYPE=image/jpeg:https://warehouse9.dk/wp-content/uploads/2023/08/QCSG-isnta.jpg
ORGANIZER;CN="Warehouse9":MAILTO:info@warehouse9.dk
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20230829T090000
DTEND;TZID=Europe/London:20230829T230000
DTSTAMP:20260501T070711
CREATED:20230810T092921Z
LAST-MODIFIED:20230828T160502Z
UID:10000268-1693299600-1693350000@warehouse9.dk
SUMMARY:CANCELLED // Breakfast Club
DESCRIPTION:At Henrik Rungs Gade 25\, 2200 København N\nAt 09.00-11.00\nCost: free\nRSVP via info@warehouse9.dk \nHere\, we invite queer artists\, cultural practitioners\, and freelancers to come and join us for a simple vegan breakfast and good company. Come by for the conversation\, a chance to meet new people\, and hear what others are working on. \nWe will provide a simple set-up: croissants\, fruit\, coffee and tea. \nWe know that working in the arts and freelancing can be lonely and therefore\, we want to create a recurring shared space to check in and be together. See you at Breakfast Club! \n  \nHow to attend: \nIt is free to attend\, but the space is limited due to the size of the room\, so we ask that you RSVP. Write to us at info@warehouse9.dk to join the meet-up. \nAccess: \nOur HQ is on the ground floor in an old Copenhagen apartment. The entrance to the space is narrow\, with a step leading up to the space. It is therefore not accessible for people in wheelchairs. \nWe recognise that this is not acceptable and apologize. We are working on finding a new home for Warehouse9 in the City where accessibility is prioritised.
URL:https://warehouse9.dk/event/breakfast-club/
LOCATION:Kontor 25\, Henrik Rungs Gade 25\, København\, 2200\, Denmark
ORGANIZER;CN="Warehouse9":MAILTO:info@warehouse9.dk
END:VEVENT
END:VCALENDAR