The Festival unfolds across the city of Copenhagen and presents genre-blurring work that engages with identity politics, sexual expressions and body representations. The Festival is based on the belief that performance can provide different perspectives and ways to understand reality, inspire collective imagining and advocate for better and more just futures.
Enter Exude is a cinematic auto-fantasy for three performers and a Chevrolet Camaro.
Afterlife is a messed-up playground. It is a site for speculative futurities and derailed interpretations of a renaissance that never really happened.
Afterlife is a messed-up playground. It is a site for speculative futurities and derailed interpretations of a renaissance that never really happened.
Enter Exude is a cinematic auto-fantasy for three performers and a Chevrolet Camaro.
This workshop offers a site to deconstruct your movement vocabulary, to watch others going through it and to allow being witnessed in the process.
This workshop offers a site to deconstruct your movement vocabulary, to watch others going through it and to allow being witnessed in the process.
This workshop offers a site to deconstruct your movement vocabulary, to watch others going through it and to allow being witnessed in the process.
Dance like everyone’s watching (and they haaaaaaate it)
Open group ecstatic dancing facilitated by Austin based artist Andie Flores
Dance like everyone’s watching (and they haaaaaaate it)
Open group ecstatic dancing facilitated by Austin based artist Andie Flores
Jasmin has a master’s degree in English and cultural communications from the University of Copenhagen and has worked with several fields within the cultural sphere. She has worked with executing and communicating films, festivals, art fairs, and literature, and has now embarked upon queer performance art at Warehouse9.
Emma (they/she) has been a core member since 2012 and a leading effort in driving organisational development. They have helped shape WH9’s artistic profile, initiated national and international collaborations and consolidated WH9 through fundraising strategies, and insisting on production methods centering care and accessiblility.
In addition, Emma works as an independent curator, e.g. through the curatorial duo osborn&møller, where they have acted as guest curator at the Wellcome Collection (UK) and curated part of City of Women’s 25 year anniversary festival in 2019 (SL). Emma has experience as a freelance producer in the UK, where they worked with artists such as Poppy Jackson, Manuel Vason and SPILL Festival. Emma holds a MA in Theater and Performance from Queen Mary, University of London and a BA (Hons) in Drama, Applied Theatre & Education from the Royal Central School of Speech and Drama.
Jørgen Callesen (They/He) is co-founder and co-director of Warehouse9.
For the past 17 years, they have been an integral part of developing Warehouse9 to become a leading organisation for cross-aesthetic queer art, including international festivals and socially engaged projects. He holds a Ph.D. in information & media science from Aarhus University (2005) and has an artistic practice with the performance figure “miss fish”. They have presented solo work in Denmark and internationally since 2002 and work in collaboration with numerous queer artists as well as in lager scale productions.