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DTSTART;TZID=Europe/Copenhagen:20260319T170000
DTEND;TZID=Europe/Copenhagen:20260319T180000
DTSTAMP:20260416T224423
CREATED:20260121T131748Z
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UID:10000420-1773939600-1773943200@warehouse9.dk
SUMMARY:Festival Opening
DESCRIPTION:IPAF presents: Festival Opening \nJoin us when Warehouse9’s IPAF Festival officially opens at Dansehallerne! \nThere will be bubbles\, speeches by Warehouse9 co-directors Jørgen Callesen and Emma Castro Møller\, and a spoken word performance by Rei Mansa.  \nRei Mansa has been part of Warehouse9 since the beginning and has been performing at several different events such as the Xmas cabarets and other fun stuff. \nHe has played around with gender expressions\, odd costumes and words.  \nToday he mostly focuses on spoken word\, but still with focus on gender & sexuality with a dash of healthy loathing of capitalism and norms. \nHe tries to be funny but mostly he’s just an elder-queer who’s tired of the stressful world and would like to be allowed to live in peace and quiet with his partner and cats. \nWhen and where: Thursday 19.03.2026\, 5pm – 6pm at Dansehallerne. \nTickets: Free\, with sign up.  \nGood to know:\nLanguage: English & Danish \nIPAF:\nIPAF is Warehouse9’s international performance festival. The festival is a vital extension of the organisation’s dedicated work to support and present LGBTQIA+ artists and cultural practitioners. IPAF is a dynamic meeting place that creates opportunities for artistic development\, live performances\, and facilitates spaces for dialogue and community. \nThis year\, the festival is co-produced with Dansehallerne and presents genre-bending work in Copenhagen that actively engages with identity politics\, sexual expressions\, and body representations. IPAF is founded on the strong belief that dance and performance can offer new perspectives and understandings of reality\, inspire collective imagination\, and advocate for better and more just futures. \nIPAF is made possible with support from the Dansehallerne\, Statens Kunstfond\, Københavns Kommune and Vesterbro Lokaludvalg. \nIPAF Tickets:\nTickets for the performances showing at IPAF are purchased via Dansehallernes website: https://dansehallerne.dk/en/public-program/\nNote that there is a sliding scale option available for everyone. This means that we have a “pay what you can” ticket system for the performances. You can apply this by choosing the “IPAF community ticket level 1-4”.  \nAccessibility:\nDansehallerne in Copenhagen has step-free access via an elevator to all floors. Accessible and gender-neutral restrooms on the ground floor.
URL:https://warehouse9.dk/event/festival-opening/
LOCATION:Dansehallerne\, Franciska Clausens Plads 27\, Copenhagen\, 1799
ATTACH;FMTTYPE=image/jpeg:https://warehouse9.dk/wp-content/uploads/2026/01/IPAF_thumbnail_1_Opening-low.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Copenhagen:20260319T180000
DTEND;TZID=Europe/Copenhagen:20260319T190000
DTSTAMP:20260416T224423
CREATED:20260121T124626Z
LAST-MODIFIED:20260317T122533Z
UID:10000409-1773943200-1773946800@warehouse9.dk
SUMMARY:Charlie Laban Trier: Surfacing HypoKrisia
DESCRIPTION:IPAF presents: Charlie Laban Trier: Surfacing HypoKrisia \nSurfacing HypoKrisia is a series of performative efforts and spells to invoke manifestations of a speculative\, trans-mythic figure. Her name is HypoKrisia. She’s a figment of Charlie’s fantasy – imagined as the forgotten little sister of Tiresias\, the blind prophet from Greek mythology. The performance embarks on a journey researching resilience through the guidance of her. \nAccording to the myth\, Tiresias sees two snakes in a mating spiral. He is disgusted by the sight of something he does not understand and strikes the female snake. Because of this action\, Hera\, Zeus’ wife\, transforms him into a woman. \nBoth Tiresias and HypoKrisia could be read as trans figures\, but HypoKrisia resists a full  becoming. She insists on the liminal space and chooses to live in a performative state of “half un-done.” \nIn this imaginary myth she is deemed unworthy and dangerous by society and therefore erased from the stories. She’s the embodiment of the snake: smooth\, elusive\, and constantly on the verge of shedding skin. \nThe wish is to summon her from the depths\, because she has been held down beneath the surface for far too long. But in this act\, friction is inevitable; it’s not smooth sailing to bring forth what has been forgotten or perhaps never existed. It is like reaching through a portal to a time we cannot reach—and what emerges may be unknown and difficult to face. \nIn this dance-piece the audience is taken into a mythological spin\, where we no longer know who are speaking through whom. We’ll meet a lonesome character\, but there’s another presence hiding deep under. The boy attempts to invoke her\, he speaks in/with multiple tongues. \nThe pursuit is to dance with her; a dance-duet leading perhaps to a momentary take-over of his body. In this complicated partnership\, he tries to follow the laws of the trickster and together they embrace total pretense. Their tool-box is filled with contradictory disagreement\, faking and mimicry. \n  \nAbout the Artist:\nCharlie Laban Trier (b. 1987\, dk) is a performing artist who chooses to situate his practice deep within the realm of dance\, though the dances often appear through other forms such as; bottom-barrel yells turned into songs\, text-sampling\, endlessly becoming costume\, carrying/caring for screens\, extreme sculptural headbanging and more. He sees dance as inherently messy\, slippery and emergent – a form of knowledge that resists legibility.  \nLiving as a transperson\, is a big teacher in his thinking/approach to work. Charlie thinks of transness\, like dance\, as a technology that helps him complicate material. It allows for embodying multiple images\, seducing viewers\, and shifting fluidly between forms.  \nHe is currently investigating practices of collective myth-making\, wanting to foster conversations that resist fixed meaning and invite a dis-positioning of the hero/center-stage. \n  \nCredits: \nChoreography & performer: Charlie Laban Trier \nDramaturgical partner: Noha Ramadan \nLight designer: Angela X \nRC-vehicle builder: Anders Toft Pedersen \nOutside eye and RC-performer: Kai Merke \nMusic remix: Isadora Tomasi \nSpecial thanks: Angelica Stathopoulos \n  \nDeveloped with support from:  \nHIMHERANDIT\, Warehouse9 and Åbne Scene/Godsbanen – Queer Practice Residence 2025/26\, HAUT – IN PROCESS residency\, EHKÄ Contemporary Art Space Kutomo residency\, Performance space & PACT Sydney – Queer Development Program 2024\, Museion Bolzano – Opening the pill symposium 2022\, Arts Centre BUDA residency\, Jakoozi Amsterdam. \nMusic in piece: Aamourocean\, Britney Spears\, Cascada & Maurice West\, Chicane & Moya Brennan – The Thrillseekers remix\, Hole\, ORM. \n  \nGood to know:\n \nPossibility of close proximity to performer.\nSmoke in performance.\nLoud music at times.\nLanguage: English \n  \nIPAF:\nIPAF is Warehouse9’s international performance festival. The festival is a vital extension of the organisation’s dedicated work to support and present LGBTQIA+ artists and cultural practitioners. IPAF is a dynamic meeting place that creates opportunities for artistic development\, live performances\, and facilitates spaces for dialogue and community. \nThis year\, the festival is co-produced with Dansehallerne and presents genre-bending work in Copenhagen that actively engages with identity politics\, sexual expressions\, and body representations. IPAF is founded on the strong belief that dance and performance can offer new perspectives and understandings of reality\, inspire collective imagination\, and advocate for better and more just futures. \nIPAF is made possible with support from the Danish Arts Foundations\, the City of Copenhagen and Dansehallerne. \n  \nTickets:\ntickets are purchased via Dansehallernes website: https://dansehallerne.dk/en/public-program/\nNote that there is a sliding scale option. This means that we have introduced a “pay what you can” ticket system for the performances. You can apply this by choosing the “IPAF community ticket level 1-4”. \n  \nAccessibility:\nDansehallerne in Copenhagen offers good accessibility with step-free access via an elevator to all floors. Accessible and gender-neutral restrooms on the ground floor.
URL:https://warehouse9.dk/event/charlie-laban-trier-surfacing-hypokrisia/
LOCATION:Dansehallerne\, Franciska Clausens Plads 27\, Copenhagen\, 1799
ATTACH;FMTTYPE=image/jpeg:https://warehouse9.dk/wp-content/uploads/2026/01/IPAF_2026_CharlieLabanTrier_TN1x1_1080x1080.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Copenhagen:20260319T200000
DTEND;TZID=Europe/Copenhagen:20260319T210000
DTSTAMP:20260416T224423
CREATED:20260121T131223Z
LAST-MODIFIED:20260211T091517Z
UID:10000417-1773950400-1773954000@warehouse9.dk
SUMMARY:Eve Stainton: The Joystick and The Reins
DESCRIPTION:IPAF presents: Eve Stainton: The Joystick and The Reins \nArtist and choreographer Eve Stainton presents their new choreographic performance\, The Joystick and The Reins\, accompanied by Ennio Morricone’s haunting score for The Thing (1982). \nThe Joystick and The Reins explores who is deemed to be\, and those who decide what constitutes a ‘threat’ within society\, exploring how marginalised groups have been instrumentalised through systems of oppression and authoritarianism. \nCycling through hyper-emotional states of intensity that never arrive at a fixed point\, the solo figure and the scene itself become a site for the audience’s own projections. Referencing ideas of power\, dominance\, perpetrator\, victim\, threat and interpretation. \nInfluences for The Joystick and The Reins include historical reenactments\, police and riot arrest imagery\, and 1980s ‘Crime Watch’ episodes\, examining what it means to reconstruct a theatrical scene that draws on truth\, and how societal constructs keep people ‘at risk’ of incarceration in a place of vulnerability. \nMorricone’s powerful music finds resonance with Stainton’s mutual exploration of societal suspicion\, psychological horror\, and the devastating potential of individual isolation. \n  \nAbout the Artist:\nEve Stainton is an artist and choreographer born in Manchester and living in London\, UK. They create multi-disciplinary performances that involve movement practices\, welded steel/live welding\, digital collage\, and other invisible forces like drama and suspense. Their research is rooted in community\, interested in how differently marginalised people experience and come into relationship with power structures and societal conventions. Often working with codes or tropes of gender\, class and threat\, revealing ‘behind the scenes’ mechanisms of working together to show a kind of reality that isn’t seamless.  \nNotable presentations include: ICA (UK)\, Tramway (UK)\, Venice Biennale performance programme in collaboration with Florence Peake (IT)\, Dansehallerne (DK)\, Block Universe (UK)\, Dampfzentrale (CH)\, Donaufestival (AT)\, My Wild Flag (SE)\, Le Guess Who? (NL)\, Bergen Kunsthall (NO)\, Bozar (BE)\, Nottingham Contemporary (UK)\, Crac Occitanie (FR)\, LCMF (UK)\, CCA Glasgow (UK)\, Tangente (CA)\, Audra Festival (LT)\, Rouyn-Noranda Biennale (CA)\, The Mount Without (UK). \n  \nCredits:\n \nChoreography and performance: Eve Stainton\nProducer: Michael Kitchin\nCreative Producer: Sara Sassanelli\nLighting Designer: Edward Saunders\nRehearsal Director and Steward: Temitope Ajose\nRehearsal Director: Maëva Berthelot\nDramaturg: Florence Peake\nShield design and creation: Eve Stainton \nCo-commissioned by Bold Tendencies\, Dansehallerne (DK)\, Transform\, The Place and performance\, possession + automation (funded by the Arts and Humanities Research Council). Supported by Queen Mary University of London\, Old Diorama Arts Centre\, Den Frie Udstilling (DK)\, SLUG (DE)\, L’Ecart Biennial (CA) and Mind Eater (NO). With thanks to The Morricone Estate\, Wise Music Classical\, Martin O’Brien and Jim Tuck. \nSupported using public funding by the National Lottery through Arts Council England. \n  \nGood to know:\nAudience members will be invited to participate in simple tasks during the performance; any invitation can be declined. \n  \nIPAF:\nIPAF is Warehouse9’s international performance festival. The festival is a vital extension of the organisation’s dedicated work to support and present LGBTQIA+ artists and cultural practitioners. IPAF is a dynamic meeting place that creates opportunities for artistic development\, live performances\, and facilitates spaces for dialogue and community. \nThis year\, the festival is co-produced with Dansehallerne and presents genre-bending work in Copenhagen that actively engages with identity politics\, sexual expressions\, and body representations. IPAF is founded on the strong belief that dance and performance can offer new perspectives and understandings of reality\, inspire collective imagination\, and advocate for better and more just futures. \nIPAF is made possible with support from the Danish Arts Foundations\, the City of Copenhagen and Dansehallerne. \n  \nTickets:\ntickets are purchased via Dansehallernes website: https://dansehallerne.dk/en/public-program/\nNote that there is a sliding scale option. \n  \nAccessibility:\nDansehallerne in Copenhagen offers good accessibility with step-free access via an elevator to all floors\, accessible and gender-neutral restrooms on the ground floor.
URL:https://warehouse9.dk/event/the-joystick-and-the-reins/2026-03-19/
LOCATION:Dansehallerne\, Franciska Clausens Plads 27\, Copenhagen\, 1799
ATTACH;FMTTYPE=image/jpeg:https://warehouse9.dk/wp-content/uploads/2026/01/IPAF_2026_WH9_web_TN1x1_template.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260320T123000
DTEND;TZID=Europe/London:20260320T163000
DTSTAMP:20260416T224423
CREATED:20260210T134728Z
LAST-MODIFIED:20260308T144622Z
UID:10000423-1774009800-1774024200@warehouse9.dk
SUMMARY:Hazem Header: Egyptian-izing your movement
DESCRIPTION:In this workshop\, Egyptian choreographer Hazem Header will introduce a range of contemporary dance and physical theater improvisation frameworks. Participants will leave with a robust set of exercises\, games\, and scores to support the creation of their own choreography and performances. \nThe workshop explores multiple choreographic approaches and creative methods for contemporary dance and physical theater\, while also focusing on “Egyptian-izing” creative impulses—drawing from cultural memory\, rhythm\, and embodied storytelling. \nParticipants should bring paper\, pens\, and comfortable clothing.\n\n\nWhen and where is the workshop held? \nThe workshop is held at 20 March 2026\, 12.30 – 16.30 at Dansehallerne\, Franciska Clausens Plads 27\, DK-1799 Copenhagen V. \nWe kindly ask you to arrive 15 minutes prior to class in time for check-in with the QR code on your ticket. \nWho can attend? \nThis all-levels workshop is open to professional dancers and movers from all artistic backgrounds\, as well as dance and theater enthusiasts who are curious to explore contemporary dance and physical theater for the first time. \nAccessibility:\nDansehallerne has an elevator with step-free access to all floors. Accessible and gender-neutral toilets and wardrobes are available on the ground floor. \nAbout the artist:\n \nHazem Header is an Egyptian contemporary dancer and choreographer. Hazem decided to focus on contemporary dance in 2009 after earning a BA in physical education\, studying personal training\, biomechanics\, kinesiology\, and having worked as a personal trainer and volleyball coach. Hazem studied the governmental centre “Cairo Contemporary Dance Centre (CCDC)” at the Cairo Opera House.  \nHazem started his own dance company\, “NÜT Dance Company-NDC” in 2013\, which is a Cairo-based and legally recognised entity that produces dance performances and cultural events. \nHazem launched the “Breaking Walls Festival” in 2017\, which was the first international festival for site-specific performances in Cairo.   \nHazem established the “Breaking Walls Dance Film Festival” in 2021 as Egypt’s and the region’s first dance film festival.  \nHe was also chosen in 2021 to be a member of the IETM/International Network for Contemporary Performing Arts’ global connectors. In 2024\, he was elected to the IETM Advisory Committee for a three-year term. \nCredits: \nImage by Ashlel Smith and Wide Eyed Studios \nThe workshop is arranged in collaboration with IPAF by Warehouse9 and Dansehallerne. \nIPAF is made possible with support from:\nDansehallerne\, Statens Kunstfond\, Københavns Kommune and Vesterbro Lokaludvalg. \n 
URL:https://warehouse9.dk/event/hazem-header-egyptian-izing-your-movement/
LOCATION:Dansehallerne\, Franciska Clausens Plads 27\, Copenhagen\, 1799
ATTACH;FMTTYPE=image/png:https://warehouse9.dk/wp-content/uploads/2026/02/Hazem-workshop-1x1-logo-overlay.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Copenhagen:20260320T170000
DTEND;TZID=Europe/Copenhagen:20260320T180000
DTSTAMP:20260416T224423
CREATED:20260121T125555Z
LAST-MODIFIED:20260305T130144Z
UID:10000411-1774026000-1774029600@warehouse9.dk
SUMMARY:Alex Franz Zehetbauer: bonappétitsixsixsix
DESCRIPTION:IPAF presents: Alex Franz Zehetbauer: bonappétitsixsixsix \nIn bonappétitsixsixsix\, performance artist and singer songwriter\, Alex Franz Zehetbauer slips into the jester’s skin—a figure with the ancient privilege to say and do anything without punishment: a.k.a. speak the truth a.k.a follow every impulse. A jester is never bound to a stage but to the social body itself. He digests the world and spits it back out (from one end or the other). This excrement is then presented to the audience as art. With a hint of something diabolical\, the fool has arrived to entertain.  \nSpit roasted by hydrophones and accompanied by the soothing strumming of his lyre\, he turns his entire body into a leaking instrument for his heartfelt songs. \nbonappétitsixsixsix embraces the jester’s capacity to create friction rather than consensus\, to transform social tension into performance. No one is safe: corrupt rulers\, slimy curators\, or daydreaming spectators may all find themselves ankle-deep on his shit list. But don’t run away. When the shit hits the fan you’ll be gagging for more. \nAnd most importantly\, you wouldn’t want to miss dinner…or become it.  \n  \nAbout the Artist:\nAlex Franz Zehetbauer (b. 1990\, Brooklyn) is an artist and singer songwriter working at the intersection of performance\, music\, visual arts and choreography. In his performances\, he beguiles with sophisticated melodies\, strange vocal escapades and unexpected twists. He studied vocal performance\, choreography\, and composition at NYU’s Experimental Theater Wing and the International Theater Workshop in Amsterdam. Alex has collaborated with artists such as Phillip Gehmacher\, Jen Rosenblit\, Taylor Mac\, Anne Juren\, Richard Foreman\, Marta Navaridas and Alix Eynaudi. He currently lives in Vienna. Alex’s work has been presented internationally\, examples include: Gwangju Bienniale\, (KR); Sophiensaele (DE); BUZZCUT / CCA Glasgow (UK); Tanzquartier Wien (AT); Gessneralle Zurich (CH); Mint (SE); steirischerherbst (AT); brut Wien (AT); C-Mine (BE); The Brick Theater (NYC/US); among others. \n  \nCredits:\n \nConcept\, Songs\, Performance / Alex Franz Zehetbauer\nDramaturgy / Joshua Wicke\nPerformance Doula / Claire Lefevre\nCostume Closet / Alessandro Santi\, Alex Franz Zehetbauer\nSonic trinkets\, outside ears / Christian Schröder & Manuel Riegler\nOutside eyes / Andreas Haglund & Jen Rosenblit\nShoes / Schuhatelier A. Kudweis\nProduction Management / Mollusca Productions\nResidencies Blickleraum / Ursula Blickle Stiftung [AT]\, Warehouse9 [DK]\, Tanzhaus Zürich [CH]\nA co-production of Verein Wilhelmina\, IPAF and Tanzquartier Wien \nSupported by the City of Vienna’s Department of Cultural Affairs (MA7)\, DOTA – Dance on Tour and BMWKMS – Federal Ministry of Housing\, Arts\, Culture\, Media and Sport\n \n  \nGood to know:\nLimited audience capacity\nLanguage: English \n  \nIPAF:\nIPAF is Warehouse9’s international performance festival. The festival is a vital extension of the organisation’s dedicated work to support and present LGBTQIA+ artists and cultural practitioners. IPAF is a dynamic meeting place that creates opportunities for artistic development\, live performances\, and facilitates spaces for dialogue and community. \nThis year\, the festival is co-produced with Dansehallerne and presents genre-bending work in Copenhagen that actively engages with identity politics\, sexual expressions\, and body representations. IPAF is founded on the strong belief that dance and performance can offer new perspectives and understandings of reality\, inspire collective imagination\, and advocate for better and more just futures. \nIPAF is made possible with support from the Danish Arts Foundations\, the City of Copenhagen\, Vesterbro Lokaludvalg and Dansehallerne. \n  \nTickets:\ntickets are purchased via Dansehallernes website: https://dansehallerne.dk/en/public-program/\nNote that there is a sliding scale option. This means that we have introduced a “pay what you can” ticket system for the performances. You can apply this by choosing the “IPAF community ticket level 1-4”. \n  \nAccessibility:\nDansehallerne in Copenhagen offers good accessibility with step-free access via an elevator to all floors\, accessible and gender-neutral restrooms on the ground floor.
URL:https://warehouse9.dk/event/bonappetitsixsixsix/2026-03-20/
LOCATION:Dansehallerne\, Franciska Clausens Plads 27\, Copenhagen\, 1799
ATTACH;FMTTYPE=image/jpeg:https://warehouse9.dk/wp-content/uploads/2026/01/IPAF_2026_AFZ_TN1x1_1080x1080.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Copenhagen:20260320T190000
DTEND;TZID=Europe/Copenhagen:20260320T200000
DTSTAMP:20260416T224423
CREATED:20260121T131223Z
LAST-MODIFIED:20260211T091517Z
UID:10000418-1774033200-1774036800@warehouse9.dk
SUMMARY:Eve Stainton: The Joystick and The Reins
DESCRIPTION:IPAF presents: Eve Stainton: The Joystick and The Reins \nArtist and choreographer Eve Stainton presents their new choreographic performance\, The Joystick and The Reins\, accompanied by Ennio Morricone’s haunting score for The Thing (1982). \nThe Joystick and The Reins explores who is deemed to be\, and those who decide what constitutes a ‘threat’ within society\, exploring how marginalised groups have been instrumentalised through systems of oppression and authoritarianism. \nCycling through hyper-emotional states of intensity that never arrive at a fixed point\, the solo figure and the scene itself become a site for the audience’s own projections. Referencing ideas of power\, dominance\, perpetrator\, victim\, threat and interpretation. \nInfluences for The Joystick and The Reins include historical reenactments\, police and riot arrest imagery\, and 1980s ‘Crime Watch’ episodes\, examining what it means to reconstruct a theatrical scene that draws on truth\, and how societal constructs keep people ‘at risk’ of incarceration in a place of vulnerability. \nMorricone’s powerful music finds resonance with Stainton’s mutual exploration of societal suspicion\, psychological horror\, and the devastating potential of individual isolation. \n  \nAbout the Artist:\nEve Stainton is an artist and choreographer born in Manchester and living in London\, UK. They create multi-disciplinary performances that involve movement practices\, welded steel/live welding\, digital collage\, and other invisible forces like drama and suspense. Their research is rooted in community\, interested in how differently marginalised people experience and come into relationship with power structures and societal conventions. Often working with codes or tropes of gender\, class and threat\, revealing ‘behind the scenes’ mechanisms of working together to show a kind of reality that isn’t seamless.  \nNotable presentations include: ICA (UK)\, Tramway (UK)\, Venice Biennale performance programme in collaboration with Florence Peake (IT)\, Dansehallerne (DK)\, Block Universe (UK)\, Dampfzentrale (CH)\, Donaufestival (AT)\, My Wild Flag (SE)\, Le Guess Who? (NL)\, Bergen Kunsthall (NO)\, Bozar (BE)\, Nottingham Contemporary (UK)\, Crac Occitanie (FR)\, LCMF (UK)\, CCA Glasgow (UK)\, Tangente (CA)\, Audra Festival (LT)\, Rouyn-Noranda Biennale (CA)\, The Mount Without (UK). \n  \nCredits:\n \nChoreography and performance: Eve Stainton\nProducer: Michael Kitchin\nCreative Producer: Sara Sassanelli\nLighting Designer: Edward Saunders\nRehearsal Director and Steward: Temitope Ajose\nRehearsal Director: Maëva Berthelot\nDramaturg: Florence Peake\nShield design and creation: Eve Stainton \nCo-commissioned by Bold Tendencies\, Dansehallerne (DK)\, Transform\, The Place and performance\, possession + automation (funded by the Arts and Humanities Research Council). Supported by Queen Mary University of London\, Old Diorama Arts Centre\, Den Frie Udstilling (DK)\, SLUG (DE)\, L’Ecart Biennial (CA) and Mind Eater (NO). With thanks to The Morricone Estate\, Wise Music Classical\, Martin O’Brien and Jim Tuck. \nSupported using public funding by the National Lottery through Arts Council England. \n  \nGood to know:\nAudience members will be invited to participate in simple tasks during the performance; any invitation can be declined. \n  \nIPAF:\nIPAF is Warehouse9’s international performance festival. The festival is a vital extension of the organisation’s dedicated work to support and present LGBTQIA+ artists and cultural practitioners. IPAF is a dynamic meeting place that creates opportunities for artistic development\, live performances\, and facilitates spaces for dialogue and community. \nThis year\, the festival is co-produced with Dansehallerne and presents genre-bending work in Copenhagen that actively engages with identity politics\, sexual expressions\, and body representations. IPAF is founded on the strong belief that dance and performance can offer new perspectives and understandings of reality\, inspire collective imagination\, and advocate for better and more just futures. \nIPAF is made possible with support from the Danish Arts Foundations\, the City of Copenhagen and Dansehallerne. \n  \nTickets:\ntickets are purchased via Dansehallernes website: https://dansehallerne.dk/en/public-program/\nNote that there is a sliding scale option. \n  \nAccessibility:\nDansehallerne in Copenhagen offers good accessibility with step-free access via an elevator to all floors\, accessible and gender-neutral restrooms on the ground floor.
URL:https://warehouse9.dk/event/the-joystick-and-the-reins/2026-03-20/
LOCATION:Dansehallerne\, Franciska Clausens Plads 27\, Copenhagen\, 1799
ATTACH;FMTTYPE=image/jpeg:https://warehouse9.dk/wp-content/uploads/2026/01/IPAF_2026_WH9_web_TN1x1_template.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Copenhagen:20260320T210000
DTEND;TZID=Europe/Copenhagen:20260320T220000
DTSTAMP:20260416T224423
CREATED:20260121T072856Z
LAST-MODIFIED:20260305T130249Z
UID:10000403-1774040400-1774044000@warehouse9.dk
SUMMARY:Lucy McCormick: Lucy & Friends
DESCRIPTION:IPAF presents: Lucy McCormick: Lucy & Friends \nLucy McCormick is back with her most ambitious medium-concept queer cabaret spectacular. In a despairing world\, Lucy attempts to create community and connection the only way she knows how- through a chaotic mix of pole dancing\, cat impersonation\, a clairvoyant and some quick re-working of social policy.  \nA master of theatrical manipulation and crushing personal vulnerability\, Lucy leaves her audiences needing a hug\, a cry and an immediate shower. \n  \nAbout The Artist:\nLucy McCormick makes nightclub interruptions\, cabaret interventions and extravaganza theatre shows\, marrying interests in absurdity\, ego and the grotesque. Her practice is cross-genre\, taking inspiration from theatre\, performance art\, comedy and dance. Her breakout show\, Triple Threat\, reimagines the New Testament as a dance-pop spectacle\, which has toured globally to over 30 venues. Her later works Post Popular\, Life: LIVE! and Lucy & Friends\, explore feminism\, identity and vulnerability through excess\, intimacy and irreverence. A Research Fellow at Queen Mary University and Associate Artist at Soho Theatre\, Lucy also works as an an actor and has performed at the National Theatre\, Royal Court\, Globe and RSC.\nhttps://www.lucymccormick.com\n \nCredits:\nCreator and Performer | Lucy McCormick\nDirector | Ursula Martinez\nProducer | Michael Kitchin\nProduction Manager | Herbe Walmsley\nLighting Designer | Sorcha Mae Stott-Strzala\nStage Manager | Stef Felton \nCreative Associates | Daniel Oliver & Claudia Palazzo\nImage Design | Sorcha Mae Stott-Strzala & Jo Schneider\n\nCommissioned by The Yard Theatre. Supported by Cambridge Junction\, Colchester Arts Centre and Norwich Arts Centre. Supported using public funding by the National Lottery through Arts Council England. \n  \nGood to know:  \nThis performance contains haze\, strobe lighting\, loud noise\, strong language\, scenes of a sexual nature and nudity. \nStrictly no filming or photography. \nLanguage: English \n18+ \n  \nIPAF: \nIPAF is Warehouse9’s international performance festival. The festival is a vital extension of the organisation’s dedicated work to support and present LGBTQIA+ artists and cultural practitioners. IPAF is a dynamic meeting place that creates opportunities for artistic development\, live performances\, and facilitates spaces for dialogue and community. \nThis year\, the festival is co-produced with Dansehallerne and presents genre-bending work in Copenhagen that actively engages with identity politics\, sexual expressions\, and body representations. IPAF is founded on the strong belief that dance and performance can offer new perspectives and understandings of reality\, inspire collective imagination\, and advocate for better and more just futures. \nIPAF is made possible with support from the Danish Arts Foundations\, the City of Copenhagen and Dansehallerne. \n  \nTickets:\ntickets are purchased via Dansehallernes website: https://dansehallerne.dk/en/public-program/\nNote that there is a sliding scale option. This means that we have introduced a “pay what you can” ticket system for the performances. You can apply this by choosing the “IPAF community ticket level 1-4”. \n  \nAccessibility:\nDansehallerne in Copenhagen offers good accessibility with step-free access via an elevator to all floors\, accessible and gender-neutral restrooms on the ground floor\,
URL:https://warehouse9.dk/event/lucy-and-friends/2026-03-20/
LOCATION:Dansehallerne\, Franciska Clausens Plads 27\, Copenhagen\, 1799
ATTACH;FMTTYPE=image/jpeg:https://warehouse9.dk/wp-content/uploads/2026/01/IPAF_2026_Lucy_McormickTN1x1_1080x1080.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Copenhagen:20260321T153000
DTEND;TZID=Europe/Copenhagen:20260321T163000
DTSTAMP:20260416T224423
CREATED:20260121T125555Z
LAST-MODIFIED:20260305T130144Z
UID:10000412-1774107000-1774110600@warehouse9.dk
SUMMARY:Alex Franz Zehetbauer: bonappétitsixsixsix
DESCRIPTION:IPAF presents: Alex Franz Zehetbauer: bonappétitsixsixsix \nIn bonappétitsixsixsix\, performance artist and singer songwriter\, Alex Franz Zehetbauer slips into the jester’s skin—a figure with the ancient privilege to say and do anything without punishment: a.k.a. speak the truth a.k.a follow every impulse. A jester is never bound to a stage but to the social body itself. He digests the world and spits it back out (from one end or the other). This excrement is then presented to the audience as art. With a hint of something diabolical\, the fool has arrived to entertain.  \nSpit roasted by hydrophones and accompanied by the soothing strumming of his lyre\, he turns his entire body into a leaking instrument for his heartfelt songs. \nbonappétitsixsixsix embraces the jester’s capacity to create friction rather than consensus\, to transform social tension into performance. No one is safe: corrupt rulers\, slimy curators\, or daydreaming spectators may all find themselves ankle-deep on his shit list. But don’t run away. When the shit hits the fan you’ll be gagging for more. \nAnd most importantly\, you wouldn’t want to miss dinner…or become it.  \n  \nAbout the Artist:\nAlex Franz Zehetbauer (b. 1990\, Brooklyn) is an artist and singer songwriter working at the intersection of performance\, music\, visual arts and choreography. In his performances\, he beguiles with sophisticated melodies\, strange vocal escapades and unexpected twists. He studied vocal performance\, choreography\, and composition at NYU’s Experimental Theater Wing and the International Theater Workshop in Amsterdam. Alex has collaborated with artists such as Phillip Gehmacher\, Jen Rosenblit\, Taylor Mac\, Anne Juren\, Richard Foreman\, Marta Navaridas and Alix Eynaudi. He currently lives in Vienna. Alex’s work has been presented internationally\, examples include: Gwangju Bienniale\, (KR); Sophiensaele (DE); BUZZCUT / CCA Glasgow (UK); Tanzquartier Wien (AT); Gessneralle Zurich (CH); Mint (SE); steirischerherbst (AT); brut Wien (AT); C-Mine (BE); The Brick Theater (NYC/US); among others. \n  \nCredits:\n \nConcept\, Songs\, Performance / Alex Franz Zehetbauer\nDramaturgy / Joshua Wicke\nPerformance Doula / Claire Lefevre\nCostume Closet / Alessandro Santi\, Alex Franz Zehetbauer\nSonic trinkets\, outside ears / Christian Schröder & Manuel Riegler\nOutside eyes / Andreas Haglund & Jen Rosenblit\nShoes / Schuhatelier A. Kudweis\nProduction Management / Mollusca Productions\nResidencies Blickleraum / Ursula Blickle Stiftung [AT]\, Warehouse9 [DK]\, Tanzhaus Zürich [CH]\nA co-production of Verein Wilhelmina\, IPAF and Tanzquartier Wien \nSupported by the City of Vienna’s Department of Cultural Affairs (MA7)\, DOTA – Dance on Tour and BMWKMS – Federal Ministry of Housing\, Arts\, Culture\, Media and Sport\n \n  \nGood to know:\nLimited audience capacity\nLanguage: English \n  \nIPAF:\nIPAF is Warehouse9’s international performance festival. The festival is a vital extension of the organisation’s dedicated work to support and present LGBTQIA+ artists and cultural practitioners. IPAF is a dynamic meeting place that creates opportunities for artistic development\, live performances\, and facilitates spaces for dialogue and community. \nThis year\, the festival is co-produced with Dansehallerne and presents genre-bending work in Copenhagen that actively engages with identity politics\, sexual expressions\, and body representations. IPAF is founded on the strong belief that dance and performance can offer new perspectives and understandings of reality\, inspire collective imagination\, and advocate for better and more just futures. \nIPAF is made possible with support from the Danish Arts Foundations\, the City of Copenhagen\, Vesterbro Lokaludvalg and Dansehallerne. \n  \nTickets:\ntickets are purchased via Dansehallernes website: https://dansehallerne.dk/en/public-program/\nNote that there is a sliding scale option. This means that we have introduced a “pay what you can” ticket system for the performances. You can apply this by choosing the “IPAF community ticket level 1-4”. \n  \nAccessibility:\nDansehallerne in Copenhagen offers good accessibility with step-free access via an elevator to all floors\, accessible and gender-neutral restrooms on the ground floor.
URL:https://warehouse9.dk/event/bonappetitsixsixsix/2026-03-21/
LOCATION:Dansehallerne\, Franciska Clausens Plads 27\, Copenhagen\, 1799
ATTACH;FMTTYPE=image/jpeg:https://warehouse9.dk/wp-content/uploads/2026/01/IPAF_2026_AFZ_TN1x1_1080x1080.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Copenhagen:20260321T170000
DTEND;TZID=Europe/Copenhagen:20260321T180000
DTSTAMP:20260416T224423
CREATED:20260121T130440Z
LAST-MODIFIED:20260311T084143Z
UID:10000414-1774112400-1774116000@warehouse9.dk
SUMMARY:Hazem Header: MANEATER
DESCRIPTION:IPAF presents: Hazem Header: MANEATER \nPerforming to the evocative old songs of Egyptian Singers and composed tracks of Egyptian Politicians’ speeches; A Solo dancer exposes the fractured and toxic relationship of Egypt and its rulers\, politicians and Egyptian people as he delves into the complexity of his love for Egypt in an attempt to reconcile patriotism with disillusionment\, and light of hope with darkness of oppression. \nIt shines a light on his deep rooted connection to his memory of The Egyptian revolution and suggests the power of what hope may do. Poetic and passionate\, MANEATER… has an intricate physicality\, Egyptian folk dance and is unashamedly romantic in its celebration of loving Egypt. \nEgypt is reuniting on stage with some of her most infamous former lovers. Together\, they relive past romances\, replay tender moments\, and whisper the sweet nothings they once shared – before it all\, inevitably\, turned toxic and fell apart. \n  \nArtist talk:  \nFollowing the performance on Sunday 22 March\, Hazem Header will have a dialogue with Warehouse9 board member\, Niels Bjørn\, about queer performance in Egypt. \n  \nAbout the Artist:\nHazem Header is an Egyptian contemporary dancer and choreographer. In 2021\, he founded the Breaking Walls Dance Film Festival\, Egypt’s and the region’s first dance film festival. Prior to that in 2017\, Hazem launched the Breaking Walls Festival\, Cairo’s first international festival for site-specific performances. Previously\, he combined his passion for movement and artistry to create NÜT Dance Company-NDC in 2013\, a legally recognized entity in Cairo that produces dance performances and cultural events. \nHazem has gained international recognition for his contributions to contemporary performing arts. He was selected in 2021 as a member of the IETM/International Network for Contemporary Performing Arts’ Global Connectors program and\, in 2024\, was elected to the IETM Advisory Committee for a three-year term. Hazem earned a Bachelor of Arts in Physical Education\, with a focus on personal training\, biomechanics\, and kinesiology. He also studied at the governmental center\, Cairo Contemporary Dance Centre (CCDC) at the Cairo Opera House. \n  \nCredits:\nCreation and Choreography: Hazem Header\nMusic Designer and Composers: Anna-Maria Rammou (AMR)\nDramaturge: Dimitra Mitropoulou\nCostume Designer: Domagoj Štimac\nText Video: Nima Dehghani\nSpeeches Archives and Research: Mary Nabil\nPoster: Farah Khalaf\nCo-Production: NÜT Dance Company and Breaking Walls Festival – Egypt\, This is a Domino Project – Croatia and Warehouse9 \n  \nGood to know:\nSmoke in performance.\nStrobe light.\nContent of video projection may be graphic for some.\nPossibility of close proximity to performer.\n+18\nLanguage: Arabic with English subtitles \n  \nIPAF:\nIPAF is Warehouse9’s international performance festival. The festival is a vital extension of the organisation’s dedicated work to support and present LGBTQIA+ artists and cultural practitioners. IPAF is a dynamic meeting place that creates opportunities for artistic development\, live performances\, and facilitates spaces for dialogue and community. \nThis year\, the festival is co-produced with Dansehallerne and presents genre-bending work in Copenhagen that actively engages with identity politics\, sexual expressions\, and body representations. IPAF is founded on the strong belief that dance and performance can offer new perspectives and understandings of reality\, inspire collective imagination\, and advocate for better and more just futures. \nIPAF is made possible with support from the Danish Arts Foundations\, the City of Copenhagen and Dansehallerne. \n  \nTickets:\ntickets are purchased via Dansehallernes website: https://dansehallerne.dk/en/public-program/\nNote that there is a sliding scale option. This means that we have introduced a “pay what you can” ticket system for the performances. You can apply this by choosing the “IPAF community ticket level 1-4”. \n  \nAccessibility:\nDansehallerne in Copenhagen offers good accessibility with step-free access via an elevator to all floors\, accessible and gender-neutral restrooms on the ground floor.
URL:https://warehouse9.dk/event/hazem-header-maneater/2026-03-21/
LOCATION:Dansehallerne\, Franciska Clausens Plads 27\, Copenhagen\, 1799
ATTACH;FMTTYPE=image/jpeg:https://warehouse9.dk/wp-content/uploads/2026/01/Hazem_1x1_WH9web_withLogo.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Copenhagen:20260321T190000
DTEND;TZID=Europe/Copenhagen:20260321T200000
DTSTAMP:20260416T224423
CREATED:20260121T131223Z
LAST-MODIFIED:20260211T091517Z
UID:10000419-1774119600-1774123200@warehouse9.dk
SUMMARY:Eve Stainton: The Joystick and The Reins
DESCRIPTION:IPAF presents: Eve Stainton: The Joystick and The Reins \nArtist and choreographer Eve Stainton presents their new choreographic performance\, The Joystick and The Reins\, accompanied by Ennio Morricone’s haunting score for The Thing (1982). \nThe Joystick and The Reins explores who is deemed to be\, and those who decide what constitutes a ‘threat’ within society\, exploring how marginalised groups have been instrumentalised through systems of oppression and authoritarianism. \nCycling through hyper-emotional states of intensity that never arrive at a fixed point\, the solo figure and the scene itself become a site for the audience’s own projections. Referencing ideas of power\, dominance\, perpetrator\, victim\, threat and interpretation. \nInfluences for The Joystick and The Reins include historical reenactments\, police and riot arrest imagery\, and 1980s ‘Crime Watch’ episodes\, examining what it means to reconstruct a theatrical scene that draws on truth\, and how societal constructs keep people ‘at risk’ of incarceration in a place of vulnerability. \nMorricone’s powerful music finds resonance with Stainton’s mutual exploration of societal suspicion\, psychological horror\, and the devastating potential of individual isolation. \n  \nAbout the Artist:\nEve Stainton is an artist and choreographer born in Manchester and living in London\, UK. They create multi-disciplinary performances that involve movement practices\, welded steel/live welding\, digital collage\, and other invisible forces like drama and suspense. Their research is rooted in community\, interested in how differently marginalised people experience and come into relationship with power structures and societal conventions. Often working with codes or tropes of gender\, class and threat\, revealing ‘behind the scenes’ mechanisms of working together to show a kind of reality that isn’t seamless.  \nNotable presentations include: ICA (UK)\, Tramway (UK)\, Venice Biennale performance programme in collaboration with Florence Peake (IT)\, Dansehallerne (DK)\, Block Universe (UK)\, Dampfzentrale (CH)\, Donaufestival (AT)\, My Wild Flag (SE)\, Le Guess Who? (NL)\, Bergen Kunsthall (NO)\, Bozar (BE)\, Nottingham Contemporary (UK)\, Crac Occitanie (FR)\, LCMF (UK)\, CCA Glasgow (UK)\, Tangente (CA)\, Audra Festival (LT)\, Rouyn-Noranda Biennale (CA)\, The Mount Without (UK). \n  \nCredits:\n \nChoreography and performance: Eve Stainton\nProducer: Michael Kitchin\nCreative Producer: Sara Sassanelli\nLighting Designer: Edward Saunders\nRehearsal Director and Steward: Temitope Ajose\nRehearsal Director: Maëva Berthelot\nDramaturg: Florence Peake\nShield design and creation: Eve Stainton \nCo-commissioned by Bold Tendencies\, Dansehallerne (DK)\, Transform\, The Place and performance\, possession + automation (funded by the Arts and Humanities Research Council). Supported by Queen Mary University of London\, Old Diorama Arts Centre\, Den Frie Udstilling (DK)\, SLUG (DE)\, L’Ecart Biennial (CA) and Mind Eater (NO). With thanks to The Morricone Estate\, Wise Music Classical\, Martin O’Brien and Jim Tuck. \nSupported using public funding by the National Lottery through Arts Council England. \n  \nGood to know:\nAudience members will be invited to participate in simple tasks during the performance; any invitation can be declined. \n  \nIPAF:\nIPAF is Warehouse9’s international performance festival. The festival is a vital extension of the organisation’s dedicated work to support and present LGBTQIA+ artists and cultural practitioners. IPAF is a dynamic meeting place that creates opportunities for artistic development\, live performances\, and facilitates spaces for dialogue and community. \nThis year\, the festival is co-produced with Dansehallerne and presents genre-bending work in Copenhagen that actively engages with identity politics\, sexual expressions\, and body representations. IPAF is founded on the strong belief that dance and performance can offer new perspectives and understandings of reality\, inspire collective imagination\, and advocate for better and more just futures. \nIPAF is made possible with support from the Danish Arts Foundations\, the City of Copenhagen and Dansehallerne. \n  \nTickets:\ntickets are purchased via Dansehallernes website: https://dansehallerne.dk/en/public-program/\nNote that there is a sliding scale option. \n  \nAccessibility:\nDansehallerne in Copenhagen offers good accessibility with step-free access via an elevator to all floors\, accessible and gender-neutral restrooms on the ground floor.
URL:https://warehouse9.dk/event/the-joystick-and-the-reins/2026-03-21/
LOCATION:Dansehallerne\, Franciska Clausens Plads 27\, Copenhagen\, 1799
ATTACH;FMTTYPE=image/jpeg:https://warehouse9.dk/wp-content/uploads/2026/01/IPAF_2026_WH9_web_TN1x1_template.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Copenhagen:20260321T210000
DTEND;TZID=Europe/Copenhagen:20260321T210000
DTSTAMP:20260416T224423
CREATED:20260121T072856Z
LAST-MODIFIED:20260305T130249Z
UID:10000404-1774126800-1774126800@warehouse9.dk
SUMMARY:Lucy McCormick: Lucy & Friends
DESCRIPTION:IPAF presents: Lucy McCormick: Lucy & Friends \nLucy McCormick is back with her most ambitious medium-concept queer cabaret spectacular. In a despairing world\, Lucy attempts to create community and connection the only way she knows how- through a chaotic mix of pole dancing\, cat impersonation\, a clairvoyant and some quick re-working of social policy.  \nA master of theatrical manipulation and crushing personal vulnerability\, Lucy leaves her audiences needing a hug\, a cry and an immediate shower. \n  \nAbout The Artist:\nLucy McCormick makes nightclub interruptions\, cabaret interventions and extravaganza theatre shows\, marrying interests in absurdity\, ego and the grotesque. Her practice is cross-genre\, taking inspiration from theatre\, performance art\, comedy and dance. Her breakout show\, Triple Threat\, reimagines the New Testament as a dance-pop spectacle\, which has toured globally to over 30 venues. Her later works Post Popular\, Life: LIVE! and Lucy & Friends\, explore feminism\, identity and vulnerability through excess\, intimacy and irreverence. A Research Fellow at Queen Mary University and Associate Artist at Soho Theatre\, Lucy also works as an an actor and has performed at the National Theatre\, Royal Court\, Globe and RSC.\nhttps://www.lucymccormick.com\n \nCredits:\nCreator and Performer | Lucy McCormick\nDirector | Ursula Martinez\nProducer | Michael Kitchin\nProduction Manager | Herbe Walmsley\nLighting Designer | Sorcha Mae Stott-Strzala\nStage Manager | Stef Felton \nCreative Associates | Daniel Oliver & Claudia Palazzo\nImage Design | Sorcha Mae Stott-Strzala & Jo Schneider\n\nCommissioned by The Yard Theatre. Supported by Cambridge Junction\, Colchester Arts Centre and Norwich Arts Centre. Supported using public funding by the National Lottery through Arts Council England. \n  \nGood to know:  \nThis performance contains haze\, strobe lighting\, loud noise\, strong language\, scenes of a sexual nature and nudity. \nStrictly no filming or photography. \nLanguage: English \n18+ \n  \nIPAF: \nIPAF is Warehouse9’s international performance festival. The festival is a vital extension of the organisation’s dedicated work to support and present LGBTQIA+ artists and cultural practitioners. IPAF is a dynamic meeting place that creates opportunities for artistic development\, live performances\, and facilitates spaces for dialogue and community. \nThis year\, the festival is co-produced with Dansehallerne and presents genre-bending work in Copenhagen that actively engages with identity politics\, sexual expressions\, and body representations. IPAF is founded on the strong belief that dance and performance can offer new perspectives and understandings of reality\, inspire collective imagination\, and advocate for better and more just futures. \nIPAF is made possible with support from the Danish Arts Foundations\, the City of Copenhagen and Dansehallerne. \n  \nTickets:\ntickets are purchased via Dansehallernes website: https://dansehallerne.dk/en/public-program/\nNote that there is a sliding scale option. This means that we have introduced a “pay what you can” ticket system for the performances. You can apply this by choosing the “IPAF community ticket level 1-4”. \n  \nAccessibility:\nDansehallerne in Copenhagen offers good accessibility with step-free access via an elevator to all floors\, accessible and gender-neutral restrooms on the ground floor\,
URL:https://warehouse9.dk/event/lucy-and-friends/2026-03-21/
LOCATION:Dansehallerne\, Franciska Clausens Plads 27\, Copenhagen\, 1799
ATTACH;FMTTYPE=image/jpeg:https://warehouse9.dk/wp-content/uploads/2026/01/IPAF_2026_Lucy_McormickTN1x1_1080x1080.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Copenhagen:20260321T220000
DTEND;TZID=Europe/Copenhagen:20260321T235900
DTSTAMP:20260416T224423
CREATED:20260121T132922Z
LAST-MODIFIED:20260311T101347Z
UID:10000422-1774130400-1774137540@warehouse9.dk
SUMMARY:Closing Party
DESCRIPTION:IPAF presents: Closing Party \nJoin us for our festival closing party at Dansehallerne!  \nDJ – Gavnlig \nEver since stepping on stage Andrea Hildursdóttir aka Gavnlig has proven herself floorworthy time and again all across Copenhagen. With an ever-curious and playful approach to music\, she’s sure to start the party with a blend of soulful\, vocal-driven house music. \nThis event is free and open to all.  \n  \nIPAF:\nIPAF is Warehouse9’s international performance festival. The festival is a vital extension of the organisation’s dedicated work to support and present LGBTQIA+ artists and cultural practitioners. IPAF is a dynamic meeting place that creates opportunities for artistic development\, live performances\, and facilitates spaces for dialogue and community. \nThis year\, the festival is co-produced with Dansehallerne and presents genre-bending work in Copenhagen that actively engages with identity politics\, sexual expressions\, and body representations. IPAF is founded on the strong belief that dance and performance can offer new perspectives and understandings of reality\, inspire collective imagination\, and advocate for better and more just futures. \nIPAF is made possible with support from Dansehallerne\, Statens Kunstfond\, Københavns Kommune\, and Vesterbro Lokaludvalg. \n  \nTickets for the IPAF performances:\nTickets are purchased via Dansehallernes website: https://dansehallerne.dk/en/public-program/\nNote that there is a sliding scale option. This means that we have introduced a “pay what you can” ticket system for the performances. You can apply this by choosing the “IPAF community ticket level 1-4”. \n  \nAccessibility:\nDansehallerne has step-free access via an elevator to all floors. Accessible and gender-neutral restrooms are on the ground floor.
URL:https://warehouse9.dk/event/closing-party/
LOCATION:Dansehallerne\, Franciska Clausens Plads 27\, Copenhagen\, 1799
ATTACH;FMTTYPE=image/jpeg:https://warehouse9.dk/wp-content/uploads/2026/01/IPAF_thumbnail_1_party-low.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Copenhagen:20260322T110000
DTEND;TZID=Europe/Copenhagen:20260322T130000
DTSTAMP:20260416T224423
CREATED:20260121T132253Z
LAST-MODIFIED:20260305T130416Z
UID:10000421-1774177200-1774184400@warehouse9.dk
SUMMARY:Brunch & Reflection
DESCRIPTION:IPAF presents: Brunch & Reflection \nWhat happened during the festival? \nAs IPAF enters its final day\, we invite you to our last social gathering. \nGrab a coffee and some food\, and join artists\, curators\, and fellow audience members for an informal moment of connection and reflection. \n  \nGood to know:\nLanguage: English & Danish \n  \nIPAF:\nIPAF is Warehouse9’s international performance festival. The festival is a vital extension of the organisation’s dedicated work to support and present LGBTQIA+ artists and cultural practitioners. IPAF is a dynamic meeting place that creates opportunities for artistic development\, live performances\, and facilitates spaces for dialogue and community. \nThis year\, the festival is co-produced with Dansehallerne and presents genre-bending work in Copenhagen that actively engages with identity politics\, sexual expressions\, and body representations. IPAF is founded on the strong belief that dance and performance can offer new perspectives and understandings of reality\, inspire collective imagination\, and advocate for better and more just futures. \nIPAF is made possible with support from the Danish Arts Foundations\, the City of Copenhagen and Dansehallerne. \n  \nTickets:\ntickets are purchased via Dansehallernes website: https://dansehallerne.dk/en/public-program/\nNote that there is a sliding scale option. This means that we have introduced a “pay what you can” ticket system for the performances. You can apply this by choosing the “IPAF community ticket level 1-4”. \n  \nAccessibility:\nDansehallerne in Copenhagen offers good accessibility with step-free access via an elevator to all floors. Accessible and gender-neutral restrooms on the ground floor.
URL:https://warehouse9.dk/event/brunch-reflection/
LOCATION:Dansehallerne\, Franciska Clausens Plads 27\, Copenhagen\, 1799
ATTACH;FMTTYPE=image/jpeg:https://warehouse9.dk/wp-content/uploads/2026/01/IPAF_thumbnail_1_Brunch.low_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Copenhagen:20260322T170000
DTEND;TZID=Europe/Copenhagen:20260322T180000
DTSTAMP:20260416T224423
CREATED:20260121T130440Z
LAST-MODIFIED:20260311T084143Z
UID:10000415-1774198800-1774202400@warehouse9.dk
SUMMARY:Hazem Header: MANEATER
DESCRIPTION:IPAF presents: Hazem Header: MANEATER \nPerforming to the evocative old songs of Egyptian Singers and composed tracks of Egyptian Politicians’ speeches; A Solo dancer exposes the fractured and toxic relationship of Egypt and its rulers\, politicians and Egyptian people as he delves into the complexity of his love for Egypt in an attempt to reconcile patriotism with disillusionment\, and light of hope with darkness of oppression. \nIt shines a light on his deep rooted connection to his memory of The Egyptian revolution and suggests the power of what hope may do. Poetic and passionate\, MANEATER… has an intricate physicality\, Egyptian folk dance and is unashamedly romantic in its celebration of loving Egypt. \nEgypt is reuniting on stage with some of her most infamous former lovers. Together\, they relive past romances\, replay tender moments\, and whisper the sweet nothings they once shared – before it all\, inevitably\, turned toxic and fell apart. \n  \nArtist talk:  \nFollowing the performance on Sunday 22 March\, Hazem Header will have a dialogue with Warehouse9 board member\, Niels Bjørn\, about queer performance in Egypt. \n  \nAbout the Artist:\nHazem Header is an Egyptian contemporary dancer and choreographer. In 2021\, he founded the Breaking Walls Dance Film Festival\, Egypt’s and the region’s first dance film festival. Prior to that in 2017\, Hazem launched the Breaking Walls Festival\, Cairo’s first international festival for site-specific performances. Previously\, he combined his passion for movement and artistry to create NÜT Dance Company-NDC in 2013\, a legally recognized entity in Cairo that produces dance performances and cultural events. \nHazem has gained international recognition for his contributions to contemporary performing arts. He was selected in 2021 as a member of the IETM/International Network for Contemporary Performing Arts’ Global Connectors program and\, in 2024\, was elected to the IETM Advisory Committee for a three-year term. Hazem earned a Bachelor of Arts in Physical Education\, with a focus on personal training\, biomechanics\, and kinesiology. He also studied at the governmental center\, Cairo Contemporary Dance Centre (CCDC) at the Cairo Opera House. \n  \nCredits:\nCreation and Choreography: Hazem Header\nMusic Designer and Composers: Anna-Maria Rammou (AMR)\nDramaturge: Dimitra Mitropoulou\nCostume Designer: Domagoj Štimac\nText Video: Nima Dehghani\nSpeeches Archives and Research: Mary Nabil\nPoster: Farah Khalaf\nCo-Production: NÜT Dance Company and Breaking Walls Festival – Egypt\, This is a Domino Project – Croatia and Warehouse9 \n  \nGood to know:\nSmoke in performance.\nStrobe light.\nContent of video projection may be graphic for some.\nPossibility of close proximity to performer.\n+18\nLanguage: Arabic with English subtitles \n  \nIPAF:\nIPAF is Warehouse9’s international performance festival. The festival is a vital extension of the organisation’s dedicated work to support and present LGBTQIA+ artists and cultural practitioners. IPAF is a dynamic meeting place that creates opportunities for artistic development\, live performances\, and facilitates spaces for dialogue and community. \nThis year\, the festival is co-produced with Dansehallerne and presents genre-bending work in Copenhagen that actively engages with identity politics\, sexual expressions\, and body representations. IPAF is founded on the strong belief that dance and performance can offer new perspectives and understandings of reality\, inspire collective imagination\, and advocate for better and more just futures. \nIPAF is made possible with support from the Danish Arts Foundations\, the City of Copenhagen and Dansehallerne. \n  \nTickets:\ntickets are purchased via Dansehallernes website: https://dansehallerne.dk/en/public-program/\nNote that there is a sliding scale option. This means that we have introduced a “pay what you can” ticket system for the performances. You can apply this by choosing the “IPAF community ticket level 1-4”. \n  \nAccessibility:\nDansehallerne in Copenhagen offers good accessibility with step-free access via an elevator to all floors\, accessible and gender-neutral restrooms on the ground floor.
URL:https://warehouse9.dk/event/hazem-header-maneater/2026-03-22/
LOCATION:Dansehallerne\, Franciska Clausens Plads 27\, Copenhagen\, 1799
ATTACH;FMTTYPE=image/jpeg:https://warehouse9.dk/wp-content/uploads/2026/01/Hazem_1x1_WH9web_withLogo.jpg
END:VEVENT
END:VCALENDAR