FENRIS: Work-in-process sharing and artist talk

FENRIS is a multidisciplinary artistic interpretation of the mythological tale of the Fenris wolf. A symbol of the battle between chaos and order, which we see playing out in our contemporary era with the introduction of artificial intelligence/AI in both art and work.

Created by dancer/choreographer Dud Muurmand (DK) and musician Marko Hautamäki (FI), and developed during a residency in Warehouse9’s Qlab. FENRIS will premiere at the alternative culture festival Uma Obscura in Umeå, Sweden in November 2026. In collaboration with Warehouse9, Dud Muurmand and Marko Hautamäki invite us into their workspace for two evenings to facilitate a workshop, work-in-progress showing, and artist talk.

About the workshop, 22 october 2026

Dud welcomes you into her own artistic universe of theatrical dance and movement, where storytelling has a big focus.

We will work with the dance and drama improvisations, using the participants’ individual body language and imagination to create movements with expression and storyline – both solo and in group.

With her experience in large group-projects, Dud will also give some insights into developing group synergy in dance and movement.

The goal of this workshop is to inspire you to use your body for great storytelling and feel the dance joy.

The workshop is open to all, no specific technical background is needed.

 

About the work in process sharing and artist talk, 23 october 2026 

Dud og Marko invites you to a work-in-process sharing of the FENRIS-project in Copenhagen, before the performance piece will be premiered at the Uma Obscura festival in Umeå in November 2026.  After the preview, there will be an artist talk where you can ask the artist about the piece and the process.

Please note, only Dud will be present live on stage during this preview / talk – Marko will be present online for the talk.


About the artists

DUD MUURMAND: Copenhagen-based Dark Fusion dance artist  Dud has worked professionally in dance for 30 years. She has toured Europe and Scandinavia with workshops and performance projects, and has also been a part of the Warehouse9 performance stages before. She runs her own Patreon online forum with online classes and theatrical fusion performance projects. Dud works with the fusion of dance and storytelling, frequently drawing inspiration from Nordic history, mythology, and folklore.

MARKO HAUTAMÄKI:  Marko is a Finnish multi-instrumentalist best known from bands Two Witches and Chaos Research, both of which have performed in Uma Obscura in previous years. Marko has composed music for movies and video games, stylistically from metal to classical. He is pioneering the use of electric cello in the dark music scene and doesn’t shy away from experimentation. Recent interests include use of sound signals to achieve altered levels of consciousness.

Practical information

FENRIS workshop: 22 October 2026, 6pm – 8:30pm

Work-in-process sharing and artist talk: 23 October 2026, 7pm – 9pm

Both events are free but require registration via the sign-up link at the top of the page.

Access Information
Warehouse9 has level free entrance to the space and a gender neutral accessible toilet that can be accessed via a certified stairlift.
All events at Warehouse9 are considered “relaxed”. We operate with a safer space policy and ask that you orientate yourself upon entry to the space.

Warehouse9 is supported by the Danish Arts Foundation and The City of Copenhagen.

Porch sitting with Linh Le & Andie Flores

Porch sitting with Linh Le & Andie Flores

Join Linh and Andie in a relaxed porch sitting conversation.

Both artists are a part of the CopenhAustin residency exchange programme between Copenhagen and Austin, Texas initiated and facilitated by The Museum of Human Achievement (ATX), Unlsited Projects (ATX) and Warehouse9 (DK). Join them in conversation as they share their thoughts and experiences in an informal conversation.

More details coming soon….

After the conversation we invite everyone to stay on for a community dinner. We ask the your RSVP separately for this event, so that we have an accurate idea of numbers: RSVP for the dinner by clicking here.

LANGUAGE: the conversation will be in English.

ACCESS: Level free entrance to the mainhall and workspace. Accesible toilets are accessible via a certified stairlift. This event is considered relaxed. Service dogs are welcome.

 

ANDIE FLORES

ANDIE FLORES (b. 1990) (she/her) is a performance artist in Austin, Texas, who uses embarrassment as a medium for investigating hyper, almost obsessive, visibility in a racialized body across barriers of border, history, and capital. Her practice works to unsettle categorical, site-specific expectations of genres of performance (femininity, Latinidad, drag, citizenry) and aims to recontextualize the mechanisms required to do the work of the absurd. Flores creates experimental live performances that pair identity and comedic culture moments with over-exaggerated, often grotesque shapes and sounds. She is fascinated by the urgent task of world-building at the edge of the limits of art-making. 

Her work has been shown at Bushwig, Presa House Gallery, The Museum of Human Achievement, Ivester Contemporary, MASS Gallery, Future Front Film Fest, Contrast Film Festival, Fusebox Festival, and The Dallas Latino Cultural Center; and her writing has appeared in fields, Precog, Jezebel, and Remezcla. She was named one of Remezcla’s ‘40 Emerging, Texas-based Artists to Know’ in 2020, and made Glasstire’s ‘Best of 2021’ list. She debuted her first solo stage show, To Get There… You Must Undergo… A Radical Transformation at OUTsider Festival in February 2023 and produced a sold-out 6-show run at Crashbox in November 2023. She was voted best performance artist and among the top three art writers in Concept Animals’ Community Favorites poll of December 2023.

https://www.andieflores.com/

 

LINH LE

Linh Le (she / her) works with performative activism and fights for a just world for life on earth. At the moment, she explores the sensuousness and philosophy of species, making rituals for the diversity of life.

Linh Le is of a new generation of artists who with their own bodies are exploring the possibility of finding a balance between a growing desperation in a world of polycrisis and maintaining the belief in a different way of being human / species.

As a child of freedom fighters who came to Denmark as boat refugees from Vietnam, and as a witness to their struggles in Danish society, Linh Le is strongly called to free herself through dance, to challenge the norms, to transcend boundaries and explore how the body can act, transform and demand space for the less heard voices.

Linh Le is educated in Aesthetics and Culture from Aarhus University and Performance Design & Planning from Roskilde University. She is co-founder and member of the performance climate activist group Becoming Species which in close alliance with Extinction Rebellion and Embassy of the Species Copenhagen has made several performative actions in public space to amplify nature’s diverse voices.

https://linhle.dk/

Giorgia Ohanesian Nardin: Talk body to me – how would you move if you had everything you need?

Giorgia Ohanesian Nardin is an italian artist of Armenian descent practicing in the fields of dance and performance. Over the past 7 years they have been facilitating Pleasure Body, a space for theoretic/perceptive/somatic research and discovery around pleasure. 

Talk body to me is the opening, in the form of a conversation, of the research around Pleasure Body, starting from some of its key questions: 

 

  • what are the ways in which the body assimilates/internalizes sistemic oppression?
  • how, subsequently, do these structures become ways of being in the body? and in relationships? and in community?
  • from this standpoint, what do we mean when we talk about care
  • what have we internalized? and how do we free ourselves from what we have internalized non-consensually?
  • how would are lives, societies, worlds be if they were based on pleasure instead of profit? 

 

During the talk we will traverse these and other questions trying to approach the discussion from a somatic perception. 


ACCESS NOTES

Language: English.
Warehouse9’s workspace has level free entrance to the space and an accessible toilet that can be accessed via a stairlift.
All events at Warehouse9 are considered “relaxed”.

Duration: approx 90 minutes.

 

ABOUT

Giorgia Ohanesian Nardin is an Italian artist of Armenian descent working in the contexts of dance and live performance.

Trained in dance, their work exists in the shape of movement video text choreography sound gatherings and deals with the relationship between dancing, divination and writing; with geography and the opposite of belonging; with a fetish for language, its politics and its many frictions.

They began making work in 2010 in collaboration with artists Marco D’Agostin and Francesca Foscarini, with whom they founded Associazione Culturale VAN (2014).

Since 2018, Giorgia periodically holds Pleasure Body, a space for facilitating practices and conversations associated with pleasure and rest, questioning the narrations around labors of care and hosting critical thinking around words like well-being, health, healing, recovery. Pleasure Body is currently touring extensively, being held in a variety of situations, from cultural institutions to queer occupied spaces. Giorgia was invited to hold Pleasure Body at, amongst others: Harvard University in the context of Chiasmi – Queering Italian Studies, Siobhan Davies Studios, Saison Foundation Tokyo, Short Theatre Roma, Gropius Bau, Sophiensaele.

In 2020 they created Գիշեր | gisher, a multimedia piece that focuses on their experience as a diasporic Armenian. The work has been selected for LIFT Concept Touring and is currently on tour.

In 2022-23, Giorgia’s work is produced and supported by VIERNULVIER; they are also a selected artist for Breaking the Spell, research project that deals with ethics of care and feminist discourses in artmaking. As an independent writer and poet, Giorgia’s work has been included in L’Ano Solare – a year long programme of sex and self display (axis axis editions), curated by Il Colorificio.

They hold an ongoing writing/thinking practice with London – based artist Jamila Johnson-Small, with whom they have curated several events that focus on holding/facilitating/questioning space as/for subaltern subjectivities in institutional contexts.

Their work is produced and supported by, amongst others: Associazione Culturale VAN, VIERNULVIER, Centrale Fies Art Work Space, AtelierSi, BASE Milano, Lavanderia a Vapore, Milano Mediterranea ميلانو المتوسّطيةّ

www.giorgianardin.com

Jessica Karuhanga: ground and cover me

Jessica Karuhanga

Artist talk @ 19:30 followed by performance @ 20:30

ground and cover me engages with the physical and figurative contours of the institutional space. Karuhanga enacts gradual movements that are intuitive and deliberate responses to the walls, windows and ground. This piece is a choreographic rupture to institutional spaces that otherwise insist upon Black Queer people’s disappearance.

Bio

Jessica Karuhanga is a first-generation Canadian artist of British-Ugandan heritage whose work addresses the cultural politics of identity and Black diasporic concerns through lens-based technologies, writing, drawing and performances. She explores individual and collective concerns of Black subjectivity and embodiment through her practice.

Karuhanga has exhibited her work at the Kitchener-Waterloo Art Gallery (2023), Mitchell Art Gallery (Edmonton, 2022), the Robert McLaughlin Gallery (Oshawa, 2021), Varley Art Gallery (Markham, 2020), The Bentway (Toronto, 2019) and Nuit Blanche (Toronto, 2018). She has performed at Remai Modern (Saskatoon, 2023), Pallas Art Projects (Dublin, IE, 2022), WNDX Festival of Moving Image (Winnipeg, 2020), Long Winter (Toronto, 2019), Royal Ontario Museum (Toronto, 2018), Cooper Cole (Toronto, 2017), Goldsmiths (London, UK, 2017) and DoubleDouble Land (Toronto, 2016). C Magazine, BlackFlash, Susan Hobbs Gallery, Blackwood Gallery and Founderie Darling have published Karuhanga’s writing. She has been featured in AGO’s Artist Spotlight, i-D, DAZED, Visual Aids, Border Crossings, Toronto Star, CBC Arts, ESSE, and the Globe and Mail. She earned her BFA from Western University and MFA from the University of Victoria. She is an Assistant Professor in Studio Art in the Visual Arts Department at Western University (London, ON, Canada).

www.jessicakaruhanga.net

 

Presented as part of QALEIDOSCOPE QUEER FILM AND PERFORMANCE ON TOUR 2024