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Jessica Karuhanga
Artist talk @ 19:30 followed by performance @ 20:30
ground and cover me engages with the physical and figurative contours of the institutional space. Karuhanga enacts gradual movements that are intuitive and deliberate responses to the walls, windows and ground. This piece is a choreographic rupture to institutional spaces that otherwise insist upon Black Queer people’s disappearance.
Bio
Jessica Karuhanga is a first-generation Canadian artist of British-Ugandan heritage whose work addresses the cultural politics of identity and Black diasporic concerns through lens-based technologies, writing, drawing and performances. She explores individual and collective concerns of Black subjectivity and embodiment through her practice.
Karuhanga has exhibited her work at the Kitchener-Waterloo Art Gallery (2023), Mitchell Art Gallery (Edmonton, 2022), the Robert McLaughlin Gallery (Oshawa, 2021), Varley Art Gallery (Markham, 2020), The Bentway (Toronto, 2019) and Nuit Blanche (Toronto, 2018). She has performed at Remai Modern (Saskatoon, 2023), Pallas Art Projects (Dublin, IE, 2022), WNDX Festival of Moving Image (Winnipeg, 2020), Long Winter (Toronto, 2019), Royal Ontario Museum (Toronto, 2018), Cooper Cole (Toronto, 2017), Goldsmiths (London, UK, 2017) and DoubleDouble Land (Toronto, 2016). C Magazine, BlackFlash, Susan Hobbs Gallery, Blackwood Gallery and Founderie Darling have published Karuhanga’s writing. She has been featured in AGO’s Artist Spotlight, i-D, DAZED, Visual Aids, Border Crossings, Toronto Star, CBC Arts, ESSE, and the Globe and Mail. She earned her BFA from Western University and MFA from the University of Victoria. She is an Assistant Professor in Studio Art in the Visual Arts Department at Western University (London, ON, Canada).
Presented as part of QALEIDOSCOPE QUEER FILM AND PERFORMANCE ON TOUR 2024
Jessica Karuhanga
Artist talk @ 19:30 followed by performance @ 20:30
ground and cover me engages with the physical and figurative contours of the institutional space. Karuhanga enacts gradual movements that are intuitive and deliberate responses to the walls, windows and ground. This piece is a choreographic rupture to institutional spaces that otherwise insist upon Black Queer people’s disappearance.
Bio
Jessica Karuhanga is a first-generation Canadian artist of British-Ugandan heritage whose work addresses the cultural politics of identity and Black diasporic concerns through lens-based technologies, writing, drawing and performances. She explores individual and collective concerns of Black subjectivity and embodiment through her practice.
Karuhanga has exhibited her work at the Kitchener-Waterloo Art Gallery (2023), Mitchell Art Gallery (Edmonton, 2022), the Robert McLaughlin Gallery (Oshawa, 2021), Varley Art Gallery (Markham, 2020), The Bentway (Toronto, 2019) and Nuit Blanche (Toronto, 2018). She has performed at Remai Modern (Saskatoon, 2023), Pallas Art Projects (Dublin, IE, 2022), WNDX Festival of Moving Image (Winnipeg, 2020), Long Winter (Toronto, 2019), Royal Ontario Museum (Toronto, 2018), Cooper Cole (Toronto, 2017), Goldsmiths (London, UK, 2017) and DoubleDouble Land (Toronto, 2016). C Magazine, BlackFlash, Susan Hobbs Gallery, Blackwood Gallery and Founderie Darling have published Karuhanga’s writing. She has been featured in AGO’s Artist Spotlight, i-D, DAZED, Visual Aids, Border Crossings, Toronto Star, CBC Arts, ESSE, and the Globe and Mail. She earned her BFA from Western University and MFA from the University of Victoria. She is an Assistant Professor in Studio Art in the Visual Arts Department at Western University (London, ON, Canada).
Presented as part of QALEIDOSCOPE QUEER FILM AND PERFORMANCE ON TOUR 2024
Jasmin has a master’s degree in English and cultural communications from the University of Copenhagen and has worked with several fields within the cultural sphere. She has worked with executing and communicating films, festivals, art fairs, and literature, and has now embarked upon queer performance art at Warehouse9.
Emma (they/she) has been a core member since 2012 and a leading effort in driving organisational development. They have helped shape WH9’s artistic profile, initiated national and international collaborations and consolidated WH9 through fundraising strategies, and insisting on production methods centering care and accessiblility.
In addition, Emma works as an independent curator, e.g. through the curatorial duo osborn&møller, where they have acted as guest curator at the Wellcome Collection (UK) and curated part of City of Women’s 25 year anniversary festival in 2019 (SL). Emma has experience as a freelance producer in the UK, where they worked with artists such as Poppy Jackson, Manuel Vason and SPILL Festival. Emma holds a MA in Theater and Performance from Queen Mary, University of London and a BA (Hons) in Drama, Applied Theatre & Education from the Royal Central School of Speech and Drama.
Jørgen Callesen (They/He) is co-founder and co-director of Warehouse9.
For the past 17 years, they have been an integral part of developing Warehouse9 to become a leading organisation for cross-aesthetic queer art, including international festivals and socially engaged projects. He holds a Ph.D. in information & media science from Aarhus University (2005) and has an artistic practice with the performance figure “miss fish”. They have presented solo work in Denmark and internationally since 2002 and work in collaboration with numerous queer artists as well as in lager scale productions.
